The three-day conference, held August 26 – 28, 2019, was co-hosted by the UN Department of Global Communications, Salt Lake City, and the NGO Executive Committee. It featured opening and closing plenary sessions, interactive thematic sessions, NGO-sponsored workshops, exhibits, and a youth hub. Speakers and attendees included leaders and other representatives from NGOs, UN agencies, academia, faith traditions, the public and private sectors, and youth from around the world.
The conference focused on #11 of the 17 Sustainable Development Goals (SDGs), a blueprint for action, advocacy, and partnership and a compass to ensure that no one is left behind, including those who are poor and vulnerable. The 11th SDG is, “to make cities and human settlements inclusive, safe, resilient and sustainable by 2030.” The conference also explored the interlinkages among all 17 Goals, including critical issues relating to gender.
During the exhibition component, Michelle presented an exhibit entitled “Reducing Risk in Libraries, Museums, and Cultural Institutions through Disaster Preparedness Kits.” She was accompanied by a fully stocked disaster kit, which represents the Brown University Library’s new approach to localized threats to our collections. Showcasing the kit at this conference provided Michelle with an opportunity to discuss cutting edge preservation efforts and techniques with professional peers from around the globe. “It was an honor to exhibit at this unique and critically important conference,” Michelle said. “Interacting with experts in disaster preparedness as well as professionals seeking to develop best practices around disaster prep for collections of all kinds was incredibly informative and rewarding.”
The kit was extremely well received and sparked robust, excited conversation from library and museum colleagues from states throughout the U.S. and abroad. More than once, a colleague told Michelle that the kit is “like a crash cart for disasters.”
Staff from the University of Utah’s Marriott Library were particularly impressed with the kit. At the conclusion of the conference, instead of shipping the sizable unit back to Brown, Michelle and the Brown Library gifted it to the Marriott Library, providing them with a much-needed preservation tool, which they were thrilled to receive.
On Saturday, October 19, 2019 at 11 a.m. in the Digital Scholarship Lab at the Rockefeller Library, join Allison Levy of the Brown University Library’s Digital Publications Initiative for an engaging look at the changing face of 21st-century scholarship.
Free and open to the public.
A Q&A period will conclude the program.
Furnace & Fugue
Demoing the Initiative’s pilot project, Furnace and Fugue, alongside Atalanta fugiens, the rare and elegantly illustrated alchemical book that inspired it, Levy will show how Brown Professor of History Tara Nummedal has turned to innovative digital tools to create new and more dynamic scholarly experiences.
Re-rendering a multimedia 17th-century text as an online publication, Furnace and Fugue allows readers to hear, see, manipulate, and investigate a work in ways that were perhaps imagined when it was composed but were simply impossible to realize in full before now. Whether through interactive visualizations of modern notation or a multifunctional space that allows users to curate, save, and share their own selection and arrangement of alchemical emblems, Furnace and Fugue makes possible the capabilities implied by this early modern book with digital tools and features that also clarify and/or advance the arguments of the eight scholarly essays included in the work.
Allison Levy is Digital Scholarship Editor at Brown University Library. An art historian educated at Bryn Mawr College, she has taught in the US, Italy, and the UK. Allison has published widely on the visual culture of early modern Italy and serves as General Editor of the book series Visual and Material Culture, 1300–1700, published by Amsterdam University Press.
Join the Library and the Department of Theatre Arts and Performance Studies on Monday, September 23, 2019 at 7 p.m. in Martinos Auditorium at the Granoff Center for the Creative Arts for Muriel Miguel: A Retrospective, the 15th Annual Don Wilmeth Endowed Lectureship in American Theatre.
Founder and Artistic Director of New York City’s Spiderwoman Theater, Muriel Miguel will share the fascinating journey from her roots in Brooklyn to her landmark contributions to the contemporary feminist and Indigenous theatre movements in the United States, Canada and around the world. Experience her extraordinary life through stories, photos and video from the last 60 years.
This event is free and open to the public. Registration is not required. A light reception will follow the talk.
Muriel Miguel (Kuna/Rappahannock) is a founding member and Artistic Director of Spiderwoman Theater, the longest running feminist Native American theater company in North America. She has directed and co-written almost all of Spiderwoman’s shows since their first show, Women in Violence in 1976. They have produced over twenty original works for the theatre.
Muriel is a 2018 Doris Duke artist and in 2016, was a John S Guggenheim Foundation Fellow. She has received an honorary Doctorate in Fine Arts from Miami University in Oxford, OH, home of the Native American Women Playwrights Archives. She was awarded a Rauschenberg Residency in 2015 and is a member of the National Theater Conference and the Southeastern Theatre Conference where she received the 2019 Distinguished Career Award.
Muriel studied modern dance with Alwin Nickolai, Erick Hawkins and Jean Erdman. She was an original member of Joseph Chaikin’s Open Theater where she performed in the groundbreaking works: Terminal, The Serpent, Mere Ubu and Viet Rock.
She is a choreographer, director, and actor. She has choreographed Throw Away Kids and She Knew She Was She for the Aboriginal Dance Program at the Banff Centre. She directed Spiderwoman Theater’s Material Witness; The Scrubbing Project with Turtle Gals Performance Ensemble and Evening in Paris with Raven Spirit Dance Company. She has been a dramaturge with Native Earth Performing Arts’ annual Weesageechak Begins to Dance Festival. As an actor, she was the Mary Deity in the off-Broadway hit, Taylor Mac’s Lily’s Revenge. She created the role of Philomena Moosetail in The Rez Sisters, by Tomson Highway, a play that is a seminal work in the development of a First Nations play repertory in Canada. She played Aunt Shadie in The Unnatural and Accidental Women by Marie Clements and Spirit Woman in BONES: An Aboriginal Dance Opera. She has created one woman shows Hot’ N’ Soft, Trail of the Otter, and, most recently, Red Mother. Her latest project is Misdemeanor Dream, which explores the real and the fantastical existence of Native and First Nations tricksters and spirits in the stories, languages and lives of Indigenous people.
She was selected for the Native and Hawaiian Women of Hope poster by Bread and Roses International Union’s Bread and Roses Center and in 2003 was the recipient of the first Lipinsky Residency (feminist-inresidence) at San Diego State University Women’s Studies Department. She has received many awards as a member of Spiderwoman Theater. The Smithsonian Institution’s Museum of the American Indian presented a retrospective exhibit, New Tribe, New York honoring Spiderwoman Theater’s years of work; a Lifetime Achievement Award from the Women’s Caucus for Art and the Otto René Castillo Award for Political Theatre. Spiderwoman Theater received the first Honoring the Spirit Award for Arts and Entertainment from the American Indian Community House.
Muriel was an Assistant Professor of Drama at Bard College. She taught and directed a yearly production at the Centre for Indigenous Theatre (CIT) was Program Director for CIT’s three week summer intensive. She is a pioneer in the development of an Indigenous performance methodology and is active in the training of Indigenous actors and dancers in this culturally based method. She was a Program Director for the Aboriginal Dance Program at The Banff Centre and an instructor there for seven years. Muriel has lectured with Muriel Miguel: A Retrospective and facilitated Storyweaving Workshops in conservatories and universities in the US, Canada and Europe.
Her work has been profiled in numerous articles and essays. The most notable of these are Women in Love: Portraits of Lesbian Mothers and their Families by Barbara Seyda and Diana Herrera and American Women Stage Directors of the 20th Century by Anne Fliotsos and Wendy Vierow. Plays Published: TRAIL OF THE OTTER in Staging Coyote’s Dream: An Anthology of First Nations Drama in English Vol. II & HOT ‘N’ SOFT in Two-Spirit Acts: Queer Indigenous Performances- Playwright’s Canada Press. Publications of Spiderwoman Theater plays: PERSISTENCE OF MEMORY in Performing Worlds into Being: Native American Women’s Thetare -Miami University Press; WINNETOU’S SNAKE OIL SHOW FROM WIGWAM CITY in Keepers of the Morning Star: An Anthology of Native Women’s Theater -UCLA American Indian Studies Centre and REVERB-BER-BER-RATIONS in Staging Coyote’s Dream: An Anthology of First Nations Drama in English -Playwright’s Canada Press.
Don Wilmeth joined the Brown English and Theatre faculty in 1967. He retired as Asa Messer Professor Emeritus, Professor Emeritus of Theatre, Speech and Dance, and Professor Emeritus of English in 2004. The first endowed Wilmeth Lecture was presented in 2005.
To request special services, accommodations, or assistance for this event, please contact Jennifer Braga at Jennifer_Braga@brown.edu or (401) 863-6913 as far in advance of the event as possible. Thank you.
Examine works created by students in Professor Dietrich Neumann’s lecture course, “Nineteenth-Century Architecture,” which surveys stylistic developments, new building types, and the changing conditions of architectural production through the 19th century. Models on display reflect a building or industrial design object of this time period.
Explore a sampling of this collection consisting of administrative files and zines that focus on social justice and marginalized identities dating from 1974 to 2018. Areas of strength include zines by and about people of color, lesbian, gay, bisexual, transgender and other queer peoples, the disabled, interpersonal violence, sex and relationships, sex work, the prison industrial complex, self-care, feminism and punk.
Titles of particular interest include bluestockings magazine, a Brown University, Providence-based zine that challenges dominant media narratives by centering on communities systematically excluded from those discourses; Muchacha, a Latina feminist fanzine; SPACE (Space in Prison for Creative Arts and Expression), a zine that highlights the voices of incarcerated individuals in Rhode Island; Joyce Hatton’s Think About the Bubbles #8, which chronicles her struggles with cancer as a poor black woman; and Queer Indigenous Girl, a zine highlighting intersectional identities and activism.
Exhibit Dates: September 9 – 30, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
On Friday, September 13, 2019 at 6:30 p.m. at the Brown Faculty Club, celebrate the venerable professor of psychoceramics, Josiah S. Carberry, and enjoy a buffet dinner with recipes from The Carberry Cookbook. Dinner will be followed by a rollicking talk from Richard J. Ring, Deputy Executive Director for Collections & Interpretation, Rhode Island Historical Society.
A cash bar will be available.
The cost to attend the dinner is $45 per person, in advance. Pleaseregister online.
For more information on registration, please contact Phoebe Bean at email@example.com.
The Study Hill Club of Providence
In 1927 a group of Rhode Island bookmen formed a bibliophile club, which was eventually named after the home that William Blackstone (1595-1675), the first European to settle in what is now Rhode Island, built in 1635. Blackstone’s home housed nearly 200 books in several languages, making it the most significant collection in New England at the time. Richard J. Ring will identify the members of the club, what they did in their five years of activity, and explain why the club failed despite the fertile bibliophilic ground of Providence, where significant collections have been assembled by avid collectors and librarians for nearly four centuries.
Examine two prints published in 1819 following The Peterloo Massacre and gain insight into an early 19th-century protest for political reform.
On August 16, 1819, a peaceful crowd of between 60,000 and 80,000 workers gathered in St. Peter’s Fields, Manchester, England, to voice their demands for political reform. Poor economic conditions and the lack of parliamentary representation in the years following the Battle of Waterloo led many textile workers who labored under dreadful conditions in the mills of north-west England, to march into the city to hear various speakers including the well-known radical orator, Henry Hunt. He represented the new political radicalism that was growing in the region, and the city magistrates were eager to quash it before serious problems arose. Shortly after the demonstrators had gathered, the magistrates ordered the Manchester and Salford Yeomanry to arrest Hunt and others who were accompanying him. As they charged into the crowd to carry out this order, they knocked down a woman and killed her child. The mass of demonstrators continued to present a threat, and the 15th Hussars were sent to disperse them along with the yeomanry. With sabers drawn, they charged into the crowd creating massive confusion resulting in the deaths of 18 people.
Exhibit Dates: Aug 1 -31, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
American Revolutionary War Prints London: Hogg, 1790 Brown University Library, Anne S.K. Brown Military Collection
Explore Independence Day from a British point of view. “Engraved for Barnard’s New Complete & Authentic History of England,” this collection of 4 copper-engraved plates after William Hamilton, 1751- 1801 (artist) feature significant milestones from the American Revolutionary War (Apr 19, 1775 – Sep 3, 1783).
Exhibit Dates: July 1 -31, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
Since January 2016, the Sciences Library has participated in the city-wide Goodnight Lights initiative, symbolically saying good night to patients at Hasbro Children’s Hospital by flashing lights on and off from 8 – 8:05 p.m. each night.
To add a personal touch to the effort, the Library has added equipment to the display so that it now flashes in a smile design. According to the creator of the initiative, Steve Brosnihan, Hasbro’s resident cartoonist and board member of the Tomorrow Fund for Children with Cancer, “It is a very entertaining display. Kids love watching it from Hasbro Children’s Hospital.”
We hope this small gesture brings a little cheer to the children and families who view it.
On Friday, May 3, 2019, the Rhode Island School of Design (RISD) Museum hosted a one-day symposium in conjunction with its exhibit Gorham Silver: Designing Brilliance 1850-1970, at which Holly Snyder, Curator Curator of American Historical Collections and the History of Science at the Brown Library, presented. Holly spoke about the history of the Gorham Manufacturing Company.
As part of their preparation for the exhibition, the RISD Museum asked Holly to write an introductory chapter for the exhibit catalog about the history of the company and the making of the Gorham Company Archive. Holly co-wrote the chapter with Gerald M. Carbone, an independent writer and journalist, who had previously published a book on Brown & Sharpe.
The presentations at the symposium were intended to recapitulate some of the material in each of the chapters of the exhibit catalog. Holly’s talk, “The Gorham Company Archive in the Historical Context of Providence, Rhode Island,” focused on how the Gorham records ended up at the John Hay Library and how this collection is nestled within the larger collections at the Hay.
Samuel J. Hough
The late Samuel J. Hough, a former librarian at the John Carter Brown Library who became an independent bookseller, appraiser, and researcher, played a key role in rescuing the Gorham records from imminent destruction and bringing these materials to the attention of John Hay Library staff. The transfer of these records to the Hay took place during the rapid downsizing of the company in the mid-1980s, when Gorham was owned by Textron and the decision was made to abandon the plant complex on Adelaide Avenue in Providence in favor of smaller manufacturing sites elsewhere. Sam Hough worked closely with the Brown Library on the Gorham records and helped sort and organize the Gorham materials that the Library ultimately received from Textron. Sam Hough passed away in early March 2019, and Holly framed her talk as a tribute to his work, on which all of the symposium participants had relied.
Gorham Company Archive and Providence-based Photography
Holly also spoke about the way in which the Gorham Company Archive intersects with other aspects of Brown’s special collections holdings, specifically that the Gorham records enhance the Library’s holdings related to the technical innovations in photography in Providence–innovations on which the Gorham Company relied heavily in building its marketing and its customer base.
Photography was a consumer-oriented business in Providence, which Holly illustrated by showing various examples from the special collections, starting with a Poe daguerrotype and moving through images of The Arcade Providence, to advertising from 19th century business directories. All of these items represent technological evolution that made photography popular with the masses and useful to Gorham’s business. She also showed broadsides from Brown’s holdings that portray the pre-existing popular taste for entertainment on which Gorham was effectively able to capitalize.