On View: John Hay Library, Willis Reading Room (May 26 – December 16, 2022)
For centuries the Akan people of West Africa used gold dust as a primary form of currency in everyday transactions and as part of an extensive trade with the North African Muslim states. To measure precise amounts of gold dust, an elaborate system of weights was devised. Akan Gold weights called abrammuo (singular, mrammuo) are closely linked with the Akan verbal arts of proverbs and are visual expressions of Akan culture and values. For the Akan, gold (sika) symbolizes the embodiment of life force (kra) and is considered the partner of the sun on earth.
Dates: May 26 – December 16, 2022 Time: John Hay Library Hours Location: Willis Reading Room, John Hay Library, 20 Prospect Street, Providence
“Artistic Impressions of Brown University,” features a collection of over 30 drawings, watercolors, etchings, and architectural plans depicting the Brown campus and East Side of Providence created by local architects, students, and international artists.
Curated by Ray Butti, Senior Library Expert
Dates: May 26 – August 15, 2022 Time: John Hay Library Hours Location: Exhibition Gallery, John Hay Library, 20 Prospect Street, Providence
Lauded contemporary Latinx playwright’s papers will enrich the Hay’s holdings by artists of color in its distinctive Performance & Entertainment collecting area
The John Hay Library has acquired the papers of award-winning Puerto Rican-American playwright and screenwriter José Rivera. Serving as a foundational collection within the Hay’s Performance & Entertainment collecting direction, this trove of material will offer scholars and students a window into the contemporary life and work of a singularly talented writer whose work centers the lived experience of Puerto Rican-Americans. Consisting of 20 boxes, the papers include handwritten drafts, playscripts, notebooks, correspondence, promotional materials, press clippings, photographs, and juvenilia.
Amanda E. Strauss, Associate University Librarian for Special Collections, is thrilled that the Performance & Entertainment area of collecting will be bolstered in such a remarkable way:
José Rivera is such an important creative voice, and this collection will allow students and scholars to understand his writing process and to see firsthand how he brings his vision to fruition. This material will be heavily used by an international audience, and I’m proud that Mr. Rivera chose the John Hay Library as his partner in preserving and making accessible his archival legacy.
Born in Puerto Rico in 1955, Mr. Rivera moved to Long Island, NY with his family when he was five years old. He grew up surrounded by books. Though his grandparents could not read or write, they were gifted storytellers, and he realized he wanted to be a writer in his adolescent years. In 1989, he took part in the Sundance Institute workshop led by Nobel Prize winning writer and journalist Gabriel García Márquez, whose magical realist style has been an influence on his work. His plays have been produced internationally and include “Sueño,” which Mr. Rivera translated and adapted from the play by Pedro Calderón de la Barca, recently produced this spring at Trinity Rep in Providence, RI and directed by Brown/Trinity alumna Tatyana-Marie Carlo, MFA’ 20 d. Mr. Rivera has written many plays, two of which received Obie Awards: “Marisol” (1993) and “References to Salvador Dali Make Me Hot” (2001); other plays include “The Promise,” “Each Day Dies with Sleep,” “Cloud Tectonics,” “The Street of the Sun,” “Sonnets for an Old Century,” “School of the Americas,” “Brainpeople,” “Giants Have Us in Their Book,” and “The House of Ramon Iglesia.”
Mr. Rivera visited Brown in April during which time he attended classes with English and Brown/Trinity MFA students, toured the construction site of the new Performing Arts Center with Brown Arts Institute leadership, and met with members of the Department of Theatre Arts and Performance Studies. Patricia Ybarra, Professor of Theatre Arts and Performance Studies, explains the significance of this acquisition:
Bringing José Rivera’s papers to Brown will allow researchers and artists to experience the thinking, aesthetics, and creative process of one of the most important and contemporary Latinx playwrights. This collection expands the Brown University Library’s commitment to diversity and inclusion in the arts by expanding their collections to include the papers of contemporary artists of color as a key part of the Hay Library’s rich archive of contemporary plays and performance.
Mr. Rivera’s plays have been published by Viking Press, Mentor Books, Dramatists Play Service, Dramatics magazine, Samuel French, Broadway Play Publishing, American Theatre magazine, Theatre Communications Group and Smith & Kraus.
In addition to playwriting, Mr. Rivera is also a gifted and accomplished screenwriter. His screenplay for the feature film “The Motorcycle Diaries” was nominated for a Best Adapted Screenplay Oscar in 2005, making him the first Puerto Rican writer to be nominated for an Academy Award. Also nominated for a BAFTA and a Writers Guild Award, “The Motorcycle Diaries” won top writing awards in Spain and Argentina. His screenplay, based on Jack Kerouac’s “On the Road,” premiered at the 2012 Cannes Film Festival and was distributed nationally in the winter of 2013. His film “Trade” was the first film to premiere at the United Nations, and he has many other screenplays and screenwriting credits to his name including work in television such as, “The House of Ramon Iglesia; A.K.A. Pablo” for PBS’s “American Playhouse” (Norman Lear, producer); “The Eddie Matos Story; Eerie, Indiana” (co-creator and producer); “Goosebumps; Mayhem” (Bob Cooper, producer); “The Conquest” (Ron Howard, producer); and “Latino Roots,” an untitled 10-hour limited series for HBO. Avery Willis Hoffman, Artistic Director of the Brown Arts Institute, says of Mr. Rivera’s writing:
José Rivera’s seminal works for stage and screen have tackled some of the most pressing social issues of our time — violence, racism and misogyny, mental illness, poverty, climate change; as we work towards the opening of our new Performing Arts Center in late 2023, new creative collaborations and ongoing engagements with artists such as José will define the powerful ways in which art makes space for the exploration of challenging topics.
Mr. Rivera is a former member of the Board of Directors of the Sundance Institute and has been a creative advisor for Screenwriting Labs in Utah, Jordan and India. A member of the LAByrinth Theatre Company and Ensemble Studio Theatre, he leads a weekly writing workshop in New York City, where he lives.
Cataloging of the contents of the collection is ongoing. Requests to view the collection can be made online through the John Hay Library’s website.
From April 8 – May 6, 2022, the Sorensen Family Reading Room on the first floor
April 8 – May 6, 2022 Sorensen Family Reading Room
On two shelves at the entrance to the Sorensen Family Reading Room on the first floor of the Rock, books held at the Brown University Library that have been banned at least once in the U.S. will be on display for on-site perusal. This sampling shows a range of titles that demonstrate the variation in publication dates, topics, and genres of books that have been met with calls for censorship.
Book banning has a long history in the United States, beginning before the founding of the nation and carried out for many reasons. In 1637, Thomas Morton’s critique of Puritan society garnered him the honor of being banned in the colonies. From The Bible to more recent young adult fiction like The Hate U Give, thousands of books have been challenged or banned in the U.S.
Since 1982, the American Library Association has compiled an annual banned book list, which consistently includes classics, contemporary fiction, children’s books, young adult fiction, and graphic novels. Recent years have seen books challenged for “sexual content, presence of LGBTQ+ characters, and content unsuitable for age group.”
The John Carter Brown Library and the Brown University Library are pleased to announce Kimberly Toney as the inaugural Coordinating Curator for Native American and Indigenous Collections. Kim’s first day will be July 18, 2022.
The Coordinating Curator for Native American and Indigenous Collections will support the libraries in their focus on Native American and Indigenous collections of signal importance as well as programming, including outreach and engagement with Native American and Indigenous communities.
Kim is a member of the Hassanamisco Band of Nipmuc and is currently Head of Readers’ Services and Director of Indigenous Initiatives at the American Antiquarian Society. During her time at the American Antiquarian Society she has streamlined reference workflows, implemented and managed the Aeon collection management software, coordinated the Society’s undergraduate seminar in American Studies, developed the Indigenous Engagement Initiative, and co-curated several digital exhibitions; the most recent is Reclaiming Heritage, Digitizing Early Nipmuc Histories from Colonial Documents, which launched in November, 2021. Kim has a master’s degree in Urban Affairs & Public Policy with a concentration on Historic Preservation from the University of Delaware and a bachelor’s in Art History from the University of Rhode Island.
Brown University is committed to advancing research, teaching and engagement with the social, cultural, artistic, ancestral and heritage, legal and political aspects of Native American and Indigenous peoples in both the historical and contemporary periods. Amanda Strauss, Associate University Librarian for Special Collections, notes that Kim’s appointment heralds an important collaboration between two world-class institutions: “Establishing a permanent, joint position that focuses on Native American & Indigenous collections at both the John Carter Brown Library and the John Hay Library furthers our shared commitment to ensuring that our libraries are sites of ethical, engaged, and culturally-centered collecting and scholarship.” Dr. Rae Gould, Executive Director of Brown’s Native American & Indigenous Studies Initiative, was instrumental in helping shape this new position in support of the University’s commitment and the libraries’ collaboration. Speaking on behalf of the John Carter Brown Library’s staff and Board, Karin Wulf, Director and Librarian for the John Carter Brown Library, states: “We are delighted to welcome Kim, an outstanding professional who has innovated important programming in Native American and Indigenous Studies, to the JCB. And we’re equally delighted to be partnering with Brown University Library, reflecting our joint commitment to this essential focus.”
Archive of legendary Indigenous theater furthers distinction and depth of Brown’s holdings in multiple interdisciplinary areas of study
Providence, R.I. [Brown University] In 1976, when Muriel Miguel, her two sisters, and a diverse group of women founded Spiderwoman Theater in Brooklyn, NY, their aim was to interrogate and challenge anti-feminist narratives of the 1970s through high-caliber theatrical content written and performed by Native American women. A director, actor, playwright, choreographer, and educator, and member of the Kuna and Rappahannock Nations, Muriel — the Library’s connection to this incredible trove of materiel — is the Artistic Director for Spiderwoman Theater, and director for each of the 20 plus Spiderwoman productions. She and the Spiderwoman company draw on Indigenous storytelling traditions to create works that integrate art, dance, and music with humor and pop culture, simultaneously entertaining and educating.
The archive is an indelible record of Spiderwoman’s history and the lives of Native American women onstage and off, and it brings extraordinary depth to the John Hay Library’s collections on Performance & Entertainment, Global Lavender Voices, and more. Avery Willis Hoffman, Artistic Director, Brown Arts Institute, describes the impact Spiderwoman Theater and Muriel particularly have had on the practice of performance and the scholarly potential of her archive at Brown: “Muriel Miguel’s lifetime of contributions to the field of theater and Spiderwoman Theater’s mighty expansions on the realm of theatrical creativity is immeasurable; I have no doubt that the Archive will provide inspiration and a wealth of fruitful discoveries for future generations of students, faculty, visiting researchers and artists.”
Recognized by Indigenous women in New York and beyond in the 1980s as a powerful representative of their voices and concerns, Spiderwoman Theater has since been globally renowned as an artistic force in the advancement of Indigenous women, artists, and cultural artisans. Its productions exist at the intersection of Indigenous life, sexism, classism, and violence in the lives of women — and at the vanguard of contemporary Western theatre. According to D. Rae Gould, Executive Director of Native American and Indigenous Studies, Adjunct Professor for American Studies, Affiliated Faculty in Anthropology, and Faculty Associate in the Center for the Study of Slavery and Justice:
This collection will help to support and strengthen the new concentration in Critical Native American and Indigenous Studies that will launch in Fall 2022. We are grateful to have Spiderwoman Theater’s work at the University for future generations of students, faculty and other scholars. It will serve as a foundational collection for further development of the Creative Expressions area of the concentration, in particular, and expand our knowledge and understandings of her contributions to the field of Indigenous Theater.
In September 2019, Muriel presented Muriel Miguel: A Retrospective for the Brown University Library’s 15th Annual Don Wilmeth Endowed Lectureship in American Theatre, during which she shared the fascinating journey from her roots in Brooklyn to her landmark contributions to the contemporary feminist and Indigenous theatre movements in the United States, Canada, and around the world. Amanda Strauss, Associate University Librarian for Special Collections, reflects:
Hearing Muriel speak in such an intimate setting and spending time with her since the lecture, learning about her life and her collection, are experiences that I will always treasure. I’m proud of the enduring relationship that the Hay has built with Muriel and, through her, Spiderwoman Theater, and am thrilled that we can be a gateway for the researchers, students, performing artists, and community members who will immerse themselves in this collection and draw from it inspiration and knowledge that will generate new scholarship and art.
The Library was honored to host Muriel, and is proud to preserve and provide broad research access to this unique collection. Once at the Hay Library, the materials will have an immediate and lasting impact on many areas of study at Brown, including Native American and Indigenous Studies, Gender and Sexuality Studies, Theatre Arts and Performance Studies and the Brown Arts Institute, where Muriel’s daughter Murielle Borst-Tarrant (Kuna, Rappahannock), Artistic Director and Founder of the Safe Harbor Indigenous Collective, is currently a visiting Professor of the Practice. Sarah dAngelo, Assistant Professor for Theatre Arts and Performance Studies, knows Murielle well and states, “Murielle is a third generation New Yorker, and carries her family’s legacy as an Indigenous theatre artist, activist, and cultural change maker. The Brown community is incredibly fortunate to have this opportunity to engage with her as one of the most vital and accomplished storytellers working in the American Theatre today.” Access to the Spiderwoman Theater archive and Murielle’s knowledge and experience will offer Brown students and faculty deep and authentic knowledge of Indigenous theatre specifically and the art of theatre writ large.
Muriel and her wife Deborah Ratelle are currently preparing the large archive for retrieval from their home in Brooklyn, NY. The Library anticipates that it will be at Brown and available for study in late spring 2023.
The Department of Collections Care brings under one functional group the intertwined areas of conservation, preservation, shelving, offsite storage, and environmental control for Library collections. The new department governs these measures for collections housed in Library facilities on campus as well as the Library Annex located nearby in Cranston, RI.
This Library-wide approach to the stewardship of our physical collections is led by Michelle Venditelli, who has been promoted to Director of Collections Care from her previous position as Head of Preservation, Conservation, and the Library Annex.
Michelle spearheaded the Library’s Healthy Collections Ecosystem Initiative, through which she, her staff, and other Library colleagues have worked to implement a Food, Drink, and Plant Policy for Library staff; launched a comprehensive book re-shelving initiative in the Rockefeller Library; and established an Integrated Pest Management system — the global standard for natural environmental care. Michelle also foregrounded the importance of patron and staff health in an environment that has the potential to attract pests, mold, mildew, and other contaminants that thrive on the organic materials in books and other collections items.
The Department of Collections Care works closely with Library Facilities Management and Brown’s Office of Environmental Health and Safety to ensure optimal, ongoing conditions for collections materials and the humans who share space with them. Staff in all these areas serve proactive roles, and are nimble responders to unexpected environmental concerns like weather intrusions. And, of course, the Department of Collections Care is responsible for making special collections materials available to scholars while safeguarding the physical integrity of the items. Members of this department oversee collections conservation and disaster planning and response, create custom enclosures and exhibit supports, process collections with call number labels, and more, depending on the item. Michelle and her staff are essential, behind-the-scenes experts and contributors to the operations and academic mission of the Brown Library.
Question about the Department of Collections Care and its activities? Email[email protected].
Six dynamic and interconnected areas of focus build on current collection strengths and forge a path for building distinctive collections that support expansive and imaginative inquiry with a commitment to community engagement, environmental sustainability, and social justice.
Providence, R.I. [Brown University] After a year-long process of critical self-study and reflection led by Amanda Strauss, Associate University Librarian for Special Collections, the John Hay Library is launching a new collection policy, designed to guide highly strategic collecting at the Hay. The policy development process involved staff members at the Hay as well as consultations with a wide array of stakeholders at Brown and in key external communities.
When Ms. Strauss joined the Library in 2019, she was charged with creating a focused plan for the Hay, in alignment with Library and University goals and priorities, that would inspire faculty and students and transform the Hay into a center of academic excellence and a prominent destination for scholarly research. A serious commitment to representing diverse perspectives, experiences, and methods would be a fundamental part of that plan — necessary work for a world-class institution that facilitates free and open inquiry. According to Joseph S. Meisel, Joukowsky Family University Librarian, “Under Ms. Strauss’s leadership, the John Hay Library is reaching new heights in advancing education, research, and public knowledge while also becoming a far more inclusive institution that speaks to a much broader range of human experience. This kind of scholarly vision and intellectual organization is what distinguishes outstanding special collections research libraries at world-class universities like Brown.”
The policy consists of six areas of focus for collecting as well as three research themes in the sciences that are purposefully interconnected to create a holistic basis for research, education, and public engagement that encourages the kind of expansive and imaginative inquiry for which Brown University is renowned. They also establish a profound and more cohesive intellectual context for a remarkable set of existing collections, allow for strategic and sustainable collecting, and create a path for reparative and community-based collecting.
Global Lavender Voices celebrates the lived experiences, contributions, accomplishments, and culture of LGBTQIA+ communities, both in the United States and internationally.
Ideology & Power provides coherence and promotes public access to more than 200 years of original material that documents the evolution of political, social, and religious ideologies and that sheds light on the complex ways in which ideology influences social and political power structures.
Military & Society traces the social, political, economic, and cultural influence of world militaries during war and peace.
Performance & Entertainment documents the history and creative process of performing arts and provides a window into public life and popular entertainment in the Americas through plays, dance, film, music, photography, and pornography.
Popular Literature aims to reflect the imaginative worlds of North American authors and readers from the 18th through the 21st centuries. The Hay holds preeminent research collections in weird fiction, science fiction, and fantasy.
The University & Beyond augments the robust and growing collections of Brown’s institutional records and student life by tracing the unique and enduring global imprint of the University’s programs, faculty, and alumni.
Overlapping with these six areas of collecting focus are three prioritized research themes in the sciences: Climate Change, Collections as Data, and Health and History. The new policy recognizes the importance of using primary sources in scientific research and has already been strengthening its collections in STEM-related areas. According to Dr. Megan Ranney, who interpreted an item related to gun violence for the Hay’s exhibition Collecting with Distinction: Faculty Insights into Recent Acquisitions, “As both a scientist and scholar, I know how important it is to capture memorabilia of public health and medical debates in real time. I’m thankful for the foresight of Ms. Strauss and the John Hay Library in capturing so many documents, images, and other original materials. Future generations of students and researchers will be able to use our collections to understand our mindset behind many of our biggest societal struggles, such as gun violence. We are lucky to have this vision.”
The Hay is already well known for supporting both humanistic and scientific inquiry through its renowned collections in the history of medicine and alcoholism and addiction, and in the history of mathematics and the “exact sciences” starting in 1180 B.C. Climate change is a theme that is present across a range of Hay materials that will be given new visibility and intentional development going forward.
Ms. Strauss emphasizes the importance of including special collections in teaching and research at Brown: “The Hay is a vital resource for the transformative, creative, intellectually independent work that is a hallmark of Brown. Our collections, though rare and unique, are meant to be actively used, and their use has never been more important than in this critical point in our nation’s history. The resources we steward are essential for scholarship that builds new knowledge in service of a more just and equitable society.”
The collection policy also provides a geographic framework for present and future collecting. Currently, Western Europe, North America, and Latin America are robustly represented. The collections also contain important material from East Asia, South and Southeast Asia, the Middle East, and Postcolonial Anglophone and Lusophone Africa. Going forward, collecting will focus on transnational movements and material created within the Global South or its diaspora. Growth of collections in these areas will occur in close partnership with the Center for the Study of Slavery and Justice, the Center for the Study of Race and Ethnicity in America, the Department of Africana Studies, and the Center for Latin American and Caribbean Studies.
Professor Tony Bogues, Asa Messer Professor of Humanities and Critical Theory and Professor of Africana Studies, has been collaborating with the Hay in support of his work as the Director of the Center for the Study of Slavery and Justice. He explains the critical role the Hay has been playing in the CSSJ’s The Global Curatorial Project to collect oral histories and memories of formerly enslaved peoples: “We are at a critical juncture in the archival and collections world as the issue of repair — and therefore restitution of objects — spark debate about how to collect with equity and respect for the histories and voices of populations who were, and in some instances remain, dominated by forms of historical injustice. The Hay is a remarkable partner in this work. Its expert staff has been partnering with us and our colleagues in places like Senegal in debates and discussions about collections and how to think anew about stewardship as a plural effort in archives.”
Through its renewed focus on the Global South, the Hay could unintentionally replicate structures of colonialism and racism. To ensure ethical, intentional, and equitable collecting, five guiding principles for collecting were defined within the policy. These principles emphasize community engagement and shared authority and stewardship of material; as such, Diversity, Equity, and Inclusion is articulated first among the guiding principles. Recognizing systemic, structural, and institutional racism, the Hay is applying an anti-racist framework to its collecting, and building a system of continual evaluation of new and existing collections, modes of collecting, and the impact of collections on our community. This framework is consistent with the Library’s commitment to becoming actively anti-racist.
The Hay endeavors, through its collections and services, to ensure that the diverse array of students, scholars, and visitors who visit its physical and virtual spaces feel welcome. This importance is underscored by the fact that the Hay is open to the public (under normal operating conditions) and is situated amidst the vibrant and diverse Providence community.
In conjunction with Brown’s Sustainability Initiative, the Hay is committed to Sustainable Collecting and Stewardship. The Hay will assess the current and future environmental and fiscal impacts of acquiring, preserving, and providing research access to rare, unique, and fragile material in all physical formats.
Through Community-Engaged Collecting, the Hay will build and sustain mutually beneficial relationships with diverse communities locally at Brown, within Rhode Island and New England, and nationally and globally. As part of the relationship, community members may advise and guide collecting policies, practices, and access principles to determine whether their historical material remains within their community or under what terms collaborative stewardship of donated materials would operate.
The Hay is attuned to and respectful of its Local Contexts, seeking to be an active member of the Rhode Island research community and to build collections, especially those related to Rhode Island and regional history, that complement — but do not compete — with peer repositories.
The Hay recognizes the value of Institutional Collaboration with academic centers and departments within the University and strategic partnerships with external repositories and organizations. These partnerships provide intellectual guidance for collection development as well as theoretical, cultural, and other valuable insights that will improve the reputation and relevance of the Library and its collections.
Following a collecting pause during the development of the policy, the Hay is now actively, strategically collecting. The recent acquisition of José Rivera’s papers extends its holdings of contemporary, major LatinX playwrights. The collection of Japanese LGBTQIA+ magazines, such as Barazoku (薔薇族) and Fūzoku kitan (風俗奇譚), is one of the largest of its kind in the US, including many rare issues not found in other stateside repositories. The Jewelnel Davis Collection of mystery novels by Black women writers strengthens and enriches the popular literature at the Hay.
The scholarly work being done at the Hay broadens understanding of the materials we hold in critical ways. For example, The Racial Imaginaries of H. P. Lovecraft, an online exhibit created by the 2020 Brown University Library Exhibitions Proctor, Alberto Alcaraz Escarcega, Political Science Ph.D., examines the interconnectedness of Lovecraft’s work and his problematic beliefs about race. Lovecraft, whose papers are held by the Hay and fully digitized, is considered to be the founder of weird fiction. He remains an influential literary figure whose body of work continues to be revisited, referenced, and revered; understanding the full context of his writing is necessary in a contemporary landscape.
The Hay’s new collection policy provides the underpinning that will elevate the Hay as a destination research library whose collections, fellowships, exhibitions, and programming will attract a global cohort of researchers, and ensure that the Hay realizes its full potential as a vital campus resource for active, interdisciplinary research and exploration. This framework does not set limits on collecting so much as it empowers the Hay to maximize the scholarly and reputational value of its acquisitions and to fulfill its mission to support free and open inquiry, experimentation, and creativity in a welcoming environment with equitable access to collections, exhibitions, and programming to a global community of students, scholars, and the public.
Prestigious Chinese publisher, China Book Company, has published An Illustrated Catalogue of Ancient Chinese Books in the Brown University Library by Dr. Li Wang, the Library’s Curator of the East Asian Collection. The volume contains detailed bibliographic and research information on all Chinese rare books found in the Library published before the end of the Qing dynasty (1912). Most of the 256 books in the Catalogue are part of the Gardner Collection at the Rockefeller Library, though several of the books are held at the John Hay Library.
This published work is a result of many years’ dedicated efforts in special collection management and providing Library patrons with an effective reference and research tool in Chinese and East Asian studies. In the Preface, the author expresses his sincere gratitude to many people who have helped and supported the long journey of research, especially Prof. Gardner and his family, former East Asian Collections curators and staff, other library colleagues, East Asian Studies faculty at Brown, students and scholars, and other friends, both domestic and international.
The publication is a milestone in the development of the East Asian Library at Brown. 2020 marks the the 120th anniversary of the birth of Charles S. Gardner (Jan.1, 1900 – Nov. 30, 1966). This new book is not only a scholarly summary of Gardner’s legacy, but also a way to pay homage to this devoted and pioneering scholar in East Asian studies and cross-cultural exchange.
Dis/Assemble is a collaborative effort by graduate students from across ten different humanities disciplines to construct narratives around a continuously moving archive: the Minassian Collection of Persian, Mughal, and Indian Paintings and Calligraphies at Brown University. This collection evokes questions of assemblage and disassemblage, from sifting the extraordinary from the ordinary to practices of collecting and taxonomizing. Visitors are invited to participate in the creative act of engaging with fragments and fragmentation as they behold, imagine, and truly see the objects on view.
Opening Reception & Curator’s Introduction
Monday, March 9, 2020 4:30 p.m. John Hay Library
“Making Meaning from the Minassian Collection” Monday, March 9, 2020 5:30 p.m. Lownes Room, John Hay Library
Dr. Navina Haidar, Nasser Sabah al-Ahmed al-Sabah Curator in Charge of the Department of Islamic Art
Dr. Maryam Ekhtiar, Associate Curator of the Department of Islamic Art The Metropolitan Museum of Art
Dates: March 9, 2019 – May 25, 2020 & September 1 – December 15, 2021 Time: John Hay Library Hours Location: Exhibition Gallery, John Hay Library, 20 Prospect Street, Providence