Works by Katie Bullock, Faculty, Glass, Rhode Island School of Design Jocelyne Prince, Faculty, Glass, Rhode Island School of Design Sean Salstrom, Graduate Study, Glass, Rhode Island School of Design
Artists approach research differently than scientists. The freedom through which artists pursue research allows their inquiries to breed multivalent results, often seemingly unconnected results which can then act as springboards to new ways of seeing and communicating with the world. Bullock, Prince and Salstrom’s artistic practices cultivate curiosity that interposes surprising elements into the narrative of objectivity and data, and in doing so, invite intercalary events in the vitrines of the Hay Library.
Intercalary Event 2020 exhibition locations include the John Hay Library, Chazan Gallery at The Wheeler School and Ladd Observatory.
Opening reception: Thursday, February 13th, 2020, 5 – 7PM
Exhibit Dates: January 21, 2020 – December 1, 2021 Exhibit Time: John Hay Library Hours Exhibit Location: Willis Reading Room, John Hay Library, 20 Prospect Street, Providence
Love Data Week is an international celebration of data, aiming to raise awareness and build a community to engage on topics related to research data management, sharing, preservation, reuse, and library-based research data services.
The John Hay Library is pleased to be hosting the second session of the “Viewing Topography Across the Globe” workshop, taking place on Wednesday, December 11, 2019 from 2 – 4 p.m. in the Lownes Room of the John Hay Library.
“Viewing the Minassian Collection” with Shahzad Bashir (Aga Khan Professor of Islam and the Humanities, Brown University) and Holly Shaffer (Assistant Professor of History of Art & Architecture, Brown University), and graduate students in Tracing Translations (HMAN 2400R)
“Viewing the Anne S. K. Brown Military Collection” with Peter Harrington (Curator of the Military Collection, John Hay Library)
This workshop is sponsored by the Cogut Institute for the Humanities, the John Carter Brown Library, the John Hay Library, and the Lewis Walpole Library; it is part of the programming for the Collaborative Humanities course, Tracing Translations: Artistic Migrations and Reinventions in the Early Modern World, and is part of a series on topography organized by the Lewis Walpole Library at Yale University.
The session will be followed by tea and other light refreshments in the lobby of the John Hay Library.
Thought to be designed and engraved by Revere, this print depicts the baptism of Christ, by full immersion. John the Baptist is shown holding Jesus in the Jordan River. Interpreted as the 12 Apostles watch from the bank while two pairs of angels on clouds flank the top corners. A sun with mirrored Hebrew lettering (Tetragrammaton) from which two rays of light emanate, a dove on left and on right the words “This is my beloved Son –hear ye him”, or scripture Luke 9:35 from the Christian Holy Bible.
There are 5 known original prints of this plate. Found inside a medical book at Brown University in 2012, the rare illustration was part of a donation by physician Solomon Drowne, Brown class of 1773. Among the surviving engravings, paper and sheet size vary; the Brown University Library copy on laid paper demonstrates the plate print slightly askew.
Exhibit Dates: December 5, 2019 – January 31, 2020 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
On Thursday, December 5, 2019 at 3:30 p.m. in the Patrick Ma Digital Scholarship Lab at the Rockefeller Library, Scott Rettburg, Professor of Digital Culture in the department of linguistic, literary, and aesthetic studies at the University of Bergen, Norway, will give a talk entitled, “Electronic Literature: Threads of Practice and Literary Genre in Digital Writing.” The talk is free and open to the public.
In the talk, Professor Rettberg will discuss his new book, Electronic Literature, in which he places the most significant genres of electronic literature in historical, technological, and cultural contexts. These include combinatory poetics, hypertext fiction, interactive fiction (and other game-based digital literary work), kinetic and interactive poetry, and networked writing based on our collective experience of the Internet. He argues that electronic literature demands to be read both through the lens of experimental literary practices dating back to the early twentieth century and through the specificities of the technology and software used to produce the work.
Rettberg will give a brief presentation of the methods and themes of the book, which will be followed by a discussion between Rettberg and Cayley.
Scott Rettberg is Professor of Digital Culture in the department of linguistic, literary, and aesthetic studies at the University of Bergen, Norway. Rettberg is the author or coauthor of novel-length works of electronic literature, combinatory poetry, and films including The Unknown, Kind of Blue, Implementation, Frequency, The Catastrophe Trilogy, Three Rails Live, Toxi•City, Hearts and Minds: The Interrogations Project and others. His creative work has been exhibited both online and at art venues including the Venice Biennale, Inova Gallery, Rom 8, the Chemical Heritage Foundation Museum, Palazzo dell Arti Napoli and elsewhere. Rettberg is the author of Electronic Literature (Polity, 2019), the first comprehensive study of the histories and genres of electronic literature and winner of the 2019 N. Katherine Award for Criticism of Electronic Literature.
Peruse the gallery and discover what is new and unique about Special Collections at the Hay Library. Explore recent acquisitions from the 14th century to the present through the lens of renowned Brown faculty, and gain insight into the place where the past, present and individual connect.
Opening reception: Friday, November 22nd, 4-6 PM
Dates: November 22, 2019 – February 28, 2020 Time: John Hay Library Hours Location: Exhibition Gallery, John Hay Library, 20 Prospect Street, Providence
Created by famous political cartoonist Thomas Nast, these eight vignettes depict a “state of the Union” featuring President Abraham Lincoln during his reelection year. Each rendering touches on a significant factor during the Civil War, which was in its fourth year and with no clear victor at the time. The double-page image, published in Harper’s Weekly in December 1864, reflects the artist’s more illustrative work. Nast is also credited with crafting the modern American representation of Santa Claus during the course of his time at the magazine.
Exhibit Dates: November 1 – 30, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
On Friday, November 8, 2019 at 3 p.m. in the Digital Scholarship Lab at the Rockefeller Library, Elaine Sullivan, Associate Professor of History at UC Santa Cruz, will give a talk entitled, “Constructing the Sacred: Visibility and Ritual Landscape at the Egyptian Necropolis of Saqqara.”
This event is free and open to the public.
Constructing the sacred: Visibility and ritual landscape at the Egyptian necropolis of Saqqara
This talk will discuss Sullivan’s forthcoming born digital publication which utilizes a 3D reconstruction model to examine the importance of visibility and landscape change at the ancient Egyptian necropolis of Saqqara. The project will be published as an online only monograph by Stanford University Press in winter 2020 and includes a dynamic 3D GIS model as part of the publication.
Dr. Sullivan is an Egyptologist and a Digital Humanist. Her work focuses on applying new technologies to ancient cultural materials. She acts as the project coordinator of the Digital Karnak Project, a multi-phased 3D virtual reality model of the famous ancient Egyptian temple complex of Karnak. She is project director of 3D Saqqara, which harnesses Geographic Information Systems (GIS) technologies and 3D modeling to explore the ritual and natural landscape of the famous cemetery of Saqqara through both space and time.
Her field experience in Egypt includes five seasons of excavation with Johns Hopkins University at the temple of the goddess Mut (Luxor), as well as four seasons in the field with a UCLA project in the Egyptian Fayum, at the Greco-Roman town of Karanis.
Because of a broad interest in the history and material culture of the larger ancient Near Eastern and Mediterranean worlds, she has also excavated at sites in Syria, Italy and Israel. Dr. Sullivan received her M.A. and Ph.D. in Egyptian Art and Archaeology from Johns Hopkins University. Her B.A. (Magna Cum Laude) in History is from Duke University.
Join the Brown University Library for an unforgettable night of poetry, fiction, and discussion of how library and archival research is essential to creative and literary endeavors. Lauren Russell and Megan Milks will both read from their works, followed by a discussion led by librarians and archivists about how they are using primary sources. A Q&A period will conclude the presentation.
The first event in the Authors in the Archives series, this talk will take place on Monday, October 28, 2019 at 6:30 p.m. in the Willis Reading Room of the John Hay Library.
Free and open to the public. A light reception will follow the talk.
Lauren Russell is the author of What’s Hanging on the Hush (Ahsahta Press, 2017) and Descent, a winner of the 2019 Tarpaulin Sky Book Awards and a finalist for the National Poetry Series, forthcoming from Tarpaulin Sky Press in 2020. A 2017 NEA Creative Writing Fellow in Poetry, she has also received fellowships and residencies from Cave Canem, The Wisconsin Institute for Creative Writing, VIDA/The Home School, the Rose O’Neill Literary House, the Millay Colony, and City of Asylum/Passa Porta. Her work has appeared in The New York Times Magazine, boundary 2, the Academy of American Poets’ Poem-a-Day, and Bettering American Poetry 2015, among others. She is assistant director of the Center for African American Poetry and Poetics at the University of Pittsburgh.
Megan Milksis the recipient of the 2019 Lotos Foundation Prize in Fiction Writing. Their first book, Kill Marguerite and Other Stories, won the 2015 Devil’s Kitchen Reading Award in Fiction and was named a Lambda Literary Award finalist. They have also published four chapbooks, most recently Kicking the Baby and The Feels, an exploration of fan fiction and affect. Their critical writing, for which they won a 2014 Critical Hit Award from Electric Lit, has been published in 4Columns, Los Angeles Book Review, and The New Inquiry, among other venues. Their work as editor includes The &NOW Awards 3: The Best Innovative Writing, 2011-2013 (Northwestern UP, 2015) and Asexualities: Feminist and Queer Perspectives (Routledge, 2014); currently, they edit the Fiction section of The Account.
Authors in the Archives
The Authors in the Archives series features notable writers whose work is brought to fruition through their creative and sagacious use of primary source materials.
To request special services, accommodations, or assistance for this event, please contact Jennifer Braga at Jennifer_Braga@brown.edu or (401) 863-6913 as far in advance of the event as possible. Thank you.