Enchanted Mountains, Chinese Scholars’ Rocks, and Geoaesthetics

Mountain Grove with Path, Cheng Jiasui, c. 1630. All images from the Minneapolis Institute of Art.

In August of this year, I visited the Minneapolis Institute of Art. We only had three hours until we had to catch a flight, so my father, my uncle, and I agreed that we should choose to focus on just a few of the galleries. I had visited the top floor — with mostly European art and contemporary art — a few years back. Besides, I wasn’t too excited about the prospect of seeing yet more eighteenth- and nineteenth-century Western paintings. So, instead, we walked through the lower floor. There was an exhibition of Dakota art, but soon enough I drifted over to the side of the floor devoted to Asian art. The collection of the Minneapolis Institute of Art was phenomenal. What I want to do here is stop and think about this statement I just made: what was it that I liked so much about the Asian art in the MIA, particularly in terms of its relationship with nature? And what, if anything, does this have to do with the geoaesthetics of Daoism? Continue reading Enchanted Mountains, Chinese Scholars’ Rocks, and Geoaesthetics