Victorious Secret by Angela Lorenz ’87, P’18

Victorious Secret: The “Bikini Girls” are Winning the Pentathlon on view at the Rockefeller Library, from August 31 – November 20, 2017

Surprise! The nearly two-thousand-year-old mosaics from Villa Romana del Casale  in Sicily, known simply as the “bikini girls,” are really female athletes from prestigious Roman families. Brown University is the tenth venue for this traveling suite of triptychs, made of buttons and hairpins, which sets the record straight on women in sports. Meet artist Angela Lorenz, class of 1987, P’18 to learn about her visual arts project and the impact of study abroad on Friday, October 13, 2017, at 4 p.m. in the Digital Scholarship Lab, Rockefeller Library.

Dates: August 31 – November 20, 2017
TimeJohn D. Rockefeller, Jr. Library Hours
Location: John D. Rockefeller, Jr. Library, 10 Prospect Street, Providence

Event | Coffee and Conversation with Ian Fetters, S. T. Joshi Fellow

Please join the Brown University Library on Tuesday, August 22, 2017 at 12 p.m. in the Lownes Room of the John Hay Library for coffee and conversation with S. T. Joshi Endowed Research Fellow Ian Fetters.

Mr. Fetters, a teaching fellow at California Polytechnic State University San Luis Obispo, will discuss his ongoing research at the Library using the Lovecraft Collection. His talk will focus on his project, “Lovecraft’s Dark Continent: At the Mountains of Madness and Antarctic Literature.”

Come early or stay afterward and view the Library’s two new exhibitions. Greetings & Salutations : Lovecraft on the Road is a focused tracing of Lovecraft’s meandering bus trip from Providence, Rhode Island to DeLand, Florida between April and August, 1934. The Caitlín R. Kiernan Papers @ Brown University Library is a mid-career review highlighting Kiernan’s recent gift of her personal and professional archives.

Date: Tuesday, August 22, 2017
Time: 12 p.m.
Location: Lownes Room, Second Floor, John Hay Library, 20 Prospect Street, Providence

H.P. Lovecraft on the Road & Caitlín R. Kiernan Papers

Greetings and Salutations: Lovecraft on the Road  &  Caitlín R. Kiernan Papers @ Brown University on view at John Hay Library, exhibition gallery from August 16 – December 15, 2017.

Greetings and Salutations: Lovecraft on the Road

Journey from Providence, Rhode Island, to St. Augustine, Florida, during the spring and summer of 1934 with one of America’s most influential fantasy and horror fiction writers. Explore the life, past and places of Howard Phillips Lovecraft (1890–1937) through his correspondence, postcards and related drawings from the Brown University Library, Special Collections.

Caitlín R. Kiernan Papers @ Brown University

With novels, chapbooks, comics and more than 250 short stories to her credit, science fiction and dark fantasy writer Caitlín R. Kiernan (b. 1964) is a prolific and independent force reflecting the formative influences of her youth, including H. P. Lovecraft, Shirley Jackson, William S. Burroughs and Angela Carter.

The Brown University Library recently acquired the Caitlín R. Kiernan Papers, gifted by the author, consisting of personal papers, manuscripts, books, related artwork and objects. The collection represents both early and current works by the multiple award-winning author and published paleontologist. Additions to the collection will be made regularly by the author.

Exhibit | Schwedischen Fewerwerks. Anno 1650

Schwedischen Fewerwerks. Anno 1650 (1652).

Schwedischen Fewerwerks. Anno 1650, on display at  the John Hay Library, 2nd Floor Landing from July 1 – July 31, 2017.

A depiction of the Swedish fireworks at Nuremberg in honor of the Swedish plenipotentiary in Germany, Count Palatine Carl Gustav (the future king of Sweden, Charles X Gustav).

Dates: July 1 – July 31, 2017
TimeJohn Hay Library Hours
Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence

Exhibit | Mobile Verse: Bus and Subway Poetry

“Reflective” A. R. Ammons (1926–2001), Metropolitan Transportation Authority (New York, NY), ca. 1992–1996

The Mobile Verse: Bus and Subway Poetry from the Harris Broadside Collection is now showing at John Hay Library, exhibition gallery from June 26 – July 26, 2017.

Explore poetry from the United States and Great Britain that was designed to be enjoyed on buses and subway cars from the 1970s through the 1990s. Growing in popularity, public- and private-sector programs such as these continue to link literary arts and transportation as a way to communicate, influence and curate through our communal environments. Selections from more than 300 examples highlight the young, mature, novice and experienced poets of diverse backgrounds and locations as they share on various topics.

Dates: June 26 – July 26, 2017
TimeJohn Hay Library Hours
Location: Exhibition Gallery, John Hay Library, 20 Prospect Street, Providence

Exhibit | Audubon Bird Cards

Audubon Bird Cards, Set No. 3
New York: National Association of Audubon Societies, 1974

On display in the second floor landing case of the John Hay Library, this box of cards depicting fifty summer birds of eastern North America was the third in a reissued series that also contained winter birds (set one), and spring birds (set two). The front of each card features a masterful color portrait by Allan Brooks (1869–1946). The back contains the bird’s common name, as well as its description, classification, scientific name and migration range.

Founded in 1905, the National Association of Audubon Societies for the Protection of Wild Birds and Animals eventually broadened its mission to include the conservation and restoration of natural ecosystems and habitats “for the benefit of humanity and the earth’s biological diversity.” A pamphlet accompanying each set of bird cards describes the organization and its work.

Special Collections has myriad Audubon-related treasures, including Bird Cards sets one and two (1929), postcards (1959), limited edition prints published by the Rhode Island Hospital Trust National Bank (1986) and a double-elephant folio edition of John J. Audubon’s Birds of America (London, 1827–1838).

Dates: June 1 – June 30, 2017
Time: John Hay Library Hours
Location: Second Floor Landing Case, John Hay Library, 20 Prospect Street, Providence

Exhibit | The Brown Bear: A History

The Brown Bear: A History

An Exhibit by Peter Mackie ’59, Sports Archivist
Now showing in the Willis Reading Room Cases, John Hay Library
May 22 – August 31, 2017

At the dawn of the 20th century, Brown was thriving. A new president, William H. P. Faunce, was in place; enrollment was approaching 1,000; new buildings were springing up, and a successful $2 million endowment fund campaign had been completed. Brown’s major teams were enjoying a new off-campus facility (Andrews Field) which had supplanted Lincoln Field. Athletics were emerging from the informal club team era under a newly established Director of Physical Education, Frederick W. “Doc” Marvel (1894). Students and alumni were becoming enthralled with intercollegiate athletics, especially with the developing fierce rivalry with Dartmouth.

Click here to view the online exhibit.

The search was on for a mascot to represent Brown and her teams, often called the Hilltoppers by the press. In 1902 a mascot attempt with a burro was a failure, but in 1904 Theodore Francis Green (1887) solved the problem. Annoyed by “painful attempts” of newspaper artists to come up with an appropriate figure to match the Bulldog and Tiger, Green placed the mounted head of a bear labeled THE BROWN BEAR in the Trophy Room of the new student union (Rockefeller Hall – now Faunce House). Green’s idea quickly took hold, and the bear was celebrated in verse, song, and image. In 1905 a live bear was rented for the Dartmouth football game in Springfield, beginning a famous tradition which, despite interruption by two world wars and the Great Depression, continued into the mid-1960’s. Live bear lore abounds with stories which defy contemporary imagination: college hijinks such as “bearnappings” and tragic bear deaths and funerals.

In addition to live bears, students donned bear costumes, a custom which continues to this day with Bruno and his sidekick Cubby, whose identities are kept secret. The first costumed bear was a group effort, when in 1906 at the Dartmouth game a student wrapped in a bear skin arrived in Springfield. In the post-game victory march back to the city, students took turns after each “bear” dropped exhausted in the frenzied swirling snake dance. Campus statuary has also reflected the importance of the Brown Bear to the Brown community. The Bronze Bruno (1927), Fountain Bear (1932), Swearer Bear (1988), and Indomitable (2013), all keep the Brown Bear symbol constantly in view.

The true meaning of the Brown Bear has been the cause of debate since the beginning. For years after its casting in 1923, Bronze Bruno remained in hibernation at Gorham Manufacturing Company while debate raged on about its meaning and proper placement. Today the use of the term Brown Bear extends to men’s and women’s athletic teams, Alumni Brown Bear Awards, and employee BEAR Day, to name a few.

The Brown Bear is deeply embedded in the DNA of Brown’s culture and daily life. Perhaps T. F. Green provides the best understanding of the Bear’s inclusive meaning:

“So our Brown Bear, around which we are now gathered, is a symbol of that Brown spirit which carries its meaning to alumni and undergraduates alike, with various meanings. Some mistake its message as a call of good luck to an athletic team. But its message is rather to carry into all our activities those virtues shown on the athletic field and symbolized in the Brown Bear – the virtues of strength, independence, and courage. May its symbol remind us of the College and keep alive our love and enthusiasm for old Brown.”

Dates: May 22 – August 31, 2017
Time: John Hay Library Hours
Location: Willis Reading Room Cases, John Hay Library, 20 Prospect Street, Providence

New Fellows to Further Research at the John Hay Library in 2017-2018

The John Hay Library will host two research fellows in the coming academic year, with support from the New England Regional Fellowship Consortium. While at the Hay Library, these scholars, whose projects are described in more detail below, will be using little known materials in the holdings of Special Collections in order to further their scholarly research.

Detail from St. Augustine of Hippo, De Ciuitate Dei (1467), Annmary Brown Memorial Collection 203, John Hay Library, showing printed text with hand applied rubrication and illuminated capitals

Renzo Baldasso, an Assistant Professor in the School of Art at Arizona State University, is currently at work on a study of printers in the early decades of the printing press (1453 to 1503 C.E.) — a period commonly known among historians as the incunabula era.  Baldasso’s research aims to discover how these printers “became masters of the page…to develop an independent print aesthetic” that differed from the aesthetic approaches used to produce the handwritten illuminated manuscript. With expertise in both Renaissance art and the history of science, Baldasso is uniquely qualified to undertake this intensive study of rare volumes. He will be focusing his work at the Hay Library on the 600 incunabula in the Annmary Brown Memorial Collection, for which Richard Noble, the Library’s rare books cataloguer, has been diligently working to enhance existing descriptive information.

Selected pages from the papers of Jean Bethke Elshtain (Ms. 2011.039), Feminist Theory Archive, John Hay Library

Alexander Jacobs, a recent PhD and current postdoctoral lecturer in History at Vanderbilt University, works on “the tangled histories and multiple meanings of liberalism and conservatism in modern American thought and politics” — a topic that formed the nucleus of his 2016 doctoral dissertation, Pessimism and Progress, a study of Conservatism within the political Left. While at the Hay Library, he will be looking at manuscript material in the Feminist Theory Archive, focusing in particular on the papers of Jean Bethke Elshtain.

The New England Regional Fellowship Consortium (NERFC) is a growing body of New England cultural institutions which seek to enhance scholarly access to their collections by offering grants for 8 weeks of study in the holdings of at least three of the participating institutions. The program is competitive and attracts scholars working on a broad range of topics. The John Hay Library, a NERFC member since 2014, has previously hosted fellows working on topics such as the fear of nuclear explosion during the Cold War, 19th century panoramic spectacles, and humor in the gay liberation and feminist movements.

Exhibit | La conquista dell’Abissinia (The conquest of Abyssinia)

The John Hay Library has a new acquisition on display in the second floor landing case:

La conquista dell’Abissinia/ The conquest of Abyssinia
Officine dell’Istituto italiano d’arti grafiche/ Office of the Italian Institute of Graphic Arts
Board game (paper and ink)
Milano: Carlo Erba S.A., 1936
Brown University Library, Special Collections

The item will be on display until May 31, 2017.

This Italian board game was created in 1936 by Officine dell’Istituto italiano d’arti grafiche in Bergamo during the Fascist regime of Benito Mussolini in the midst of the Second Italo-Ethiopian War (also referred as the Second Italo-Abyssinian War). The game was printed to advertise products from various Italian companies while spreading colonial propaganda that applauded the expansion of the Kingdom of Italy. This piece featured a powder to make artificial mineral water by the pharmaceutical company Carlo Erba, S.A.

Play is based on the rules of the European “game of the goose,” in which two or more players move pieces along a track of consecutively numbered spaces by rolling one or two dice. La conquista dell’Abissinia is played on a color illustrated sheet against the background of a map of the Ethiopian Empire (also known as Abyssinia). While not depicted, the game pays tribute to Pietro Badoglio, 2nd Duke of Addis Abeba, and his army and their ultimate occupation of the capital of Abyssinia. It consists of 68 numbered spaces representing the Italian flag, the Red Cross, contemporary political figures, and tanks of the Italian armed forces. The goal of the game is to reach the circle numbered 68 before any of the other players by avoiding as many obstacles as possible. It was designed to have a maximum of eight players, each equipped with a small disc representing various divisions of the Italian armed forces (Infantry, Air Force, Blackshirts, Alpine Troops, Corps of Engineers, Tank Division, Askari, or local colonial troops and Dubats or White Turbans). Directions are printed on the upper right corner of the sheet.

Dates: May 1 – May 31, 2017
Time: John Hay Library Hours
Location: Second Floor, John Hay Library, 20 Prospect Street, Providence, RI