Commencement Forum | Word/Image/Text: Reading for the Philosophers’ Stone in Atalanta fugiens with Tara Nummedal

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Tara Nummedal, Associate Professor and Director of Graduate Studies in the History Department

The Library welcomes visitors to a Commencement Forum on Saturday, May 28, 2016 at 11 a.m. in the Patrick Ma Digital Scholarship Lab and Sidney E. Frank Digital Studio at the Rockefeller Library.

As part of Brown University’s new Digital Publishing Initiative, Professor Tara Nummedal will present on her upcoming publishing project. Project Atalanta will bring a multimedia seventeenth century text to life in digital form. This innovative digital publication will produce a dynamic, enhanced digital edition of Michael Maier’s extraordinary text, Atalanta fugiens (1617/18): an alchemical emblem book that re-casts the myth of Atalanta—the fleet-footed virgin—as a series of fifty emblems. Comprised of text, image, and music, each individual emblem engages sound, sight, and intellect; read together, these emblems serve as an interlocking guide to alchemical theory and the production of the philosophers’ stone.

As a pilot project of the Digital Publishing Initiative, Project Atalanta seeks to bridge the gaps between the readers of today and their seventeenth century counterparts. By transforming the Atalanta fugiens into a dynamic digital object through the collaboration of historians, musicians, rare book curators, linguists, scientists, artists, and other scholars Project Atalanta reflects a dynamic, emergent form of interdisciplinary scholarship. The University Library invites visitors to come and hear about this unique multimedia text, and explore along with Professor Nummedal the implications of reading across time, cultures, and technologies.

Tara Nummedal is Associate Professor and Director of Graduate Studies in the History Department. She is the author of Alchemy and Authority in the Holy Roman Empire and is currently completing her second book, “The Lion’s Blood: Alchemy, Gender, and Apocalypse in Reformation Germany.” Her work has been supported by the National Endowment for the Humanities, the American Council of Learned Societies, the Chemical Heritage Foundation, and, most recently, the John Simon Guggenheim Memorial Foundation. She is Past President of the New England Renaissance Conference and a member of the editorial board of the journal Ambix. She teaches courses in early modern European history and the history of science.

Date: Saturday, May 28, 2016
Time: 11 a.m.
Location: Patrick Ma Digital Scholarship Lab, Rockefeller Library, 10 Prospect Street, Providence

Event | Tara Nummedal and Donna Bilak: “Tear the Books Apart: Atalanta fugiens in a Digital Age”

Atalanta emblem XI

On Thursday, April 21, 2016, at 12 p.m. in the Digital Scholarship Lab at the Rockefeller Library, scholars Tara Nummedal and Donna Bilak will speak about their digital publication, Project Atalanta. This event is free and open to the public. A reception will follow the talk.

Recently chosen as one of two pilot projects for Brown’s Mellon-funded digital publishing initiative, Nummedal and Bilak’s publication will bring a multimedia seventeenth century text to life in digital form. The digital publication will produce a dynamic, enhanced digital edition of Michael Maier’s extraordinary text, Atalanta fugiens (1617/18). An alchemical emblem book, Maier’s Atalanta fugiens re-casts the myth of Atalanta—the fleet-footed virgin—as a series of fifty emblems that outline the creation of the philosopher’s stone. With its combination of text, image, and music, the Atalanta fugiens represents an early multimedia work. In Project Atalanta, this historic text will be represented in dynamic digital form and be accompanied by newly written scholarship that will help elucidate the Atalanta fugiens’ many layers. 

In this lunchtime talk, Nummedal and Bilak will discuss their work-in-progress, share insight into the world of seventeenth century emblem culture, and help build a foundation for an open dialogue about the processes, opportunities, and challenges of producing digitally rich scholarly products. 

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Tara Nummedal

Tara Nummedal is Associate Professor and Director of Graduate Studies in the History Department. She is the author of Alchemy and Authority in the Holy Roman Empire and is currently completing her second book, “The Lion’s Blood: Alchemy, Gender, and Apocalypse in Reformation Germany.” Her work has been supported by the National Endowment for the Humanities, the American Council of Learned Societies, the Chemical Heritage Foundation, and, most recently, the John Simon Guggenheim Memorial Foundation. She is Past President of the New England Renaissance Conference and a member of the editorial board of the journal Ambix. She teaches courses in early modern European history and the history of science.

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Donna Bilak

Donna Bilak is a lecturer at Columbia University in New York. Her research interests encompass early modern European history of science and alchemy, early modern emblem culture, as well as 19th-century jewelry history and technology. Dr. Bilak’s doctoral research reconstructed the life and times of a 17th-century Puritan alchemist who operated in England and America, and she was the 2013-14 Edelstein Postdoctoral Fellow at the Chemical Heritage Foundation in Philadelphia where her research focused on analysis of the Atalanta fugiens(1618), an alchemical emblem book that encodes laboratory technologies using music and images. Dr. Bilak has lectured extensively on the topics of early modern alchemy as well as jewelry history throughout North America and Europe​.

Date: Thursday, April 21, 2016
Time: 12 p.m.
Location: Patrick Ma Digital Scholarship Lab, Rockefeller Library, 10 Prospect Street, Providence

Event | New Directions in Scholarly Publishing and the Challenges of Evaluation

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On Monday, March 21, 2016 at 5:30 p.m. in Pembroke Hall, three academic publishing professionals will participate in a panel discussion entitled, “New Directions in Scholarly Publishing and the Challenges of Evaluation.” This lecture series is intended to engage Brown faculty and students in a conversation about changes in the field of scholarly communication in the twenty-first century and will complement the University’s initiative for digital scholarship, which was recently awarded a grant from the Andrew W. Mellon Foundation. This event is free and open to the public. A reception will follow.

The panelists:

  • Kathleen Fitzpatrick, Director of Scholarly Communications and managing editor of PMLA
  • Alison Mudditt, Director of the University of California Press
  • Tara McPherson, Founding Editor of Vectors, and creator of the new authoring platform, Scalar

The discussion will focus on the history and evolution of scholarly publishing, innovative publishing platforms, and how university presses can adapt to meet the needs of multimodal scholarship while continuing to provide the rigorous review processes that meet the needs of the scholarly community.

This lecture series is co-sponsored by the Brown University Library and the Cogut Center for the Humanities.

Abstracts

Kathleen Fitzpatrick:
Focus will be on the MLA’s platforms for supporting new forms of scholarly communication, including the Commons and CORE, as well as MLA’s guidelines for evaluating digital scholarship for tenure and promotion.

Alison Mudditt:
Scholarly communication is increasingly in flux as the academic community, scholarly organizations and research funders question whether traditional publishing models and norms are still appropriate in an increasingly open and digital age. As a vitally important and distinctive vehicle for communication in the humanities, how can monographs not only be preserved but also reinvigorated as we move towards open, digital models? Open access has enormous potential to increase the reach and impact of scholarship, but it will have disruptive effects on established norms, and raises some key questions – especially in disciplines deeply invested in the slow forms of knowledge-making represented by the monograph. Speaker will address the barriers, sensitivities and practical challenges surrounding open access monographs, and about the ways in which UC Press is addressing them via its innovative Luminos program (www.luminosoa.org).

Tara McPherson:
What are the particular affordances of the digital for scholarly knowledge production today? How might we imagine scholarship differently if we move beyond a focus on text toward multimodal expression and design? What audiences might such work reach? This talk will explore how we might envision scholarship along multiple scales and in varied formats, paying particular attention to the ways in which scholarly evidence might be engaged anew through the possibilities of the digital archive. By taking up the specific case of the online platform Scalar, the speaker will approach these questions through concrete examples of digital scholarship today.

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Kathleen Fitzpatrick

Kathleen Fitzpatrick

Kathleen Fitzpatrick is Associate Executive Director and Director of Scholarly Communication of the Modern Language Association, where she serves as Managing Editor of PMLA and other MLA publications. She also holds an appointment as Visiting Research Professor of English at NYU.  She is author of Planned Obsolescence:  Publishing, Technology, and the Future of the Academy (NYU Press, 2011) and of The Anxiety of Obsolescence: The American Novel in the Age of Television (Vanderbilt University Press, 2006). She is co-founder of the digital scholarly network MediaCommons, where she led a number of experiments in open peer review and other innovations in scholarly publishing.

Alison Mudditt

Alison Mudditt

Alison Mudditt has been Director of University of California Press since 2011, where she has focused on reshaping the Press’s strategy and structure to meet the needs of its diverse audiences in the digital age. Alison has twenty-five years experience in scholarly publishing which began at Blackwell in Oxford, UK, where she rose to become Publisher for the Humanities Division. In 1997, Alison moved to Taylor & Francis Inc. in Philadelphia as Publishing Director of the Behavioral Sciences Division. Alison joined SAGE in 2001 as Vice President and Editorial Director, and was appointed Executive Vice President in 2004 where she led the SAGE’s publishing programs across books, journals and digital during a period of tremendous growth. Alison is a regular speaker at industry meetings and is currently Vice Chair of the Scientific Publications Committee and member of the Open Science Committee of the American Heart Association, and member of the Board of Directors of K|N Consultants. She has also served on the Executive Council of the Professional and Scholarly Publishing Division of the American Association of Publishers, and was Co-Chair of the Dean’s Leadership Council at California State University, Channel Islands.

TaraMcPherson

Tara McPherson

Tara McPherson is Associate Professor of Critical Studies at USC’s School of Cinematic Arts and Director of the Sidney Harman Academy for Polymathic Studies. She is a core faculty member of the IMAP program, USC’s innovative practice based-Ph.D., and also an affiliated faculty member in the American Studies and Ethnicity Department. Her research engages the cultural dimensions of media, including the intersection of gender, race, affect and place. She has a particular interest in digital media. Here, her research focuses on the digital humanities, early software histories, gender, and race, as well as upon the development of new tools and paradigms for digital publishing, learning, and authorship.

She is author of the award-winning Reconstructing Dixie: Race, Gender and Nostalgia in the Imagined South (Duke UP: 2003), co-editor of Hop on Pop: The Politics and Pleasures of Popular Culture (Duke UP: 2003) and of Transmedia Frictions: The Digital, The Arts + the Humanities (California, 2014), and editor of Digital Youth, Innovation and the Unexpected, part of the MacArthur Foundation series on Digital Media and Learning (MIT Press, 2008.) She is currently completing a monograph about her lab’s work and process, Designing for Difference, for Harvard University Press. She is the Founding Editor of Vectors, www.vectorsjournal.org, a multimedia peer-reviewed journal affiliated with the Open Humanities Press, and is a founding editor of the MacArthur-supported International Journal of Learning and Media (launched by MIT Press in 2009.) She is the lead PI on the new authoring platform, Scalar, and for the Alliance for Networking Visual Culture, http://scalar.usc.edu/. Her research has been funded by the Mellon, Ford, Annenberg, and MacArthur Foundations, as well as by the NEH.

Date: March 21, 2016
Time: 5:30 p.m.
Location: The Cogut Center for the Humanities, Pembroke Hall, 172 Meeting Street, Providence

Pilot Projects Selected for Brown’s Digital Publishing Initiative

The Dean of the Faculty and the Brown University Library are pleased to announce the selection of two faculty-led projects for the inaugural year of the University’s Digital Publishing Initiative. Supported by a generous grant from the Andrew W. Mellon Foundation, the Digital Publishing Initiative offers Brown faculty members the opportunity to explore new and innovative approaches to scholarly publishing and research. Produced through new partnerships between scholars and digital scholarship staff, these two pilot projects will be conceived and constructed over the next several years, leading ultimately to pioneering, interactive publications on the web.

MRiva

Massimo Riva, Royce Family Professor of Teaching Excellence and Professor of Italian Studies, Chair of Italian Studies

Written by Brown University’s leading Italian Studies scholar Massimo RivaItalian Shadows: Casanova’s Polemoscope and Other Tales of Imaginary or Forgotten Media conceives of an archaeology of virtual reality. Through focusing on four curious pieces of analog media from the pre-digital age—including Casanova’s voyeuristic polemoscope (or jealousy glass); an eighteenth century peep show box, the Mondo Novo; the Great Belzoni’s Aggrescopius, an enhancement of magic lantern theater; and the travelling panorama—Riva will draw connections between old forms of reality-altering technologies and today’s virtual world. Taking advantage of the capabilities of the web, Italian Shadows will include rich, interactive illustrations that capture the effects of these long forgotten optical tools and cut a hypertextual path across a variety of eighteenth- and nineteenth-century mediascapes. Mining the past for examples of “imaginary” technologies that provided a conduit for alternative imaginings, this study examines the complex relationship between technological innovations and the cultural imagination.

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Tara Nummedal, Associate Professor of History, Associate Professor of Italian Studies

The other pilot project is a collaboration between Brown University’s Tara Nummedal and Columbia University’s Donna Bilak. Combining the format of the scholarly edition with that of a critical anthology, Nummedal and Bilak’s Project Atalanta will bring a multimedia seventeenth century text to life in digital form. The digital publication will produce a dynamic, enhanced digital edition of Michael Maier’s extraordinary text, Atalanta Fugiens (1617/18). An alchemical emblem book, Maier’s Atalanta fugiens re-casts the myth of Atalanta—the fleet-footed virgin—as a series of fifty emblems that outline the creation of the philosopher’s stone. With its combination of text, image, and music, the Atalanta fugiens represents an early multimedia work. In Project Atalanta, this historic text will be represented in dynamic digital form and be accompanied by newly written scholarship that will help elucidate the Atalanta fugiens’ many layers.

These proposals by were selected by the Digital Publications Advisory Board, which is made up of Brown faculty members and administrators reflecting a broad range of disciplines, interests, and areas of expertise. These proposals were selected not only for their scholarly promise, but also for their innovative approaches to digital forms of research and presentation.

The Digital Publishing Initiative is a joint project of Brown’s Office of the Dean of the Faculty and the Brown University Library. Funded by the Mellon Foundation, this Initiative aims to extend the University’s mission in supporting scholarship of its faculty through engagement with new and emerging forms of digital publication. Each year for the duration of the grant, faculty members at the University will be invited to submit proposals for digital publication projects to be made in partnership with members of Brown’s Center for Digital Scholarship, which provides design and editorial support, and technical expertise.

In April, 2016, Professors Riva and Nummedal will speak in the Brown University Library about their Mellon-supported digital projects. The exact date and location of this talk will be announced soon. Later this spring there will be a new call for proposals issued to the Brown community, with proposals to be evaluated in the 2016 fall semester. For more information about the Digital Publishing Initiative, please contact the Digital Scholarship Editor, Liz Glass at elizabeth_glass@brown.edu.

The Digital Publications Advisory Board Members for 2015-2016:

  • Michael Satlow, Chair
  • Thalia Field
  • Harold Cook
  • Leslie Bostrom
  • Steven Lubar
  • Courtney Martin

Ex-Officio Members:

  • Kevin McLaughlin, Dean of the Faculty
  • Joseph Meisel, Deputy Provost
  • Harriette Hemmasi, University Librarian
  • Liz Glass, Digital Scholarship Editor

Focus on Collections | Spring/Summer 2014 Newsletter of the Brown University Library

Focus on Collections: The Newsletter of the Brown University Library, Spring/Summer 2014The Brown University Library has recently published its Spring/Summer 2014 edition of the Newsletter of the Brown University Library: Focus on Collections.

The publication considers the past, present, and future of library collections. With contributions from several Brown University librarians, faculty members, and students, the articles in the newsletter discuss the importance of the physical object and the stories an item can tell; review the logistics of acquiring, maintaining, and digitizing physical collections; evaluate the influx and influence of technology on collections building and maintenance; and take stock of the student experience with collections.

Harriette Hemmasi, the Joukowsky Family University Librarian, writes the introduction and emphasizes the Library’s commitment “to remaining, foremost, an intellectual center shaped by the needs of Brown students and faculty who rely on its collections, services, and spaces.”

You can read the newsletter in PDF form here: Focus on Collections.

CNI Podcast with Harriette Hemmasi: Brown University Libraries Supporting Digital Scholarship

In this interview recorded at the 2013 Fall Membership Meeting of the Coalition for Networked Information (CNI), University Librarian Harriette Hemmasi discusses the Brown University Library Digital Scholarship Lab and the relationship librarians at Brown are cultivating with research and other forms of digital scholarship.

CNI Podcast: Brown University Libraries Supporting Digital Scholarship

Brown University, National Archives and Records Administration, and National Archive of Brazil Forge Partnership

The group meets with Professor James N. Green in Washington, D.C. at the National Archives to speak with Janaina Telles, whose parents were political activists and were tortured during the military dictatorship, and Peter Kornbluh, Director of the National Security Archive's Chile documentation project and Cuba documentation project.

The group meets with Professor James N. Green in Washington, D.C. at the National Archives to speak with Janaina Telles, whose parents were political activists and were tortured during the military dictatorship, and Peter Kornbluh, Director of the National Security Archive’s Chile documentation project and Cuba documentation project.

PROVIDENCE, R.I. [Brown University] — A unique, student-led project is the foundation for a partnership between Brown University, the National Archives and Records Administration (NARA), the National Archive of Brazil, and the State University of Maringá (UEM). “Opening the Archives” is designed to provide online public access to the NARA-held State Department of Political Affairs and Relations declassified documents pertaining to U.S.-Brazilian relations from the turbulent 1960s, 70s and 80s.

To prepare to participate in “Opening the Archives,” Brown students studied Brazil’s history with renowned scholar, Professor James N. Green, and were trained by Brown University Library staff in the standardized modes of organization, indexing/description, and digitization.  Directly engaged with rarely seen historical documents at the NARA in DC, Brown students are now working alongside students from Brazil’s State University of Maringá to organize and provide indexing terms to these distinctive documents as they are digitized and made accessible through the Brown Digital Repository (BDR). Created by Brown University Library, the BDR is an online service for collecting, preserving, and disseminating intellectual output. Once in the repository, the NARA documents will be accessible via the internet to scholars around the world.

The “Opening the Archives” project reinforces President Rousseff’s promotion of public access to government information, her establishment of the National Truth Commission, and examination of the abuses of the former military dictatorship. And, the project has the potential to become a model for future collaborations between NARA and other universities, enabling NARA to make its historic records more widely available while also providing invaluable learning and research opportunities for students and faculty.

The mission of Brown University is to serve the community, the nation, and the world by discovering, communicating, and preserving knowledge and understanding in a spirit of free inquiry, and by educating and preparing students to discharge the offices of life with usefulness and reputation.

The Brown University Library is home to more than 6.8 million print items, plus a multitude of electronic resources and expanding digital archives serving the teaching, research, and learning needs of Brown students and faculty, as well as scholars from around the country and the world. http://library.brown.edu/

Contact: Jennifer Braga |  401-863-6913

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World-Famous Thriller Writers Coming to Brown!

PROVIDENCE, R.I. [Brown University] —At 6:30pm on November 15, 2012, Brown University Library will host a panel discussion featuring several of America’s most successful and renowned thriller writers. Author Jon Land ’79, will moderate the discussion between David Baldacci, Steve Berry, Neslon DeMille, Lisa Gardner, and R.L. Stine in Salomon Hall.  A book signing and reception will follow in Sayles Hall. The Thriller Panel is supported by Friends of the Library, Brown University Library, Brown University Bookstore, and Brown’s Office of University Event and Conference Services.

The program, book signing, and reception are free and open to the public. No registration required. Doors open at 5:45pm. Brown University Bookstore will sell books by all authors at the reception in Sayles Hall.

Thanks to the work of Jon Land, author, Friends of the Library board member, Providence resident, and Vice-President of Marketing for the International Thriller Writers, Brown University is currently establishing a Thriller Archive. Land wrote his first thriller as a senior thesis in English at Brown. Today he is a critically acclaimed and bestselling author of 32 books. Land has already donated his manuscripts to the Hay, and more donations will follow.

Land spearheaded the planning for the Thriller Panel as a kick-off for the archive. As he explained, “These incredibly successful authors represent an amazing range of thrillers from action, to political, to psychological suspense to young adult and even children’s.  I can’t think of a better way to celebrate the thriller genre in general, and the collection to be housed at our own John Hay Library in particular.”

David Baldacci
David Baldacci made a splash on the literary scene in 1996 with the publication of his first novel, Absolute Power. A major motion picture adaptation followed, with Clint Eastwood as director and star.  Baldacci has published 24 novels, all of which have been national and international bestsellers.  His novels have been translated into more than 45 languages and sold in more than 80 countries; over 110 million copies are in print worldwide. Baldacci has also published two children’s books.  Most recently, he was inducted into the 2011 International Crime Writing Hall of Fame and received the 2012 Barnes & Noble Writers for Writers Award. Baldacci is involved with several philanthropic organizations. His greatest efforts are dedicated to his family’s Wish You Well Foundation®. Established with his wife, the Foundation supports family and adult literacy in the United States by fostering and promoting the development and expansion of new and existing literacy and educational programs. In 2008 the Foundation partnered with Feeding America to launch Feeding Body & Mind, a program to address the connection between literacy, poverty, and hunger. Baldacci and his wife are the very proud parents of two terrific teenagers, and the generally proud owners of two not-so-well-behaved Labradoodles. They live in Northern Virginia.

Steve Berry
Steve Berry’s books have been translated into 40 languages with more than 14 million printed copies in 51 countries.  His work consistently appears in the top echelon of The New York Times, USA Today, and Indie bestseller lists. History lies at the heart of every Steve Berry novel, a passion he shares with his wife, which led them to create History Matters, a foundation dedicated to historic preservation. Since 2009, the couple has crossed the country to save endangered historic treasures, raising money via lectures, receptions, galas, luncheons, dinners, and their popular writers’ workshops. In 2012, the American Library Association recognized Berry’s devotion to historic preservation naming him the first spokesman for National Preservation Week.  Berry is also a recipient of the Royden B. Davis Distinguished Author Award, and a founding member of International Thriller Writers—serving three years as its co-president. Berry’s best-selling novels include: The Columbus Affair, The Jefferson Key, The Emperor’s Tomb, The Paris Vendetta, The Charlemagne Pursuit, The Venetian Betrayal, The Alexandria Link, The Templar Legacy, The Third Secret, The Romanov Prophecy, and The Amber Room.

Nelson DeMille
Nelson DeMille is a former U.S. Army lieutenant who served in Vietnam and is the author of sixteen acclaimed novels, including the #1 New York Times bestsellers Night Fall, Plum Island, and The Gate House. His other New York Times bestsellers include The Charm School, Word of Honor, The Gold Coast, Spencerville, The Lion’s Game, The Lion, Up Country, Wild Fire, and The General’s Daughter, which was a major motion picture starring John Travolta. He co-authored Mayday with Thomas Block and has also contributed short stories, book reviews, and articles to magazines and newspapers. DeMille is a member of The Authors Guild, the Mystery Writers of America, and American Mensa. He has three children and lives on Long Island.

Lisa Gardner
The New York Times #1 best-selling suspense novelist Lisa Gardner began her career in food service. After catching her hair on fire, she focused on writing instead.  Over 16 million copies of Gardner’s books are now in circulation, along with four movies. In 2010, Gardner’s The Neighbor received the award for Best Hardcover Novel from the International Thriller Writers and was named to the American Library Association’s “Best Adrenaline Novel Reading List.” Her latest novel, Catch Me, is the most recent addition to her Detective D.D. Warren series, set in Boston, MA. Gardner’s other works include the FBI Profiler Series, The Other Daughter, The Survivors Club, and I’d Kill For That.  A one-time Rhode Island resident, Gardner now lives in the mountains of New Hampshire with her race-car driving husband, speed-skiing daughter, two extremely barky dogs, and one incredibly hostile cat.

R.L. Stine
R.L. Stine is one of America’s best-selling authors and is cited in The Guinness Book of World Records as the best-selling series author in history. Over the past 20 years, Stine’s Goosebumps series has sold over 300 million copies in the United States alone and has become a publishing phenomenon in 32 languages around the world. Stine’s other popular children’s book series include Fear Street, Mostly Ghostly, The Nightmare Room, and Rotten School. In 2012, R.L. Stine’s The Haunting Hour, an anthology TV series of horror stories for the whole family, began its third season on The Hub TV Network, while the original Goosebumps TV episodes continue to air daily. In October 2012, Stine will publish Red Rain through Touchstone Books, a horror novel aimed at adult readers. Stine’s previous adult novels include: Superstitious, published by Warner Books, and The Sitter and Eye Candy, published by Ballantine Books. Stine lives in New York City with his wife Jane, an editor and publisher.

The Brown University Library is home to more than 6.8 million print items, plus a multitude of electronic resources and expanding digital archives serving the teaching, research, and learning needs of Brown students and faculty, as well as scholars from around the country and the world. http://library.brown.edu/

Contact: Jennifer Braga |  401-863-6913

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Website for Digital Art & Humanities Lecture Series, Now Live!

PROVIDENCE, R.I. [Brown University] –The Brown University Library is launching a new website which hosts abstracts and videos from the 2011-2012 Digital Arts and Humanities Lecture Series.  The series was jointly sponsored by Brown University Library and the John Nicholas Brown Center for Public Humanities and Cultural Heritage.

Over the course of the fall and spring semesters, five nationally recognized digital scholars came to campus to meet with graduate students, faculty, and digital staff, and to present on their research during an evening lecture. The series kicked off on October 3, 2011 with “Remembering Networks: Agrippa, RoSE and Network Archaeology” by renowned digital scholar, Alan Liu. The October lecture preceded Richard White’s “The Spatial Turn in History,” and “In the stack of the livebrary” by Jeffrey Schnapp. The last two lectures, “Post-archive: Scholarship in the Digital Age” by Tara McPherson, and “A Noisy Archaeology” by Paul DeMarinis, were filmed and are available for viewing.

The John Nicholas Brown Center helps connect academic communities and the broader public through history, art, and culture. We support people and organizations that explore, preserve, and interpret cultural heritage. Our programs explore the ways in which the humanities enrich everyday life.

The Brown University Library is home to more than 6.8 million print items, plus a multitude of electronic resources and expanding digital archives serving the teaching, research, and learning needs of Brown students and faculty, as well as scholars from around the country and the world.

Contact: Jennifer Braga |  401-863-6913