A version of this object biography was published in the Spring 2019 issue of Contexts: Annual Report of the Haffenreffer Museum of Anthropology.
This hat is a product of — produced by and traded through — colonialism. Its resting place today is the Haffenreffer Museum of Anthropology in Providence, Rhode Island in the United States of America. There it lies mostly undisturbed; whether dormant or dead is hard to tell. But it was once part of daily life. The hat shielded its owner from the sun and from hazards both natural and man-made. It was also a handy bowl when flipped upside down — quite literally a vessel for life, though even this framing underestimates the hat’s vitality. After all, it has a nose, eyes, and an ear, not to mention some impressive hair. It is more of a head than a hat, in fact. There is something particularly compelling to telling the life story of such an object — from its beginnings in the early twentieth century in Ifugao, a province of Luzon (an island in the Philippines); to its “collection” by an American official in 1912–14; to its acquisition by the Haffenreffer at an auction in 1988.
Say you were to reinvigorate the object. Pick it up (it’s so light!); turn it upside down; feel the contours on the bottom of the bowl; drag your thumb across the tightly woven rattan brim; note how the light glistens off what seems like its polished metal exterior. When you’re done with the physiognomy, try moving your head closer and breathing in. The smell of the wood can’t help but evoke memories, fantasies, even disturbing thoughts. After all, its military past is ingrained in the pores of the wood and the basketry of its brim. What has the hat seen? What has it heard, touched, smelled?Continue reading