Created by famous political cartoonist Thomas Nast, these eight vignettes depict a “state of the Union” featuring President Abraham Lincoln during his reelection year. Each rendering touches on a significant factor during the Civil War, which was in its fourth year and with no clear victor at the time. The double-page image, published in Harper’s Weekly in December 1864, reflects the artist’s more illustrative work. Nast is also credited with crafting the modern American representation of Santa Claus during the course of his time at the magazine.
Exhibit Dates: November 1 – 30, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
Join the Brown University Library for an unforgettable night of poetry, fiction, and discussion of how library and archival research is essential to creative and literary endeavors. Lauren Russell and Megan Milks will both read from their works, followed by a discussion led by librarians and archivists about how they are using primary sources. A Q&A period will conclude the presentation.
The first event in the Authors in the Archives series, this talk will take place on Monday, October 28, 2019 at 6:30 p.m. in the Willis Reading Room of the John Hay Library.
Free and open to the public. A light reception will follow the talk.
Lauren Russell is the author of What’s Hanging on the Hush (Ahsahta Press, 2017) and Descent, a winner of the 2019 Tarpaulin Sky Book Awards and a finalist for the National Poetry Series, forthcoming from Tarpaulin Sky Press in 2020. A 2017 NEA Creative Writing Fellow in Poetry, she has also received fellowships and residencies from Cave Canem, The Wisconsin Institute for Creative Writing, VIDA/The Home School, the Rose O’Neill Literary House, the Millay Colony, and City of Asylum/Passa Porta. Her work has appeared in The New York Times Magazine, boundary 2, the Academy of American Poets’ Poem-a-Day, and Bettering American Poetry 2015, among others. She is assistant director of the Center for African American Poetry and Poetics at the University of Pittsburgh.
Megan Milksis the recipient of the 2019 Lotos Foundation Prize in Fiction Writing. Their first book, Kill Marguerite and Other Stories, won the 2015 Devil’s Kitchen Reading Award in Fiction and was named a Lambda Literary Award finalist. They have also published four chapbooks, most recently Kicking the Baby and The Feels, an exploration of fan fiction and affect. Their critical writing, for which they won a 2014 Critical Hit Award from Electric Lit, has been published in 4Columns, Los Angeles Book Review, and The New Inquiry, among other venues. Their work as editor includes The &NOW Awards 3: The Best Innovative Writing, 2011-2013 (Northwestern UP, 2015) and Asexualities: Feminist and Queer Perspectives (Routledge, 2014); currently, they edit the Fiction section of The Account.
Authors in the Archives
The Authors in the Archives series features notable writers whose work is brought to fruition through their creative and sagacious use of primary source materials.
To request special services, accommodations, or assistance for this event, please contact Jennifer Braga at Jennifer_Braga@brown.edu or (401) 863-6913 as far in advance of the event as possible. Thank you.
Camden, New Jersey: June 29, 1888 Brown University Library, Special Collections
In June of 1888, celebrated American poet Walt Whitman suffered a stroke, which left him partially paralyzed. Fearful he would not recover, Whitman drafted this will, which leaves the majority of his money to his sisters, his property to his brother, and names three literary executors. Whitman would survive for four more years, and go on to publish four more works, including his “Deathbed Edition” of Leaves of Grass.
This manuscript is just one of several thousand books and manuscripts recently presented to the library by Daniel G. Siegel ’57.
Exhibit Dates: October 4 – 31, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
Celebrate National Coming Out Day at a hands-on workshop where you can explore pulp fiction, photographs, activist ephemera, meeting records, and more from the Library’s special collections. Plus, use a button maker and copies of queer documents to make your own buttons!
Three workshops will take place in the Bopp Seminar Room at the John Hay Library on Friday, October 11. Registration is requested. Each workshop is capped at 14 participants. Please register for only one workshop time. All three sessions will cover the same material.
Click on the links below or scan the QR code to register for the workshop at your chosen time:
The John Hay Library is now home to renowned recording artist, writer, and activist Janis Ian’s collection of personally inscribed works of science fiction and fantasy, many by women and LGBTQ authors.
Providence, R.I. [Brown University Library] The John Hay Library at Brown University is delighted to announce the acquisition of Janis Ian’s personal library, including collections of books of contemporary science fiction and fantasy authors inscribed to her. Among these authors are Anne McCaffrey, George R. R. Martin, Mercedes Lackey, Mike Resnick, Nancy Kress, Neil Gaiman, Connie Willis, Harlan Ellison, Jane Yolen, Tanith Lee, Diane Duane, and many others. In all, the Library received approximately 200 volumes from Ms. Ian’s collection.
The John Hay Library is the Brown University Library’s repository for rare books, manuscripts, archives, and other special collections. Its holdings of U.S. and Canadian poetry, plays, and vocal music dating from 1609 to the present day are considered to be among the largest and most comprehensive of their kind in any research library, including significant clusters in women’s writings, LGBTQ literature, science fiction and fantasy, and modern first editions.
The Janis Ian Collection of Science Fiction and Fantasy will take its place alongside unique items like the only surviving manuscript of George Orwell’s Nineteen Eighty-Four, the preeminent collection of H. P. Lovecraft’s papers, and a robust array of writings by more recent masters of speculative fiction such as Caitlín Kiernan and Samuel Delany.
Heather Cole, Curator for Literature and Popular Culture at the Hay Library observed, “The Janis Ian Collection of Science Fiction and Fantasy substantially increases our holdings of women science fiction and fantasy authors. In addition, the fact that the books were owned by Ms. Ian—most with inscriptions—provides a wonderful record of a network of women writers and readers, something that is not always easily captured in library collections. Already a broad area of strength at the Hay, our materials in the science fiction and fantasy genres are significantly enhanced by this exciting acquisition. Brown students and researchers are certain to make great use of these materials, furthering scholarship in the many important areas of inquiry that are supported by this collection.”
A Grammy Award-winning singer and musician, Janis Ian has been writing and recording music for five decades with a total of ten Grammy nominations in eight different categories. She has been at the forefront of numerous social movements, using music as a force of change, and has impacted the lives and works of artists from Nina Simone to Johnny Cash to Joan Baez. Artists including Willie Nelson, Dolly Parton, and Trevor Sewell have recorded duets with her.
Janis and her wife Pat are currently downsizing while Janis continues to make music and write children’s books, the first of which is the recently published The Tiny Mouse.
Ms. Ian’s library was cataloged by Mary Jo Duffy of Temporary Culture (Upper Montclair, New Jersey), who acted as Ms. Ian’s representative in the sale. Proceeds will benefit the Pearl Foundation, which endows scholarships for returning students.
Explore a sampling of this collection consisting of administrative files and zines that focus on social justice and marginalized identities dating from 1974 to 2018. Areas of strength include zines by and about people of color, lesbian, gay, bisexual, transgender and other queer peoples, the disabled, interpersonal violence, sex and relationships, sex work, the prison industrial complex, self-care, feminism and punk.
Titles of particular interest include bluestockings magazine, a Brown University, Providence-based zine that challenges dominant media narratives by centering on communities systematically excluded from those discourses; Muchacha, a Latina feminist fanzine; SPACE (Space in Prison for Creative Arts and Expression), a zine that highlights the voices of incarcerated individuals in Rhode Island; Joyce Hatton’s Think About the Bubbles #8, which chronicles her struggles with cancer as a poor black woman; and Queer Indigenous Girl, a zine highlighting intersectional identities and activism.
Exhibit Dates: September 9 – 30, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
Examine two prints published in 1819 following The Peterloo Massacre and gain insight into an early 19th-century protest for political reform.
On August 16, 1819, a peaceful crowd of between 60,000 and 80,000 workers gathered in St. Peter’s Fields, Manchester, England, to voice their demands for political reform. Poor economic conditions and the lack of parliamentary representation in the years following the Battle of Waterloo led many textile workers who labored under dreadful conditions in the mills of north-west England, to march into the city to hear various speakers including the well-known radical orator, Henry Hunt. He represented the new political radicalism that was growing in the region, and the city magistrates were eager to quash it before serious problems arose. Shortly after the demonstrators had gathered, the magistrates ordered the Manchester and Salford Yeomanry to arrest Hunt and others who were accompanying him. As they charged into the crowd to carry out this order, they knocked down a woman and killed her child. The mass of demonstrators continued to present a threat, and the 15th Hussars were sent to disperse them along with the yeomanry. With sabers drawn, they charged into the crowd creating massive confusion resulting in the deaths of 18 people.
Exhibit Dates: Aug 1 -31, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
American Revolutionary War Prints London: Hogg, 1790 Brown University Library, Anne S.K. Brown Military Collection
Explore Independence Day from a British point of view. “Engraved for Barnard’s New Complete & Authentic History of England,” this collection of 4 copper-engraved plates after William Hamilton, 1751- 1801 (artist) feature significant milestones from the American Revolutionary War (Apr 19, 1775 – Sep 3, 1783).
Exhibit Dates: July 1 -31, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
90.9 WBUR-FM is Boston’s NPR news station and the home of nationally syndicated programs, including On Point, Here & Now, Only A Game and Car Talk, which reach millions of listeners each week on NPR stations across the country and online. More info.
The John Hay Library Undergraduate Fellowship Program serves to assist Brown students with primary source exploration, inviting them to follow their curiosity, questions, and creativity through self-directed projects focused on an area within the vast special collections resources available within the Library. Working closely with Library staff over 10 weeks, the students will each produce an individual research project, to be presented at a symposium on September 19, 2019.
This summer’s inaugural cohort of John Hay Library Undergraduate Fellows includes:
Alan Mendoza Sosa ’20
Alan will create an experimental queer poetry chapbook inspired by and incorporating elements from the gay pulp fiction collection, the Scott O’Hara papers, the Katzoff collection, and the Smith magic collection. The book will explore themes of gender, sexuality, embodiment, and language, while questioning queer media representation, the social distinction between “high” and “low” literature, and between “academic” and “popular” culture.
Finch Collins ’21
“(Trans)formative Fandom: Trans Studies, Problematic Authors, and Reclamation”
Working with the Caitlin Kiernan papers and the gay pulp fiction collection, Finch will investigate negotiations of queer identity through fandom, examine the extent that fandom can serve as a site of reclamation and identity creation, and consider how utopian thinking on fandom’s reclamatory value might fall short. He hopes to produce a 40-50 page paper as a first step toward an honors thesis.
Evan Kindler ’20
“The John Birch Society in the Trump Era”
Evan hopes to examine Trumpism’s roots in Bircherism by looking at how this far-right extremist group’s agenda has been reflected in Trump’s policies and rhetoric. Evan plans to write and submit a paper to an academic journal as well as possibly produce a creative work.