Thought to be designed and engraved by Revere, this print depicts the baptism of Christ, by full immersion. John the Baptist is shown holding Jesus in the Jordan River. Interpreted as the 12 Apostles watch from the bank while two pairs of angels on clouds flank the top corners. A sun with mirrored Hebrew lettering (Tetragrammaton) from which two rays of light emanate, a dove on left and on right the words “This is my beloved Son –hear ye him”, or scripture Luke 9:35 from the Christian Holy Bible.
There are 5 known original prints of this plate. Found inside a medical book at Brown University in 2012, the rare illustration was part of a donation by physician Solomon Drowne, Brown class of 1773. Among the surviving engravings, paper and sheet size vary; the Brown University Library copy on laid paper demonstrates the plate print slightly askew.
Exhibit Dates: December 5, 2019 – January 31, 2020 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
On Thursday, December 5, 2019 at 3:30 p.m. in the Patrick Ma Digital Scholarship Lab at the Rockefeller Library, Scott Rettburg, Professor of Digital Culture in the department of linguistic, literary, and aesthetic studies at the University of Bergen, Norway, will give a talk entitled, “Electronic Literature: Threads of Practice and Literary Genre in Digital Writing.” The talk is free and open to the public.
In the talk, Professor Rettberg will discuss his new book, Electronic Literature, in which he places the most significant genres of electronic literature in historical, technological, and cultural contexts. These include combinatory poetics, hypertext fiction, interactive fiction (and other game-based digital literary work), kinetic and interactive poetry, and networked writing based on our collective experience of the Internet. He argues that electronic literature demands to be read both through the lens of experimental literary practices dating back to the early twentieth century and through the specificities of the technology and software used to produce the work.
Rettberg will give a brief presentation of the methods and themes of the book, which will be followed by a discussion between Rettberg and Cayley.
Scott Rettberg is Professor of Digital Culture in the department of linguistic, literary, and aesthetic studies at the University of Bergen, Norway. Rettberg is the author or coauthor of novel-length works of electronic literature, combinatory poetry, and films including The Unknown, Kind of Blue, Implementation, Frequency, The Catastrophe Trilogy, Three Rails Live, Toxi•City, Hearts and Minds: The Interrogations Project and others. His creative work has been exhibited both online and at art venues including the Venice Biennale, Inova Gallery, Rom 8, the Chemical Heritage Foundation Museum, Palazzo dell Arti Napoli and elsewhere. Rettberg is the author of Electronic Literature (Polity, 2019), the first comprehensive study of the histories and genres of electronic literature and winner of the 2019 N. Katherine Award for Criticism of Electronic Literature.
Peruse the gallery and discover what is new and unique about Special Collections at the Hay Library. Explore recent acquisitions from the 14th century to the present through the lens of renowned Brown faculty, and gain insight into the place where the past, present and individual connect.
Opening reception: Friday, November 22nd, 4-6 PM
Dates: November 22, 2019 – February 28, 2020 Time: John Hay Library Hours Location: Exhibition Gallery, John Hay Library, 20 Prospect Street, Providence
Created by famous political cartoonist Thomas Nast, these eight vignettes depict a “state of the Union” featuring President Abraham Lincoln during his reelection year. Each rendering touches on a significant factor during the Civil War, which was in its fourth year and with no clear victor at the time. The double-page image, published in Harper’s Weekly in December 1864, reflects the artist’s more illustrative work. Nast is also credited with crafting the modern American representation of Santa Claus during the course of his time at the magazine.
Exhibit Dates: November 1 – 30, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
On Friday, November 8, 2019 at 3 p.m. in the Digital Scholarship Lab at the Rockefeller Library, Elaine Sullivan, Associate Professor of History at UC Santa Cruz, will give a talk entitled, “Constructing the Sacred: Visibility and Ritual Landscape at the Egyptian Necropolis of Saqqara.”
This event is free and open to the public.
Constructing the sacred: Visibility and ritual landscape at the Egyptian necropolis of Saqqara
This talk will discuss Sullivan’s forthcoming born digital publication which utilizes a 3D reconstruction model to examine the importance of visibility and landscape change at the ancient Egyptian necropolis of Saqqara. The project will be published as an online only monograph by Stanford University Press in winter 2020 and includes a dynamic 3D GIS model as part of the publication.
Dr. Sullivan is an Egyptologist and a Digital Humanist. Her work focuses on applying new technologies to ancient cultural materials. She acts as the project coordinator of the Digital Karnak Project, a multi-phased 3D virtual reality model of the famous ancient Egyptian temple complex of Karnak. She is project director of 3D Saqqara, which harnesses Geographic Information Systems (GIS) technologies and 3D modeling to explore the ritual and natural landscape of the famous cemetery of Saqqara through both space and time.
Her field experience in Egypt includes five seasons of excavation with Johns Hopkins University at the temple of the goddess Mut (Luxor), as well as four seasons in the field with a UCLA project in the Egyptian Fayum, at the Greco-Roman town of Karanis.
Because of a broad interest in the history and material culture of the larger ancient Near Eastern and Mediterranean worlds, she has also excavated at sites in Syria, Italy and Israel. Dr. Sullivan received her M.A. and Ph.D. in Egyptian Art and Archaeology from Johns Hopkins University. Her B.A. (Magna Cum Laude) in History is from Duke University.
Join the Brown University Library for an unforgettable night of poetry, fiction, and discussion of how library and archival research is essential to creative and literary endeavors. Lauren Russell and Megan Milks will both read from their works, followed by a discussion led by librarians and archivists about how they are using primary sources. A Q&A period will conclude the presentation.
The first event in the Authors in the Archives series, this talk will take place on Monday, October 28, 2019 at 6:30 p.m. in the Willis Reading Room of the John Hay Library.
Free and open to the public. A light reception will follow the talk.
Lauren Russell is the author of What’s Hanging on the Hush (Ahsahta Press, 2017) and Descent, a winner of the 2019 Tarpaulin Sky Book Awards and a finalist for the National Poetry Series, forthcoming from Tarpaulin Sky Press in 2020. A 2017 NEA Creative Writing Fellow in Poetry, she has also received fellowships and residencies from Cave Canem, The Wisconsin Institute for Creative Writing, VIDA/The Home School, the Rose O’Neill Literary House, the Millay Colony, and City of Asylum/Passa Porta. Her work has appeared in The New York Times Magazine, boundary 2, the Academy of American Poets’ Poem-a-Day, and Bettering American Poetry 2015, among others. She is assistant director of the Center for African American Poetry and Poetics at the University of Pittsburgh.
Megan Milksis the recipient of the 2019 Lotos Foundation Prize in Fiction Writing. Their first book, Kill Marguerite and Other Stories, won the 2015 Devil’s Kitchen Reading Award in Fiction and was named a Lambda Literary Award finalist. They have also published four chapbooks, most recently Kicking the Baby and The Feels, an exploration of fan fiction and affect. Their critical writing, for which they won a 2014 Critical Hit Award from Electric Lit, has been published in 4Columns, Los Angeles Book Review, and The New Inquiry, among other venues. Their work as editor includes The &NOW Awards 3: The Best Innovative Writing, 2011-2013 (Northwestern UP, 2015) and Asexualities: Feminist and Queer Perspectives (Routledge, 2014); currently, they edit the Fiction section of The Account.
Authors in the Archives
The Authors in the Archives series features notable writers whose work is brought to fruition through their creative and sagacious use of primary source materials.
To request special services, accommodations, or assistance for this event, please contact Jennifer Braga at Jennifer_Braga@brown.edu or (401) 863-6913 as far in advance of the event as possible. Thank you.
October 21 – 27, 2019 is Open Access Week, and the Brown University Library is marking the occasion with two events:
Brown Bag on Open Access and Publishing Wednesday, October 23 1:30 – 2:30 p.m. 121 South Main Street, Providence Free More information Celebrate International Open Access Week by joining Doctoral Candidate Jason Gantenberg, Public Health Librarian Erin Anthony, and Data Management Librarian Andrew Creamer for a Brown Bag discussion on Open Access and Publishing. Get an overview of Open and the many paths to making a publication open. Questions welcomed!
Transform the Narrative: A Wikipedia Edit-A-Thon for Increasing Marginalized Voices in Environmental Justice Wednesday, October 23 3 – 6 p.m. Digital Scholarship Lab, Rockefeller Library Free Registration required Join the Brown University Libraries in collaboration with SACNAS for a Wikipedia edit-a-thon focusing on increasing awareness of marginalized voices in environmental justice. This hands-on workshop will teach you how to edit Wikipedia entries to increase visibility of marginalized voices in environmental activism. There will be autumnal snacks!
What is Open?
The open movement seeks to work towards solutions of many of the world’s most pressing problems in a spirit of transparency, collaboration, re-use and free access.
The open movement implicitly supports several facets of Brown’s Strategic Plan, Building on Distinction. The values and goals set forth in commitments toward Integrative Scholarship and Academic Excellence rely upon open communication and sharing of knowledge that could occur organically through an open paradigm of research and teaching.
The open movement:
Promotes the acceleration of research,
Increases the potential for collaboration,
Contributes to the democratization of information, and
On Wednesday, October 23, 2019 at 12 p.m. in the Digital Scholarship Lab at the Rockefeller Library, Dr. Li Wang, Curator of the East Asian Collection, will give a talk, “Exploring the Digital China 2019.” This event is free and open to the public. Coffee and cookies will be served.
This new visual report will focus on Dr. Wang’s professional trip this summer in China, where he attended several conferences, Beijing International Book Fair, and other events. During this period, he delivered two presentations at the International Conference on Digital Publishing and Digital Libraries and the Sino-American Academic Library Forum on Collaboration and Development. The first presentation, entitled “Digital Scholarship at Brown (Continuance): Knowledge Innovation and Research Engagement in North American University Libraries,” is a follow-up chapter of his award-winning paper on “Digital Scholarship at Brown” from 2014. The second is on American Sinologist Charles S. Gardner and the Chinese collection at Brown University, which won the first prize for papers at the Sino-American Library Forum.
In his talk, Dr. Wang will scan
recent trends in digital publishing, knowledge innovation and library services developed
in China and other places in the world. He will also share pictures, stories
and thoughts on this fruitful journey, including
cultural tours of the Russian style Gogol Bookstore, the wonderful Heaven Lake on the China-North Korea border, and the
Inner Mongolian prairie in north China, and much more.
Camden, New Jersey: June 29, 1888 Brown University Library, Special Collections
In June of 1888, celebrated American poet Walt Whitman suffered a stroke, which left him partially paralyzed. Fearful he would not recover, Whitman drafted this will, which leaves the majority of his money to his sisters, his property to his brother, and names three literary executors. Whitman would survive for four more years, and go on to publish four more works, including his “Deathbed Edition” of Leaves of Grass.
This manuscript is just one of several thousand books and manuscripts recently presented to the library by Daniel G. Siegel ’57.
Exhibit Dates: October 4 – 31, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
Celebrate National Coming Out Day at a hands-on workshop where you can explore pulp fiction, photographs, activist ephemera, meeting records, and more from the Library’s special collections. Plus, use a button maker and copies of queer documents to make your own buttons!
Three workshops will take place in the Bopp Seminar Room at the John Hay Library on Friday, October 11. Registration is requested. Each workshop is capped at 14 participants. Please register for only one workshop time. All three sessions will cover the same material.
Click on the links below or scan the QR code to register for the workshop at your chosen time: