Exhibit | Thanksgiving-Day, November 24, 1864, United We Stand

Harper’s Weekly, December 1864; Brown University Library, Special Collections

Created by famous political cartoonist Thomas Nast, these eight vignettes depict a “state of the Union” featuring President Abraham Lincoln during his reelection year. Each rendering touches on a significant factor during the Civil War, which was in its fourth year and with no clear victor at the time. The double-page image, published in Harper’s Weekly in December 1864, reflects the artist’s more illustrative work. Nast is also credited with crafting the modern American representation of Santa Claus during the course of his time at the magazine.

Exhibit Dates: November 1 – 30, 2019
Exhibit TimeJohn Hay Library Hours
Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence

Event | Constructing the Sacred: Visibility and Ritual Landscape at the Egyptian Necropolis of Saqqara

On Friday, November 8, 2019 at 3 p.m. in the Digital Scholarship Lab at the Rockefeller Library, Elaine Sullivan, Associate Professor of History at UC Santa Cruz, will give a talk entitled, “Constructing the Sacred: Visibility and Ritual Landscape at the Egyptian Necropolis of Saqqara.”

This event is free and open to the public.

Constructing the sacred: Visibility and ritual landscape at the Egyptian necropolis of Saqqara

This talk will discuss Sullivan’s forthcoming born digital publication which utilizes a 3D reconstruction model to examine the importance of visibility and landscape change at the ancient Egyptian necropolis of Saqqara. The project will be published as an online only monograph by Stanford University Press in winter 2020 and includes a dynamic 3D GIS model as part of the publication.  

Elaine Sullivan

Dr. Sullivan is an Egyptologist and a Digital Humanist. Her work focuses on applying new technologies to ancient cultural materials. She acts as the project coordinator of the Digital Karnak Project, a multi-phased 3D virtual reality model of the famous ancient Egyptian temple complex of Karnak.  She is project director of 3D Saqqara, which harnesses Geographic Information Systems (GIS) technologies and 3D modeling to explore the ritual and natural landscape of the famous cemetery of Saqqara through both space and time. 

Her field experience in Egypt includes five seasons of excavation with Johns Hopkins University at the temple of the goddess Mut (Luxor), as well as four seasons in the field with a UCLA project in the Egyptian Fayum, at the Greco-Roman town of Karanis.

Because of a broad interest in the history and material culture of the larger ancient Near Eastern and Mediterranean worlds, she has also excavated at sites in Syria, Italy and Israel. Dr. Sullivan received her M.A. and Ph.D. in Egyptian Art and Archaeology from Johns Hopkins University. Her B.A. (Magna Cum Laude) in History is from Duke University.

Date: Friday, November 8, 2019
Time: 3 p.m.
Location: Patrick Ma Digital Scholarship Lab, Rockefeller Library, 10 Prospect Street, Providence

Event | Authors in the Archives with Lauren Russell and Megan Milks

Join the Brown University Library for an unforgettable night of poetry, fiction, and discussion of how library and archival research is essential to creative and literary endeavors. Lauren Russell and Megan Milks will both read from their works, followed by a discussion led by librarians and archivists about how they are using primary sources. A Q&A period will conclude the presentation.

The first event in the Authors in the Archives series, this talk will take place on Monday, October 28, 2019 at 6:30 p.m. in the Willis Reading Room of the John Hay Library.

Free and open to the public. A light reception will follow the talk.

Lauren Russell

Lauren Russell headshot
Lauren Russell

Lauren Russell is the author of What’s Hanging on the Hush (Ahsahta Press, 2017) and Descent, a winner of the 2019 Tarpaulin Sky Book Awards and a finalist for the National Poetry Series, forthcoming from Tarpaulin Sky Press in 2020. A 2017 NEA Creative Writing Fellow in Poetry, she has also received fellowships and residencies from Cave Canem, The Wisconsin Institute for Creative Writing, VIDA/The Home School, the Rose O’Neill Literary House, the Millay Colony, and City of Asylum/Passa Porta. Her work has appeared in The New York Times Magazineboundary 2, the Academy of American Poets’ Poem-a-Day,  and Bettering American Poetry 2015, among others. She is assistant director of the Center for African American Poetry and Poetics at the University of Pittsburgh.

Megan Milks

Megan Milks reading from a book at a microphone
Megan Milks

Megan Milks is the recipient of the 2019 Lotos Foundation Prize in Fiction Writing. Their first book, Kill Marguerite and Other Stories, won the 2015 Devil’s Kitchen Reading Award in Fiction and was named a Lambda Literary Award finalist. They have also published four chapbooks, most recently Kicking the Baby and The Feels, an exploration of fan fiction and affect. Their critical writing, for which they won a 2014 Critical Hit Award from Electric Lit, has been published in 4ColumnsLos Angeles Book Review, and The New Inquiry, among other venues. Their work as editor includes The &NOW Awards 3: The Best Innovative Writing, 2011-2013 (Northwestern UP, 2015) and Asexualities: Feminist and Queer Perspectives (Routledge, 2014); currently, they edit the Fiction section of The Account.

Authors in the Archives

The Authors in the Archives series features notable writers whose work is brought to fruition through their creative and sagacious use of primary source materials.

Accessibility

To request special services, accommodations, or assistance for this event, please contact Jennifer Braga at Jennifer_Braga@brown.edu or (401) 863-6913 as far in advance of the event as possible. Thank you.

Date: Monday, October 28, 2019
Time: 6:30 p.m.
LocationWillis Reading Room, John Hay Library, 20 Prospect Street, Providence

Events | Open Access Week @Brown

October 21 – 27, 2019 is Open Access Week, and the Brown University Library is marking the occasion with two events:

Brown Bag on Open Access and Publishing
Wednesday, October 23
1:30 – 2:30 p.m.
121 South Main Street, Providence
Free
More information
Celebrate International Open Access Week by joining Doctoral Candidate Jason Gantenberg, Public Health Librarian Erin Anthony, and Data Management Librarian Andrew Creamer for a Brown Bag discussion on Open Access and Publishing. Get an overview of Open and the many paths to making a publication open. Questions welcomed!

Transform the Narrative: A Wikipedia Edit-A-Thon for Increasing Marginalized Voices in Environmental Justice
Wednesday, October 23
3 – 6 p.m.
Digital Scholarship Lab, Rockefeller Library
Free
Registration required
Join the Brown University Libraries in collaboration with SACNAS for a Wikipedia edit-a-thon focusing on increasing awareness of marginalized voices in environmental justice. This hands-on workshop will teach you how to edit Wikipedia entries to increase visibility of marginalized voices in environmental activism. There will be autumnal snacks! 

What is Open?

The open movement seeks to work towards solutions of many of the world’s most pressing problems in a spirit of transparency, collaboration, re-use and free access.

Why Open@Brown?

The open movement implicitly supports several facets of Brown’s Strategic Plan, Building on Distinction. The values and goals set forth in commitments toward Integrative Scholarship and Academic Excellence rely upon open communication and sharing of knowledge that could occur organically through an open paradigm of research and teaching.

The open movement:

  • Promotes the acceleration of research,
  • Increases the potential for collaboration,
  • Contributes to the democratization of information, and
  • Supports community partnerships.

More information on Open@Brown

Event | Exploring the Digital China 2019 with Li Wang, PhD

Li Wang, Ph.D.

On Wednesday, October 23, 2019 at 12 p.m. in the Digital Scholarship Lab at the Rockefeller Library, Dr. Li Wang, Curator of the East Asian Collection, will give a talk, “Exploring the Digital China 2019.” This event is free and open to the public. Coffee and cookies will be served.

This new visual report will focus on Dr. Wang’s professional trip this summer in China, where he attended several conferences, Beijing International Book Fair, and other events. During this period, he delivered two presentations at the International Conference on Digital Publishing and Digital Libraries and the Sino-American Academic Library Forum on Collaboration and Development. The first presentation, entitled “Digital Scholarship at Brown (Continuance): Knowledge Innovation and Research Engagement in North American University Libraries,” is a follow-up chapter of his award-winning paper on “Digital Scholarship at Brown” from 2014. The second is on American Sinologist Charles S. Gardner and the Chinese collection at Brown University, which won the first prize for papers at the Sino-American Library Forum.

2019 CDPDL in Changchun, China

In his talk, Dr. Wang will scan recent trends in digital publishing, knowledge innovation and library services developed in China and other places in the world. He will also share pictures, stories and thoughts on this fruitful journey, including cultural tours of the Russian style Gogol Bookstore, the wonderful Heaven Lake on the China-North Korea border, and the Inner Mongolian prairie in north China, and much more.

The Heaven Lake (elevation of 7,812 ft.) in Changbai Mountain, China

Date: Wednesday, October 23, 2019
Time: 12 – 1 p.m.
Location: Patrick Ma Digital Scholarship Lab, John D. Rockefeller, Jr. Library, 10 Prospect Street, Providence

Exhibit | The Last Will of Walt Whitman

Camden, New Jersey: June 29, 1888
Brown University Library, Special Collections

In June of 1888, celebrated American poet Walt Whitman suffered a stroke, which left him partially paralyzed. Fearful he would not recover, Whitman drafted this will, which leaves the majority of his money to his sisters, his property to his brother, and names three literary executors. Whitman would survive for four more years, and go on to publish four more works, including his “Deathbed Edition” of Leaves of Grass.

This manuscript is just one of several thousand books and manuscripts recently presented to the library by Daniel G. Siegel ’57.

Exhibit Dates: October 4 – 31, 2019
Exhibit TimeJohn Hay Library Hours
Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence

Workshop | Coming Out of the Archives

Coming Out of the Archives poster

Celebrate National Coming Out Day at a hands-on workshop where you can explore pulp fiction, photographs, activist ephemera, meeting records, and more from the Library’s special collections. Plus, use a button maker and copies of queer documents to make your own buttons!

Three workshops will take place in the Bopp Seminar Room at the John Hay Library on Friday, October 11. Registration is requested. Each workshop is capped at 14 participants. Please register for only one workshop time. All three sessions will cover the same material.

Click on the links below or scan the QR code to register for the workshop at your chosen time:

Date: Friday, October 11, 2019
Time: 12 p.m., 1:15 p.m., and 3:30 p.m.
Location: Bopp Seminar Room, 3rd Floor, John Hay Library, 20 Prospect Street, Providence

Announcement | Head of Preservation, Conservation, and the Library Annex Exhibits Disaster Preparedness Kit at the United Nations

Michelle Venditelli describes the Brown University Library’s disaster preparedness kit to colleagues from India at the UN

In May of this year, Michelle Venditelli, Head of Preservation, Conservation, and the Library Annex, attended “Sustainable Development Goals in Libraries today: the role of libraries in strengthening our communities,” a panel discussion at the United Nations’ Dag Hammarskjöld Library in New York. While there, she was invited to exhibit at the 68th Annual United Nations Civil Society Conference at the Salt Palace Convention Center, Salt Lake City, Utah. She was also asked to be a mentor during the Youth Mentorship Circle – Setting the Stage for Success.

The three-day conference, held August 26 – 28, 2019, was co-hosted by the UN Department of Global Communications, Salt Lake City, and the NGO Executive Committee. It featured opening and closing plenary sessions, interactive thematic sessions, NGO-sponsored workshops, exhibits, and a youth hub. Speakers and attendees included leaders and other representatives from NGOs, UN agencies, academia, faith traditions, the public and private sectors, and youth from around the world.

The conference focused on #11 of the 17 Sustainable Development Goals (SDGs), a blueprint for action, advocacy, and partnership and a compass to ensure that no one is left behind, including those who are poor and vulnerable. The 11th SDG is, “to make cities and human settlements inclusive, safe, resilient and sustainable by 2030.” The conference also explored the interlinkages among all 17 Goals, including critical issues relating to gender.

During the exhibition component, Michelle presented an exhibit entitled “Reducing Risk in Libraries, Museums, and Cultural Institutions through Disaster Preparedness Kits.” She was accompanied by a fully stocked disaster kit, which represents the Brown University Library’s new approach to localized threats to our collections. Showcasing the kit at this conference provided Michelle with an opportunity to discuss cutting edge preservation efforts and techniques with professional peers from around the globe. “It was an honor to exhibit at this unique and critically important conference,” Michelle said. “Interacting with experts in disaster preparedness as well as professionals seeking to develop best practices around disaster prep for collections of all kinds was incredibly informative and rewarding.”

the kit in front of the exhibit table

The kit was extremely well received and sparked robust, excited conversation from library and museum colleagues from states throughout the U.S. and abroad. More than once, a colleague told Michelle that the kit is “like a crash cart for disasters.”

Staff from the University of Utah’s Marriott Library were particularly impressed with the kit. At the conclusion of the conference, instead of shipping the sizable unit back to Brown, Michelle and the Brown Library gifted it to the Marriott Library, providing them with a much-needed preservation tool, which they were thrilled to receive.

Family Weekend Forum | Furnace & Fugue

Allison Levy headshot
Allison Levy, Digital Scholarship Editor

On Saturday, October 19, 2019 at 11 a.m. in the Digital Scholarship Lab at the Rockefeller Library, join Allison Levy of the Brown University Library’s Digital Publications Initiative for an engaging look at the changing face of 21st-century scholarship.

Free and open to the public.

A Q&A period will conclude the program.

Furnace & Fugue

Demoing the Initiative’s pilot project, Furnace and Fugue, alongside Atalanta fugiens, the rare and elegantly illustrated alchemical book that inspired it, Levy will show how Brown Professor of History Tara Nummedal has turned to innovative digital tools to create new and more dynamic scholarly experiences.

Screen capture of an interactive page from Furnace & Fugue

Re-rendering a multimedia 17th-century text as an online publication, Furnace and Fugue allows readers to hear, see, manipulate, and investigate a work in ways that were perhaps imagined when it was composed but were simply impossible to realize in full before now. Whether through interactive visualizations of modern notation or a multifunctional space that allows users to curate, save, and share their own selection and arrangement of alchemical emblems, Furnace and Fugue makes possible the capabilities implied by this early modern book with digital tools and features that also clarify and/or advance the arguments of the eight scholarly essays included in the work.

Allison Levy

Allison Levy is Digital Scholarship Editor at Brown University Library. An art historian educated at Bryn Mawr College, she has taught in the US, Italy, and the UK. Allison has published widely on the visual culture of early modern Italy and serves as General Editor of the book series Visual and Material Culture, 1300–1700, published by Amsterdam University Press.

Date: Saturday, October 19, 2019
Time: 11 a.m.
Location: Patrick Ma Digital Scholarship Lab, Rockefeller Library, Providence, RI

Event | Muriel Miguel: A Retrospective

Muriel Miguel: A Retrospective

Join the Library and the Department of Theatre Arts and Performance Studies on Monday, September 23, 2019 at 7 p.m. in Martinos Auditorium at the Granoff Center for the Creative Arts for Muriel Miguel: A Retrospective, the 15th Annual Don Wilmeth Endowed Lectureship in American Theatre.

Founder and Artistic Director of New York City’s Spiderwoman Theater, Muriel Miguel will share the fascinating journey from her roots in Brooklyn to her landmark contributions to the contemporary feminist and Indigenous theatre movements in the United States, Canada and around the world. Experience her extraordinary life through stories, photos and video from the last 60 years.

This event is free and open to the public. Registration is not required. A light reception will follow the talk.

Muriel Miguel

Muriel Miguel (Kuna/Rappahannock) is a founding member and Artistic Director of Spiderwoman Theater, the longest running feminist Native American theater company in North America. She has directed and co-written almost all of Spiderwoman’s shows since their first show, Women in Violence in 1976. They have produced over twenty original works for the theatre.

Muriel is a 2018 Doris Duke artist and in 2016, was a John S Guggenheim Foundation Fellow. She has received an honorary Doctorate in Fine Arts from Miami University in Oxford, OH, home of the Native American Women Playwrights Archives. She was awarded a Rauschenberg Residency in 2015 and is a member of the National Theater Conference and the Southeastern Theatre Conference where she received the 2019 Distinguished Career Award.

Muriel studied modern dance with Alwin Nickolai, Erick Hawkins and Jean Erdman. She was an original member of Joseph Chaikin’s Open Theater where she performed in the groundbreaking works: Terminal, The Serpent, Mere Ubu and Viet Rock.

She is a choreographer, director, and actor. She has choreographed Throw Away Kids and She Knew She Was She for the Aboriginal Dance Program at the Banff Centre. She directed Spiderwoman Theater’s Material Witness; The Scrubbing Project with Turtle Gals Performance Ensemble and Evening in Paris with Raven Spirit Dance Company. She has been a dramaturge with Native Earth Performing Arts’ annual Weesageechak Begins to Dance Festival. As an actor, she was the Mary Deity in the off-Broadway hit, Taylor Mac’s Lily’s Revenge. She created the role of Philomena Moosetail in The Rez Sisters, by Tomson Highway, a play that is a seminal work in the development of a First Nations play repertory in Canada. She played Aunt Shadie in The Unnatural and Accidental Women by Marie Clements and Spirit Woman in BONES: An Aboriginal Dance Opera. She has created one woman shows Hot’ N’ Soft, Trail of the Otter, and, most recently, Red Mother. Her latest project is Misdemeanor Dream, which explores the real and the fantastical existence of Native and First Nations tricksters and spirits in the stories, languages and lives of Indigenous people.

First East Coast Pow Wow in New Haven in 1945

She was selected for the Native and Hawaiian Women of Hope poster by Bread and Roses International Union’s Bread and Roses Center and in 2003 was the recipient of the first Lipinsky Residency (feminist-inresidence) at San Diego State University Women’s Studies Department. She has received many awards as a member of Spiderwoman Theater. The Smithsonian Institution’s Museum of the American Indian presented a retrospective exhibit, New Tribe, New York honoring Spiderwoman Theater’s years of work; a Lifetime Achievement Award from the Women’s Caucus for Art and the Otto René Castillo Award for Political Theatre. Spiderwoman Theater received the first Honoring the Spirit Award for Arts and Entertainment from the American Indian Community House.

Muriel was an Assistant Professor of Drama at Bard College. She taught and directed a yearly production at the Centre for Indigenous Theatre (CIT) was Program Director for CIT’s three week summer intensive. She is a pioneer in the development of an Indigenous performance methodology and is active in the training of Indigenous actors and dancers in this culturally based method. She was a Program Director for the Aboriginal Dance Program at The Banff Centre and an instructor there for seven years. Muriel has lectured with Muriel Miguel: A Retrospective and facilitated Storyweaving Workshops in conservatories and universities in the US, Canada and Europe.

Her work has been profiled in numerous articles and essays. The most notable of these are Women in Love: Portraits of Lesbian Mothers and their Families by Barbara Seyda and Diana Herrera and American Women Stage Directors of the 20th Century by Anne Fliotsos and Wendy Vierow. Plays Published: TRAIL OF THE OTTER in Staging Coyote’s Dream: An Anthology of First Nations Drama in English Vol. II & HOT ‘N’ SOFT in Two-Spirit Acts: Queer Indigenous Performances- Playwright’s Canada Press. Publications of Spiderwoman Theater plays: PERSISTENCE OF MEMORY in Performing Worlds into Being: Native American Women’s Thetare -Miami University Press; WINNETOU’S SNAKE OIL SHOW FROM WIGWAM CITY in Keepers of the Morning Star: An Anthology of Native Women’s Theater -UCLA American Indian Studies Centre and REVERB-BER-BER-RATIONS in Staging Coyote’s Dream: An Anthology of First Nations Drama in English -Playwright’s Canada Press.

Don Wilmeth

Don Wilmeth joined the Brown English and Theatre faculty in 1967. He retired as Asa Messer Professor Emeritus, Professor Emeritus of Theatre, Speech and Dance, and Professor Emeritus of English in 2004. The first endowed Wilmeth Lecture was presented in 2005.

Accessibility

To request special services, accommodations, or assistance for this event, please contact Jennifer Braga at Jennifer_Braga@brown.edu or (401) 863-6913 as far in advance of the event as possible. Thank you.

Date: Monday, September 23, 2019
Time: 7 p.m.
Location: Martinos Auditorium, Granoff Center for the Creative Arts, 154 Angell Street, Providence, RI 02912