The Malana Krongelb Zine Collection, 1974-2018

The Pembroke Center Archives at Brown University: women’s history is here!, 2018

Explore a sampling of this collection consisting of administrative files and zines that focus on social justice and marginalized identities dating from 1974 to 2018. Areas of strength include zines by and about people of color, lesbian, gay, bisexual, transgender and other queer peoples, the disabled, interpersonal violence, sex and relationships, sex work, the prison industrial complex, self-care, feminism and punk.

Titles of particular interest include bluestockings magazine, a Brown University, Providence-based zine that challenges dominant media narratives by centering on communities systematically excluded from those discourses; Muchacha, a Latina feminist fanzine; SPACE (Space in Prison for Creative Arts and Expression), a zine that highlights the voices of incarcerated individuals in Rhode Island; Joyce Hatton’s Think About the Bubbles #8, which chronicles her struggles with cancer as a poor black woman; and Queer Indigenous Girl, a zine highlighting intersectional identities and activism.

Exhibit Dates: September 9 – 30, 2019
Exhibit TimeJohn Hay Library Hours
Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence

Event | Muriel Miguel: A Retrospective

Muriel Miguel: A Retrospective

Join the Library and the Department of Theatre Arts and Performance Studies on Monday, September 23, 2019 at 7 p.m. in Martinos Auditorium at the Granoff Center for the Creative Arts for Muriel Miguel: A Retrospective, the 15th Annual Don Wilmeth Endowed Lectureship in American Theatre.

Founder and Artistic Director of New York City’s Spiderwoman Theater, Muriel Miguel will share the fascinating journey from her roots in Brooklyn to her landmark contributions to the contemporary feminist and Indigenous theatre movements in the United States, Canada and around the world. Experience her extraordinary life through stories, photos and video from the last 60 years.

This event is free and open to the public. Registration is not required. A light reception will follow the talk.

Muriel Miguel

Muriel Miguel (Kuna/Rappahannock) is a founding member and Artistic Director of Spiderwoman Theater, the longest running feminist Native American theater company in North America. She has directed and co-written almost all of Spiderwoman’s shows since their first show, Women in Violence in 1976. They have produced over twenty original works for the theatre.

Muriel is a 2018 Doris Duke artist and in 2016, was a John S Guggenheim Foundation Fellow. She has received an honorary Doctorate in Fine Arts from Miami University in Oxford, OH, home of the Native American Women Playwrights Archives. She was awarded a Rauschenberg Residency in 2015 and is a member of the National Theater Conference and the Southeastern Theatre Conference where she received the 2019 Distinguished Career Award.

Muriel studied modern dance with Alwin Nickolai, Erick Hawkins and Jean Erdman. She was an original member of Joseph Chaikin’s Open Theater where she performed in the groundbreaking works: Terminal, The Serpent, Mere Ubu and Viet Rock.

She is a choreographer, director, and actor. She has choreographed Throw Away Kids and She Knew She Was She for the Aboriginal Dance Program at the Banff Centre. She directed Spiderwoman Theater’s Material Witness; The Scrubbing Project with Turtle Gals Performance Ensemble and Evening in Paris with Raven Spirit Dance Company. She has been a dramaturge with Native Earth Performing Arts’ annual Weesageechak Begins to Dance Festival. As an actor, she was the Mary Deity in the off-Broadway hit, Taylor Mac’s Lily’s Revenge. She created the role of Philomena Moosetail in The Rez Sisters, by Tomson Highway, a play that is a seminal work in the development of a First Nations play repertory in Canada. She played Aunt Shadie in The Unnatural and Accidental Women by Marie Clements and Spirit Woman in BONES: An Aboriginal Dance Opera. She has created one woman shows Hot’ N’ Soft, Trail of the Otter, and, most recently, Red Mother. Her latest project is Misdemeanor Dream, which explores the real and the fantastical existence of Native and First Nations tricksters and spirits in the stories, languages and lives of Indigenous people.

First East Coast Pow Wow in New Haven in 1945

She was selected for the Native and Hawaiian Women of Hope poster by Bread and Roses International Union’s Bread and Roses Center and in 2003 was the recipient of the first Lipinsky Residency (feminist-inresidence) at San Diego State University Women’s Studies Department. She has received many awards as a member of Spiderwoman Theater. The Smithsonian Institution’s Museum of the American Indian presented a retrospective exhibit, New Tribe, New York honoring Spiderwoman Theater’s years of work; a Lifetime Achievement Award from the Women’s Caucus for Art and the Otto René Castillo Award for Political Theatre. Spiderwoman Theater received the first Honoring the Spirit Award for Arts and Entertainment from the American Indian Community House.

Muriel was an Assistant Professor of Drama at Bard College. She taught and directed a yearly production at the Centre for Indigenous Theatre (CIT) was Program Director for CIT’s three week summer intensive. She is a pioneer in the development of an Indigenous performance methodology and is active in the training of Indigenous actors and dancers in this culturally based method. She was a Program Director for the Aboriginal Dance Program at The Banff Centre and an instructor there for seven years. Muriel has lectured with Muriel Miguel: A Retrospective and facilitated Storyweaving Workshops in conservatories and universities in the US, Canada and Europe.

Her work has been profiled in numerous articles and essays. The most notable of these are Women in Love: Portraits of Lesbian Mothers and their Families by Barbara Seyda and Diana Herrera and American Women Stage Directors of the 20th Century by Anne Fliotsos and Wendy Vierow. Plays Published: TRAIL OF THE OTTER in Staging Coyote’s Dream: An Anthology of First Nations Drama in English Vol. II & HOT ‘N’ SOFT in Two-Spirit Acts: Queer Indigenous Performances- Playwright’s Canada Press. Publications of Spiderwoman Theater plays: PERSISTENCE OF MEMORY in Performing Worlds into Being: Native American Women’s Thetare -Miami University Press; WINNETOU’S SNAKE OIL SHOW FROM WIGWAM CITY in Keepers of the Morning Star: An Anthology of Native Women’s Theater -UCLA American Indian Studies Centre and REVERB-BER-BER-RATIONS in Staging Coyote’s Dream: An Anthology of First Nations Drama in English -Playwright’s Canada Press.

Don Wilmeth

Don Wilmeth joined the Brown English and Theatre faculty in 1967. He retired as Asa Messer Professor Emeritus, Professor Emeritus of Theatre, Speech and Dance, and Professor Emeritus of English in 2004. The first endowed Wilmeth Lecture was presented in 2005.

Accessibility

To request special services, accommodations, or assistance for this event, please contact Jennifer Braga at Jennifer_Braga@brown.edu or (401) 863-6913 as far in advance of the event as possible. Thank you.

Date: Monday, September 23, 2019
Time: 7 p.m.
Location: Martinos Auditorium, Granoff Center for the Creative Arts, 154 Angell Street, Providence, RI 02912

Exhibit | The Peterloo Massacre: A Bicentennial Remembrance

The wanton and furious attack made... Carlile, Richard, 1790-1843 (publisher), 1819.
The Wanton and Furious Attack Made…,Carlile, Richard, 1790-1843 (publisher), 1819.
Brown University Library, Anne S. K. Brown Military Collection

Examine two prints published in 1819 following The Peterloo Massacre and gain insight into an early 19th-century protest for political reform.

On August 16, 1819, a peaceful crowd of between 60,000 and 80,000 workers gathered in St. Peter’s Fields, Manchester, England, to voice their demands for political reform. Poor economic conditions and the lack of parliamentary representation in the years following the Battle of Waterloo led many textile workers who labored under dreadful conditions in the mills of north-west England, to march into the city to hear various speakers including the well-known radical orator, Henry Hunt. He represented the new political radicalism that was growing in the region, and the city magistrates were eager to quash it before serious problems arose. Shortly after the demonstrators had gathered, the magistrates ordered the Manchester and Salford Yeomanry to arrest Hunt and others who were accompanying him. As they charged into the crowd to carry out this order, they knocked down a woman and killed her child. The mass of demonstrators continued to present a threat, and the 15th Hussars were sent to disperse them along with the yeomanry. With sabers drawn, they charged into the crowd creating massive confusion resulting in the deaths of 18 people.

Exhibit Dates: Aug 1 -31, 2019
Exhibit TimeJohn Hay Library Hours
Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence

Exhibit | American Revolutionary War Prints

Hamilton, William, “The Manner in which the American Colonies Declared themselves Independent of the King of England.” (1790).

American Revolutionary War Prints
London: Hogg, 1790
Brown University Library, Anne S.K. Brown Military Collection

Explore Independence Day from a British point of view.
“Engraved for Barnard’s New Complete & Authentic History of England,”
this collection of 4 copper-engraved plates after William Hamilton, 1751-
1801 (artist) feature significant milestones from the American Revolutionary War (Apr 19, 1775 – Sep 3, 1783).  

Exhibit Dates: July 1 -31, 2019
Exhibit TimeJohn Hay Library Hours
Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence

Announcement | WBUR Features Library’s Gay Pulp Fiction Archive

Books from The Leatherman’s Handbook series (Photo by Miranda Suarez for WBUR)

WBUR.org has posted an article about the Gay Pulp Fiction collection at the John Hay Library.

Brown University Is Archiving Gay Pulp Fiction To Preserve A Moment Of LGBTQ History” by Miranda Suarez also features Heather Cole, Curator for Literary & Popular Culture Collections, and Finch Collins, a John Hay Library Undergraduate Fellow.

90.9 WBUR-FM is Boston’s NPR news station and the home of nationally syndicated programs, including On Point, Here & Now, Only A Game and Car Talk, which reach millions of listeners each week on NPR stations across the country and online. More info.

The WBUR article is mentioned on Literary Hub!

Announcement | John Hay Library Undergraduate Fellowships

L-R: Alan Mendoza Sosa ’20, Finch Collins ’21, and Evan Kindler ’20, pictured outside the John Hay Library

The John Hay Library Undergraduate Fellowship Program serves to assist Brown students with primary source exploration, inviting them to follow their curiosity, questions, and creativity through self-directed projects focused on an area within the vast special collections resources available within the Library. Working closely with Library staff over 10 weeks, the students will each produce an individual research project, to be presented at a symposium in the fall (date/time TBD).

This summer’s inaugural cohort of John Hay Library Undergraduate Fellows includes:

Alan Mendoza Sosa ’20 

“Nightsky’s Glitter”

Alan will create an experimental queer poetry chapbook inspired by and incorporating elements from the gay pulp fiction collection, the Scott O’Hara papers, the Katzoff collection, and the Smith magic collection. The book will explore themes of gender, sexuality, embodiment, and language, while questioning queer media representation, the social distinction between “high” and “low” literature, and between “academic” and “popular” culture. 

Finch Collins ’21 

“(Trans)formative Fandom: Trans Studies, Problematic Authors, and Reclamation”

Working with the Caitlin Kiernan papers and the gay pulp fiction collection, Finch will investigate negotiations of queer identity through fandom, examine the extent that fandom can serve as a site of reclamation and identity creation, and consider how utopian thinking on fandom’s reclamatory value might fall short. He hopes to produce a 40-50 page paper as a first step toward an honors thesis.

Evan Kindler ’20 

“The John Birch Society in the Trump Era”

Evan hopes to examine Trumpism’s roots in Bircherism by looking at how this far-right extremist group’s agenda has been reflected in Trump’s policies and rhetoric. Evan plans to write and submit a paper to an academic journal as well as possibly produce a creative work.

Announcement | 70th Anniversary of Orwell’s Nineteen Eighty-Four

Pages from the only surviving Orwell manuscript; at the John Hay Library

June 8, 2019 marked the 70th anniversary of the publishing of Nineteen Eighty-Four, the best-known work of author George Orwell (the pseudonym of Eric Blair, 1903-1950). He composed the novel between 1946 and 1948 on the Scottish island of Jura while suffering from tuberculosis. The book was published in to critical and popular acclaim; Orwell died six months later.

Orwell’s original manuscript of the novel was presented to Brown University Library in 1992 by Dan Siegel ’57. Containing nearly half of the published text, the document shows countless corrections and revisions in Orwell’s hand. It is the only one of Orwell’s literary manuscripts that survives; the author destroyed all others.

In his preface to his facsimile of the manuscript, Siegel wrote:

The collective survival of the world’s books and manuscripts is a transcendent act.  Without books, knowledge becomes arbitrary, truths are disparate and unrelated. Without books, memory fails. Any collection of books which justifies and confirms only the present truth is, in the wrong hands, or in the long run, dangerous. Regardless of how random any collection might be, its very existence is an indication of a society’s political health. Like one of Charrington’s trinkets, the existence of this manuscript is a good sign.

–Dan Siegel ’57

The manuscript is frequently consulted by scholars and used in class visits to the Library; visitors marvel over Orwell’s handwritten corrections of the novel’s famous first line, “It was a bright cold day in April, and the clocks were striking thirteen,” for which Orwell originally wrote, “It was a cold day in early April, and a million radios were striking thirteen”; as well as the first instances of “newspeak” and “Big Brother is watching you.”

Announcement | Sean Briody ’19, Library Student Employee, Receives Stillwell Prize

Sean Briody '19

In April 2019, Sean Briody ’19 took first place in the John Russell Bartlett Society Stillwell Prize for Undergraduate Book Collecting for his distinguished collection of Brunoniana from the 19th and 20th centuries. His collection of Brown University materials is notable for the dense web of personal connections to Brown that are documented in each of the books. A lover of libraries, Sean has worked in the Brown University Library during all four of his undergraduate years at Brown. He attributes his love for book collecting to his work here.

Stillwell Competition

Sponsored by the John Carter Brown Library’s John Russell Bartlett Society, the Stillwell Prize is named in honor of the late Margaret Bingham Stillwell, Brown Class of 1909, the University’s first woman Professor of Bibliography, a renowned scholar of early printing, and Librarian at the Annmary Brown Memorial. The Stillwell Papers are housed in the University Archives.

The Brown Band

Sean was appointed historian of the Brown Band during his sophomore year and was asked to organize the partially unprocessed collection of Brown Band materials at the Hay. Through this connection, the Band donated additional papers to the archives, bringing the collection from 15 to 21 boxes. During this time, Sean also curated the exhibit, Ever True: A History of the Brown Band, at Orwig Music Library, after soliciting items from alumni, including a uniform from the Band’s founder, Irving Harris, and a 1927 Victor record of the Band–the first Brown musical group to be professionally recorded. According to Holly Snyder, Curator of American Historical Collections and the History of Science, and Sean’s supervisor at the Hay, “His interests in collecting, curation, and many different aspects of Brown’s history are truly outstanding.”

Collections Assistant

The Hay staff was so impressed with Sean’s work on the Band archive that he was hired as a collections assistant to catalog and organize parts of the Lownes Collection, the Rush Hawkins Collection, the Porter Collection of Washington Portraits, and a recent gift of important books from Dan Siegel ’57.

Finding Hidden Gems

Sean has a knack for finding hidden gems in the stacks. While working in Circulation at the Rock, he noticed an interesting report from the 1867 Anti-Slavery Conference in Paris, inside of which he found an inscription to Theodore Weld from William Lloyd Garrison.

Reverend lysander dickerman

Later, he was browsing a collection of Egyptian travelogues when he came across a boxed book with “Rock (Temporary)” on the spine. Within the box was a finely bound auction catalog with newspaper clippings pasted atop each page. The book, which details the Rev. Joseph Thompson’s trip to Egypt in 1853, is also a scrapbook of sorts, compiled by Rev. Lysander Dickerman (1825-1902), Brown Class of 1851, a lecturing Egyptologist in the 1880s and 1890s. After his death, Rev. Dickerman’s widow donated his library to Brown, along with his lectures and accompanying glass lantern slides. This volume sparked an interest in Dickerman for Sean. He consulted the original accession registers to reconstruct Dickerman’s library. In December 2018, Sean performed a costumed reenactment of Dickerman’s lecture, “The Pharaohs,” before an audience of professors, students, and library staff at the Joukowsky Institute for Archaeology and the Ancient World.

Favorite Collections

In his work as a collections assistant at the Hay, Sean has been particularly intrigued by the personal library of General Rush C. Hawkins, the husband of Annmary Brown. Hawkins’s collection of incunabula is catalogued, but his personal library has remained untouched since 2004, when item records were created but nothing further was done. The collection contains many treasures. Among those Sean has found so far are a book that belonged to King Louis Philippe (and also bears a gift inscription to Annmary Brown from her uncle John Carter Brown (1797-1874); a book that may have belonged to George Washington; William Lloyd Garrison’s Works, inscribed by the author to Nicholas Brown III (1792-1859); and a second edition of Robinson Crusoe (1719). According to Sean, “Not only are there many valuable research tools in the collection, but these books give a rare insight into the personal life of the Brown family–a popular research topic. Nicholas Brown III was minister to Rome during the European Revolution of 1848, and thus any of his books that relate to his travels in Europe are important for study.”

One of Sean’s favorite things at the Library is the Sidney S. Rider Collection. He describes Rider as an amazing collector: “Almost every book has something special added to it–maybe it’s a badge from a monument unveiling, a photograph, or an inscription from Moses Brown. Regardless, it’s the best resource for Rhode Island history around.”

North Burial Ground

In addition to his work at the Library, Sean is a records management and genealogy specialist intern for the North Burial Ground in Providence. The cemetery has existed since 1700, but official records were not kept until 1848. Sean is indexing these print records. He has also created some new tours for the cemetery, focused on topics including Brown University, black heritage, and Rhode Island politics. 

Future Studies

Originally from Commack, NY on Long Island, Sean has found Providence to be “rainy, but a blast.” He will remain in Rhode Island for at least a couple more years since he is entering the MA program in public humanities at the John Nicholas Brown Center for Public Humanities and Cultural Heritage this fall. He looks forward to continuing exploration into the management of both object and paper archives, his primary focus of study.

Announcement | Graduating Library Student Employees

sample of digital bookplate image

Congratulations to the 52 Library employees who walked through the Van Wickle Gates during Commencement 2019 to collect their degrees!

Our many student workers–undergraduate and graduate–provide invaluable support to the Library’s operations. As one of the largest employers of students at Brown, we welcome many students to our team and enjoy getting to know and learning from each one of them. We bid them all a fond farewell with our thanks and best wishes for the future.

Each graduating Library student employee receives a digital bookplate linked to a Library acquisition in their honor. Click on the names below to view the book selected for each student.

Announcement | A Smile for Goodnight Lights

Sciences Library with smile lights
Drone view of the Sciences Library by Ray McGinnis

Since January 2016, the Sciences Library has participated in the city-wide Goodnight Lights initiative, symbolically saying good night to patients at Hasbro Children’s Hospital by flashing lights on and off from 8 – 8:05 p.m. each night.

To add a personal touch to the effort, the Library has added equipment to the display so that it now flashes in a smile design. According to the creator of the initiative, Steve Brosnihan, Hasbro’s resident cartoonist and board member of the Tomorrow Fund for Children with Cancer, “It is a very entertaining display. Kids love watching it from Hasbro Children’s Hospital.”

We hope this small gesture brings a little cheer to the children and families who view it.