Exhibit | The Peterloo Massacre: A Bicentennial Remembrance

The wanton and furious attack made... Carlile, Richard, 1790-1843 (publisher), 1819.
The Wanton and Furious Attack Made…,Carlile, Richard, 1790-1843 (publisher), 1819.
Brown University Library, Anne S. K. Brown Military Collection

Examine two prints published in 1819 following The Peterloo Massacre and gain insight into an early 19th-century protest for political reform.

On August 16, 1819, a peaceful crowd of between 60,000 and 80,000 workers gathered in St. Peter’s Fields, Manchester, England, to voice their demands for political reform. Poor economic conditions and the lack of parliamentary representation in the years following the Battle of Waterloo led many textile workers who labored under dreadful conditions in the mills of north-west England, to march into the city to hear various speakers including the well-known radical orator, Henry Hunt. He represented the new political radicalism that was growing in the region, and the city magistrates were eager to quash it before serious problems arose. Shortly after the demonstrators had gathered, the magistrates ordered the Manchester and Salford Yeomanry to arrest Hunt and others who were accompanying him. As they charged into the crowd to carry out this order, they knocked down a woman and killed her child. The mass of demonstrators continued to present a threat, and the 15th Hussars were sent to disperse them along with the yeomanry. With sabers drawn, they charged into the crowd creating massive confusion resulting in the deaths of 18 people.

Exhibit Dates: Aug 1 -31, 2019
Exhibit TimeJohn Hay Library Hours
Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence

Exhibit | American Revolutionary War Prints

Hamilton, William, “The Manner in which the American Colonies Declared themselves Independent of the King of England.” (1790).

American Revolutionary War Prints
London: Hogg, 1790
Brown University Library, Anne S.K. Brown Military Collection

Explore Independence Day from a British point of view.
“Engraved for Barnard’s New Complete & Authentic History of England,”
this collection of 4 copper-engraved plates after William Hamilton, 1751-
1801 (artist) feature significant milestones from the American Revolutionary War (Apr 19, 1775 – Sep 3, 1783).  

Exhibit Dates: July 1 -31, 2019
Exhibit TimeJohn Hay Library Hours
Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence

Announcement | WBUR Features Library’s Gay Pulp Fiction Archive

Books from The Leatherman’s Handbook series (Photo by Miranda Suarez for WBUR)

WBUR.org has posted an article about the Gay Pulp Fiction collection at the John Hay Library.

Brown University Is Archiving Gay Pulp Fiction To Preserve A Moment Of LGBTQ History” by Miranda Suarez also features Heather Cole, Curator for Literary & Popular Culture Collections, and Finch Collins, a John Hay Library Undergraduate Fellow.

90.9 WBUR-FM is Boston’s NPR news station and the home of nationally syndicated programs, including On Point, Here & Now, Only A Game and Car Talk, which reach millions of listeners each week on NPR stations across the country and online. More info.

The WBUR article is mentioned on Literary Hub!

Announcement | John Hay Library Undergraduate Fellowships

L-R: Alan Mendoza Sosa ’20, Finch Collins ’21, and Evan Kindler ’20, pictured outside the John Hay Library

The John Hay Library Undergraduate Fellowship Program serves to assist Brown students with primary source exploration, inviting them to follow their curiosity, questions, and creativity through self-directed projects focused on an area within the vast special collections resources available within the Library. Working closely with Library staff over 10 weeks, the students will each produce an individual research project, to be presented at a symposium in the fall (date/time TBD).

This summer’s inaugural cohort of John Hay Library Undergraduate Fellows includes:

Alan Mendoza Sosa ’20 

“Nightsky’s Glitter”

Alan will create an experimental queer poetry chapbook inspired by and incorporating elements from the gay pulp fiction collection, the Scott O’Hara papers, the Katzoff collection, and the Smith magic collection. The book will explore themes of gender, sexuality, embodiment, and language, while questioning queer media representation, the social distinction between “high” and “low” literature, and between “academic” and “popular” culture. 

Finch Collins ’21 

“(Trans)formative Fandom: Trans Studies, Problematic Authors, and Reclamation”

Working with the Caitlin Kiernan papers and the gay pulp fiction collection, Finch will investigate negotiations of queer identity through fandom, examine the extent that fandom can serve as a site of reclamation and identity creation, and consider how utopian thinking on fandom’s reclamatory value might fall short. He hopes to produce a 40-50 page paper as a first step toward an honors thesis.

Evan Kindler ’20 

“The John Birch Society in the Trump Era”

Evan hopes to examine Trumpism’s roots in Bircherism by looking at how this far-right extremist group’s agenda has been reflected in Trump’s policies and rhetoric. Evan plans to write and submit a paper to an academic journal as well as possibly produce a creative work.

Announcement | 70th Anniversary of Orwell’s Nineteen Eighty-Four

Pages from the only surviving Orwell manuscript; at the John Hay Library

June 8, 2019 marked the 70th anniversary of the publishing of Nineteen Eighty-Four, the best-known work of author George Orwell (the pseudonym of Eric Blair, 1903-1950). He composed the novel between 1946 and 1948 on the Scottish island of Jura while suffering from tuberculosis. The book was published in to critical and popular acclaim; Orwell died six months later.

Orwell’s original manuscript of the novel was presented to Brown University Library in 1992 by Dan Siegel ’57. Containing nearly half of the published text, the document shows countless corrections and revisions in Orwell’s hand. It is the only one of Orwell’s literary manuscripts that survives; the author destroyed all others.

In his preface to his facsimile of the manuscript, Siegel wrote:

The collective survival of the world’s books and manuscripts is a transcendent act.  Without books, knowledge becomes arbitrary, truths are disparate and unrelated. Without books, memory fails. Any collection of books which justifies and confirms only the present truth is, in the wrong hands, or in the long run, dangerous. Regardless of how random any collection might be, its very existence is an indication of a society’s political health. Like one of Charrington’s trinkets, the existence of this manuscript is a good sign.

–Dan Siegel ’57

The manuscript is frequently consulted by scholars and used in class visits to the Library; visitors marvel over Orwell’s handwritten corrections of the novel’s famous first line, “It was a bright cold day in April, and the clocks were striking thirteen,” for which Orwell originally wrote, “It was a cold day in early April, and a million radios were striking thirteen”; as well as the first instances of “newspeak” and “Big Brother is watching you.”

Announcement | Library’s Andy Moul to Retire

In June 2019, Andy Moul, Senior Library Associate Specialist in Reader Services at the John Hay Library, will retire after 39 years with the Brown University Library.

Andy began as a shelver at the Rockefeller Library in 1980, after which he became a door guard. From there, he worked in Circulation at the Rock until moving to the Hay in 1994.

While at the Library, Andy had the opportunity to curate an Origami exhibit with Sociology Professor James Sakoda. He also played on the Library softball team with his step-daughter, Ricca Gaus. During the late 1980s and into the 1990s, Andy took part in numerous craft bazaars in Sayles Hall. He also met his first wife in the Rock lobby. They were together for over 20 years.

Upon retirement Andy plans to move to Hopkinton, RI where his wife, Rebecca Ladd, and he have a home located next to the Moscow Brook. He looks forward to spending time gardening, paper folding, and walking the couple’s five dogs.

The Library offers its deeply felt gratitude to Andy for his years of service and our best wishes for a happy retirement.

Announcement | Holly Snyder Presents at RISD Museum Event on Gorham Company

On Friday, May 3, 2019, the Rhode Island School of Design (RISD) Museum hosted a one-day symposium in conjunction with its exhibit Gorham Silver: Designing Brilliance 1850-1970, at which Holly Snyder, Curator Curator of American Historical Collections and the History of Science at the Brown Library, presented. Holly spoke about the history of the Gorham Manufacturing Company.

The symposium was videotaped and can be viewed on YouTube.

Exhibit Catalog

As part of their preparation for the exhibition, the RISD Museum asked Holly to write an introductory chapter for the exhibit catalog about the history of the company and the making of the Gorham Company Archive. Holly co-wrote the chapter with Gerald M. Carbone, an independent writer and journalist, who had previously published a book on Brown & Sharpe

Symposium Presentation

The presentations at the symposium were intended to recapitulate some of the material in each of the chapters of the exhibit catalog. Holly’s talk, “The Gorham Company Archive in the Historical Context of Providence, Rhode Island,” focused on how the Gorham records ended up at the John Hay Library and how this collection is nestled within the larger collections at the Hay.

Samuel J. Hough

The late Samuel J. Hough, a former librarian at the John Carter Brown Library who became an independent bookseller, appraiser, and researcher, played a key role in rescuing the Gorham records from imminent destruction and bringing these materials to the attention of John Hay Library staff. The transfer of these records to the Hay took place during the rapid downsizing of the company in the mid-1980s, when Gorham was owned by Textron and the decision was made to abandon the plant complex on Adelaide Avenue in Providence in favor of smaller manufacturing sites elsewhere. Sam Hough worked closely with the Brown Library on the Gorham records and helped sort and organize the Gorham materials that the Library ultimately received from Textron. Sam Hough passed away in early March 2019, and Holly framed her talk as a tribute to his work, on which all of the symposium participants had relied. 

Gorham Company Archive and Providence-based Photography

Holly also spoke about the way in which the Gorham Company Archive intersects with other aspects of Brown’s special collections holdings, specifically that the Gorham records enhance the Library’s holdings related to the technical innovations in photography in Providence–innovations on which the Gorham Company relied heavily in building its marketing and its customer base.

Photography was a consumer-oriented business in Providence, which Holly illustrated by showing various examples from the special collections, starting with a Poe daguerrotype and moving through images of The Arcade Providence, to advertising from 19th century business directories. All of these items represent technological evolution that made photography popular with the masses and useful to Gorham’s business. She also showed broadsides from Brown’s holdings that portray the pre-existing popular taste for entertainment on which Gorham was effectively able to capitalize.

Exhibition

The Gorham Silver: Designing Brilliance 1850–1970 exhibition will runs through December 1, 2019 at the RISD Museum.

Event | Exhibit Opening Reception for “Learning through Play: British and French Tabletop Games from the 18th and 19th Centuries”

Dissected puzzle, The British Sovereigns from William the Conqueror to George IV [1825] William Darton, London, England

On Friday, May 24, 2019 from 4 – 6 p.m. at the John Hay Library, the exhibit, Learning through Play: British and French Tabletop Games from the 18th and 19th Centuries,” will officially launch with an opening reception. This exhibit was created through a gift of Georgian and Victorian games, along with jigsaw puzzles and other related items, from Ellen Liman ’57, P’88, as well as a loan of 19th and 20th century French board games from Doug Liman ’88.

At 5 p.m., Ellen Liman and her son, celebrated filmmaker Doug Liman, will deliver remarks.

This event is free and open to the public.

More information about the exhibit.

The games join the John Hay Library’s rich collections of material on popular culture, and will be available online in May, and in the John Hay Library special collections reading room following the exhibition.

Date: Friday, May 24, 2019
Time: 4 – 6 p.m.; remarks at 5 p.m.
Location: John Hay Library, 20 Prospect Street, Providence, RI

Event | The Vietnam War – Enduring Impact on the Brown Community, an Alumni Reunion Forum

In the late 1960s, the Vietnam War was raging. Brown graduates had to make choices – some joined the military, some went to Vietnam, some protested, some left the country, some never came home. The lives of both men and women at Brown were profoundly affected.

Come hear from our panelists and join in the discussion about how the Brown community and so many others have been affected by the Vietnam War, then and now.

Moderator

Joe Petteruti ’69 (Rhode Island Air National Guard), Commercial banking and real estate finance

Panelists

  • Thelma Austin ’69, publisher
  • David I. Kertzer ’69, Paul R. Dupee Jr., University Professor of Social Science, professor of anthropology and Italian studies, Brown University
  • Scott Somers ’69 (Naval ROTC, U.S. Navy), co-founder of an executive search firm

Sponsored by the Brown University Library and Brown Alumni Association.

Date: Saturday, May 25, 2019
Time: 3:30 – 4:30 p.m.
Location: Willis Reading Room, John Hay Library, 20 Prospect St, Providence

Exhibit | Learning through Play: British and French Tabletop Games from the 18th and 19th Centuries

“The cottage of content: or, the right roads and wrong ways” (London, 1848)

LEARNING THROUGH PLAY: BRITISH AND FRENCH TABLETOP GAMES FROM THE 18th AND 19th CENTURIES

Georgian & Victorian Games, Gift of Ellen Liman ‘57, P’88, and Early French Games, Loan from Doug Liman ‘88
May 21 – October 11, 2019
John Hay Library, Brown University

The exhibition will be on display in the John Hay Library’s main gallery from May 21 through October 11, 2019; the exhibition is free and open to the public during the library’s regular hours: from May 28 through Labor Day, Monday through Friday, 10 a.m. – 5 p.m.; before May 28 and after Labor Day, Monday through Thursday, 10 a.m. – 6 p.m., and Friday 10 a.m. – 5 p.m.

Ellen Liman and Doug Liman are available for an interview or a lecture. For more information and images of the collection, please contact Heather Cole, Curator for Literary & Popular Culture Collections, heather_cole@brown.edu, or by phone, (401) 863-1512.

The Brown University Library is pleased to announce an exhibition featuring 18th and 19th century board games collected by the Liman family. Twenty-three Georgian and Victorian board games, along with jigsaw puzzles and other related items were given to the library by Ellen Liman ’57, P’88. A collection of 19th and 20th century French board games is on loan from the Limans’ son, filmmaker Doug Liman ‘88.

Joseph Meisel, the Joukowsky Family University Librarian, noted his enthusiasm for the Limans’ gift: “This is a wonderful addition to our extensive collection of popular culture materials and significantly extends the range of our holdings in the important area of games and play. As a historian of 19th-century Britain, I am particularly fascinated by how these games serve as documentary sources for deeper understanding of the complex concepts and values that the dominant segments of society sought to impart to their young as future leaders at home and in the world.”

Arthur and Ellen Liman began collecting vintage board games when their son Doug found an old game at a yard sale as a child. This first acquisition sparked an enchantment with games and their depictions of British culture, and the couple spent decades enthusiastically and meticulously building this and other related collections. The late Arthur Liman, a prestigious attorney, was attracted to these games for the historical record: games such as Wallis’s Picturesque Round Game of the Produce and Manufactures of the Counties of England and Wales (ca. 1840) serve as a lesson in how to be an informed citizen of a powerful empire, while others, such as The Railway Travellers (undated) show off new technologies. Other games, such as Every man to his station (1825) provide moral instruction for children. Ellen Liman, a gallerist, author, and painter, valued the games for their artistry, and “appreciated their design, their excellent engraving and later lithography, the delicacy of the hand-coloring, not to mention the charm and ingenuity of every game.” Considering where this collection should ultimately reside, Ellen recalled her formative arts education experiences at Pembroke College, where she majored in art and took courses at RISD, and explains, “Brown was influential to this collection. Since these games are not only educational but rare small works of art, I naturally gravitated to them.” Ellen and Arthur continued to engender an appreciation for antique board games in their son Doug, who has loaned part of his collection of 19th– and early 20th-century French games to this exhibition. Doug, who during his first year at Brown created BTV, Brown’s student-run television station, said: “As a filmmaker of movies and television series, I think of these old French games as early movies or plays, telling stories in a beautiful, artistic, and concise visual format.”

As the turn from the 18th to the 19th century approached in Great Britain, parents and teachers embraced a suggestion from the philosopher John Locke that “learning might be made a play and recreation to children.” A market for board games for instruction and delight flourished, but very few examples survive today. Those that have survived open a window onto the time period in which they were created, reflecting its social and moral priorities as well as a wide range of educational subjects. The games themselves are beautifully detailed: produced by a handful of the best-known publishers of the era, the hand-color engraved games look as vibrant and colorful as they did two centuries ago. Many of the games in the Limans’ collection include not only a game board, but original cases and instruction booklets as well.

The games join the John Hay Library’s rich collections of material on popular culture, and will be available online in May, and in the John Hay Library special collections reading room following the exhibition.

Dates: May 21 – October 11, 2019
Time: John Hay Library Hours
Location: John Hay Library, 20 Prospect Street, Providence, RI