Greetings and Salutations: Lovecraft on the Road & Caitlín R. Kiernan Papers @ Brown University on view at John Hay Library, exhibition gallery from August 16 – December 15, 2017.
Greetings and Salutations: Lovecraft on the Road
Journey from Providence, Rhode Island, to St. Augustine, Florida, during the spring and summer of 1934 with one of America’s most influential fantasy and horror fiction writers. Explore the life, past and places of Howard Phillips Lovecraft (1890–1937) through his correspondence, postcards and related drawings from the Brown University Library, Special Collections.
Caitlín R. Kiernan Papers @ Brown University
With novels, chapbooks, comics and more than 250 short stories to her credit, science fiction and dark fantasy writer Caitlín R. Kiernan (b. 1964) is a prolific and independent force reflecting the formative influences of her youth, including H. P. Lovecraft, Shirley Jackson, William S. Burroughs and Angela Carter.
The Brown University Library recently acquired the Caitlín R. Kiernan Papers, gifted by the author, consisting of personal papers, manuscripts, books, related artwork and objects. The collection represents both early and current works by the multiple award-winning author and published paleontologist. Additions to the collection will be made regularly by the author.
“Reflective” A. R. Ammons (1926–2001), Metropolitan Transportation Authority (New York, NY), ca. 1992–1996
The Mobile Verse: Bus and Subway Poetry from the Harris Broadside Collection is now showing at John Hay Library, exhibition gallery from June 26 – July 26, 2017.
Explore poetry from the United States and Great Britain that was designed to be enjoyed on buses and subway cars from the 1970s through the 1990s. Growing in popularity, public- and private-sector programs such as these continue to link literary arts and transportation as a way to communicate, influence and curate through our communal environments. Selections from more than 300 examples highlight the young, mature, novice and experienced poets of diverse backgrounds and locations as they share on various topics.
Dates: June 26 – July 26, 2017 Time: John Hay Library Hours Location: Exhibition Gallery, John Hay Library, 20 Prospect Street, Providence
Audubon Bird Cards, Set No. 3 New York: National Association of Audubon Societies, 1974
On display in the second floor landing case of the John Hay Library, this box of cards depicting fifty summer birds of eastern North America was the third in a reissued series that also contained winter birds (set one), and spring birds (set two). The front of each card features a masterful color portrait by Allan Brooks (1869–1946). The back contains the bird’s common name, as well as its description, classification, scientific name and migration range.
Founded in 1905, the National Association of Audubon Societies for the Protection of Wild Birds and Animals eventually broadened its mission to include the conservation and restoration of natural ecosystems and habitats “for the benefit of humanity and the earth’s biological diversity.” A pamphlet accompanying each set of bird cards describes the organization and its work.
Special Collections has myriad Audubon-related treasures, including Bird Cards sets one and two (1929), postcards (1959), limited edition prints published by the Rhode Island Hospital Trust National Bank (1986) and a double-elephant folio edition of John J. Audubon’s Birds of America (London, 1827–1838).
Dates: June 1 – June 30, 2017 Time: John Hay Library Hours Location: Second Floor Landing Case, John Hay Library, 20 Prospect Street, Providence
An Exhibit by Peter Mackie ’59, Sports Archivist Now showing in the Willis Reading Room Cases, John Hay Library May 22 – August 31, 2017
At the dawn of the 20th century, Brown was thriving. A new president, William H. P. Faunce, was in place; enrollment was approaching 1,000; new buildings were springing up, and a successful $2 million endowment fund campaign had been completed. Brown’s major teams were enjoying a new off-campus facility (Andrews Field) which had supplanted Lincoln Field. Athletics were emerging from the informal club team era under a newly established Director of Physical Education, Frederick W. “Doc” Marvel (1894). Students and alumni were becoming enthralled with intercollegiate athletics, especially with the developing fierce rivalry with Dartmouth.
The search was on for a mascot to represent Brown and her teams, often called the Hilltoppers by the press. In 1902 a mascot attempt with a burro was a failure, but in 1904 Theodore Francis Green (1887) solved the problem. Annoyed by “painful attempts” of newspaper artists to come up with an appropriate figure to match the Bulldog and Tiger, Green placed the mounted head of a bear labeled THE BROWN BEAR in the Trophy Room of the new student union (Rockefeller Hall – now Faunce House). Green’s idea quickly took hold, and the bear was celebrated in verse, song, and image. In 1905 a live bear was rented for the Dartmouth football game in Springfield, beginning a famous tradition which, despite interruption by two world wars and the Great Depression, continued into the mid-1960’s. Live bear lore abounds with stories which defy contemporary imagination: college hijinks such as “bearnappings” and tragic bear deaths and funerals.
In addition to live bears, students donned bear costumes, a custom which continues to this day with Bruno and his sidekick Cubby, whose identities are kept secret. The first costumed bear was a group effort, when in 1906 at the Dartmouth game a student wrapped in a bear skin arrived in Springfield. In the post-game victory march back to the city, students took turns after each “bear” dropped exhausted in the frenzied swirling snake dance. Campus statuary has also reflected the importance of the Brown Bear to the Brown community. The Bronze Bruno (1927), Fountain Bear (1932), Swearer Bear (1988), and Indomitable (2013), all keep the Brown Bear symbol constantly in view.
The true meaning of the Brown Bear has been the cause of debate since the beginning. For years after its casting in 1923, Bronze Bruno remained in hibernation at Gorham Manufacturing Company while debate raged on about its meaning and proper placement. Today the use of the term Brown Bear extends to men’s and women’s athletic teams, Alumni Brown Bear Awards, and employee BEAR Day, to name a few.
The Brown Bear is deeply embedded in the DNA of Brown’s culture and daily life. Perhaps T. F. Green provides the best understanding of the Bear’s inclusive meaning:
“So our Brown Bear, around which we are now gathered, is a symbol of that Brown spirit which carries its meaning to alumni and undergraduates alike, with various meanings. Some mistake its message as a call of good luck to an athletic team. But its message is rather to carry into all our activities those virtues shown on the athletic field and symbolized in the Brown Bear – the virtues of strength, independence, and courage. May its symbol remind us of the College and keep alive our love and enthusiasm for old Brown.”
Dates: May 22 – August 31, 2017 Time: John Hay Library Hours Location: Willis Reading Room Cases, John Hay Library, 20 Prospect Street, Providence
On Saturday, May 27, 2017 at 12:30 p.m. in the auditorium (room 120) of List Art, the Library will host a Commencement Forum entitled, “The Impact of Social Media on Politics, Culture, and Scholarly Communication.” This event is free and open to the public.
Social media and other rapidly-evolving digital technologies have changed the way we communicate in all realms of our lives. This panel discussion will focus on the impact of social media on political, cultural, and scholarly communication.
David Corn ’81, P’21, American political journalist and author and the chief of the Washington bureau for Mother Jones
Alissa Quart ‘94, Executive Editor of Economic Hardship Reporting Project and author of Branded, Republic of Outsiders, and other books that mix reportage and cultural theory
Elias Muhanna, Brown University Manning Assistant Professor of Comparative Literature and contributing writer to The New Yorker online
David Corn ’81, P’21
David Corn ’81, P’21
David Corn is a veteran Washington journalist and political commentator. He is the Washington bureau chief for Mother Jones magazine and an analyst for MSNBC and NBC News. He won the 2012 George Polk award and a National Magazine award for breaking the 47 percent video story that influenced the Obama-Romney presidential contest. For 20 years, he was the Washington editor of The Nation magazine.
Corn writes on a host of subjects, including politics, the White House, Congress and national security. He has broken stories on Mitt Romney, Barack Obama, George W. Bush, Dick Cheney, John McCain, Sarah Palin, Donald Trump, Bill O’Reilly, Ted Cruz, Ben Carson, Rand Paul, George H.W. Bush, Newt Gingrich, Colin Powell, Rush Limbaugh, Enron, the Central Intelligence Agency, the CIA leak case, corruption in Iraq, the National Rifle Association, the Pentagon, and assorted Washington players and institutions.
Corn has written for The Washington Post, The New York Times, TheLos Angeles Times, The Washington Times, The Philadelphia Inquirer, The Boston Globe, Newsday, Harper’s, The New Republic, The Atlantic, The Washington Monthly, the LA Weekly, the Village Voice, The Independent, Elle, Slate, Salon, and other publications and websites. He has blogged for AOL’s “Politics Daily,” HuffingtonPost.com, CQPolitics.com, and The Guardian. For years he wrote the online column “Capital Games” for TheNation.com.
Corn has long been a prominent analyst on television and radio. He regularly appears on Hardball, The Rachel Maddow Show, The Last Word, and other MSNBC shows. For years, he was a Fox News contributor, appearing on The O’Reilly Factor, Hannity and Colmes and On the Record with Greta Van Susteren. He was a regular panelist on the weekly television show, Eye On Washington, which was syndicated on PBS stations across the United States. He was a guest host for CNN’s Crossfire and a regular panelist on its Capital Gang. He has appeared on CBS News’ Face the Nation, ABC News’ This Week with George Stephanopoulos, PBS’s Newshour and Washington Week in Review, the CBS Evening News, Fox News Sunday, CNN’s Reliable Sources, The McLaughlin Group, C-SPAN’s Washington Journal, and many other shows. He is a regular guest on To the Point, a National Public Radio show, and has contributed commentary to NPR, BBC Radio, CBC Radio, and other radio networks in the United States and overseas. He has been a guest on scores of call-in radio programs.
His twitter feed–@DavidCornDC–has 400,000 followers.
Alissa Quart ’94
Alissa Quart ’94
Alissa Quart is the Executive Editor of the Economic Hardship Reporting Project, a journalism non-profit devoted to reporting on inequality. She is also the author of four books including, Branded: The Buying and Selling of Teenagers, and Republic of Outsiders and the poetry book Monetized. Her latest non-fiction book is forthcoming in 2018 from HarperCollins. She has written features for many magazines and has frequently contributed reported opinion pieces to The New York Times and elsewhere. She has also written and produced a number of multimedia projects and video, including the Emmy- and ASME-nominated multimedia project The Last Clinic. Alissa’s poetry has appeared in the London Review of Books. She taught at Columbia University’s Graduate School of Journalism, among other universities, and was a 2010 Nieman Fellow at Harvard University.
Elias Muhanna is the Manning Assistant Professor of Comparative Literature at Brown University, and director of the Digital Islamic Humanities Project. He earned his doctorate in Near Eastern Languages & Civilizations from Harvard University and was a Fellow of the American Council of Learned Societies in 2015-16. In 2017-18, he will be a Public Engagement Fellow of the Whiting Foundation. His research focuses on encyclopedic literature in the Islamic world and Europe, the cultural production of the Mamluk Empire, and the problem of the vernacular in different literary traditions.
In addition to his scholarship, Muhanna writes frequently for the mainstream press. He is a contributing writer for NewYorker.com, and his essays and criticism have appeared regularly in The New York Times, The Nation, and other periodicals. His blog, Qifa Nabki, is a forum for intellectual exchange and debate on Levantine politics.
Every semester the Library hosts two nights of pizza to fortify your studying. The first (Tuesday) night will be in the Sciences Library. The next night (Wednesday) there will be pizza in the Rock. Students that enjoy studying in a library as well as eating pizza are encouraged to attend. The pizza is from Domino’s.
Schedule Tuesday, May 9 | 9 p.m. | Friedman Center (SciLi) Wednesday, May 10 | 9 p.m. | Rockefeller Library Lobby
This semester’s pizza nights are sponsored by the Library and an ever-true Brown family.
The John Hay Library has a new acquisition on display in the second floor landing case:
La conquista dell’Abissinia/ The conquest of Abyssinia Officine dell’Istituto italiano d’arti grafiche/ Office of the Italian Institute of Graphic Arts
Board game (paper and ink)
Milano: Carlo Erba S.A., 1936
Brown University Library, Special Collections
The item will be on display until May 31, 2017.
This Italian board game was created in 1936 by Officine dell’Istituto italiano d’arti grafiche in Bergamo during the Fascist regime of Benito Mussolini in the midst of the Second Italo-Ethiopian War (also referred as the Second Italo-Abyssinian War). The game was printed to advertise products from various Italian companies while spreading colonial propaganda that applauded the expansion of the Kingdom of Italy. This piece featured a powder to make artificial mineral water by the pharmaceutical company Carlo Erba, S.A.
Play is based on the rules of the European “game of the goose,” in which two or more players move pieces along a track of consecutively numbered spaces by rolling one or two dice. La conquista dell’Abissinia is played on a color illustrated sheet against the background of a map of the Ethiopian Empire (also known as Abyssinia). While not depicted, the game pays tribute to Pietro Badoglio, 2nd Duke of Addis Abeba, and his army and their ultimate occupation of the capital of Abyssinia. It consists of 68 numbered spaces representing the Italian flag, the Red Cross, contemporary political figures, and tanks of the Italian armed forces. The goal of the game is to reach the circle numbered 68 before any of the other players by avoiding as many obstacles as possible. It was designed to have a maximum of eight players, each equipped with a small disc representing various divisions of the Italian armed forces (Infantry, Air Force, Blackshirts, Alpine Troops, Corps of Engineers, Tank Division, Askari, or local colonial troops and Dubats or White Turbans). Directions are printed on the upper right corner of the sheet.
Dates: May 1 – May 31, 2017 Time:John Hay Library Hours Location: Second Floor, John Hay Library, 20 Prospect Street, Providence, RI
The Library is pleased to host three events in the series, Scalar: Writing Digital Scholarship, this April, 2017. All events will be held in the Digital Scholarship Lab at the Rockefeller Library.
Curtis Fletcher, Associate Director of the Polymathic Labs at USC Libraries and Co-PI on Scalar
On Thursday, April 27, 2017 at 12 p.m., Curtis Fletcher, Associate Director of the Polymathic Labs at USC Libraries and Co-PI on Scalar, will give a talk entitled, “Beyond the Platform: Enabling and Supporting New Forms of Digital Scholarship.” A reception will follow the talk. Free and open to the public.
Beyond the Platform: Enabling and Supporting New Forms of Digital Scholarship
Fletcher will discuss his experience working on Scalar, an open source authoring and publishing platform designed for media-rich, born-digital scholarship. Highlighting specific Scalar projects, broader use cases, and ongoing development, he will discuss the ways in which the platform’s affordances attempt to move digital scholarly publishing beyond the linear ePub; how emerging scholarly workflows and practices for creating media-rich, archive-connected, scholarship have evolved alongside those affordances; and how the platform’s design relates to broader trends in digital scholarship and the digital humanities.
Curtis Fletcher is the Associate Director of the Polymathic Labs at USC Libraries and Co-PI on Scalar. His research spans the history of technology, the history of humanities education, science and technology studies, and visual studies. He specializes in digital research and writing in the humanities with particular expertise in new models for authoring, credentialing, and publishing born-digital, multimodal, humanities scholarship. Prior to his work at USC Libraries he was Associate Multimedia Editor for Urban History at Cambridge University Press; Administrative Assistant for the Center for Transformative Scholarship in the Digital Age at USC; and Project Manager for the Alliance for Networking Visual Culture.
These events are part of the Library’s series, The Future of Scholarly Publishing, funded by the Andrew W. Mellon Foundation.
Date: Thursday, April 27, 2017 Time: 12 p.m. Location: Patrick Ma Digital Scholarship Lab, Rockefeller Library, 10 Prospect Street, Providence, RI
Previous events in the series:
On Thursday, April 13, Caroline Frank, Visiting Assistant Professor of American Studies at Brown, gave a talk entitled,”Paths Across the Pacific: A Scalar Project of East-West Interaction,” during which she discussed her recent Scalar project, “Asia-Pacific in the Making of the Americas.” Professor Frank presented with collaborator Andrea Ledesma, a graduate student in American Studies.
On Tuesday, April 18, Elli Mylonas, Senior Digital Humanities Librarian, hosted an “Introduction to Scalar” workshop.