Greetings and Salutations: Lovecraft on the Road & Caitlín R. Kiernan Papers @ Brown University on view at John Hay Library, exhibition gallery from August 16 – December 15, 2017.
Greetings and Salutations: Lovecraft on the Road
Journey from Providence, Rhode Island, to St. Augustine, Florida, during the spring and summer of 1934 with one of America’s most influential fantasy and horror fiction writers. Explore the life, past and places of Howard Phillips Lovecraft (1890–1937) through his correspondence, postcards and related drawings from the Brown University Library, Special Collections.
Caitlín R. Kiernan Papers @ Brown University
With novels, chapbooks, comics and more than 250 short stories to her credit, science fiction and dark fantasy writer Caitlín R. Kiernan (b. 1964) is a prolific and independent force reflecting the formative influences of her youth, including H. P. Lovecraft, Shirley Jackson, William S. Burroughs and Angela Carter.
The Brown University Library recently acquired the Caitlín R. Kiernan Papers, gifted by the author, consisting of personal papers, manuscripts, books, related artwork and objects. The collection represents both early and current works by the multiple award-winning author and published paleontologist. Additions to the collection will be made regularly by the author.
“Reflective” A. R. Ammons (1926–2001), Metropolitan Transportation Authority (New York, NY), ca. 1992–1996
The Mobile Verse: Bus and Subway Poetry from the Harris Broadside Collection is now showing at John Hay Library, exhibition gallery from June 26 – July 26, 2017.
Explore poetry from the United States and Great Britain that was designed to be enjoyed on buses and subway cars from the 1970s through the 1990s. Growing in popularity, public- and private-sector programs such as these continue to link literary arts and transportation as a way to communicate, influence and curate through our communal environments. Selections from more than 300 examples highlight the young, mature, novice and experienced poets of diverse backgrounds and locations as they share on various topics.
Dates: June 26 – July 26, 2017 Time: John Hay Library Hours Location: Exhibition Gallery, John Hay Library, 20 Prospect Street, Providence
The John Hay Library will host two research fellows in the coming academic year, with support from the New England Regional Fellowship Consortium. While at the Hay Library, these scholars, whose projects are described in more detail below, will be using little known materials in the holdings of Special Collections in order to further their scholarly research.
Detail from St. Augustine of Hippo, De Ciuitate Dei (1467), Annmary Brown Memorial Collection 203, John Hay Library, showing printed text with hand applied rubrication and illuminated capitals
Renzo Baldasso, an Assistant Professor in the School of Art at Arizona State University, is currently at work on a study of printers in the early decades of the printing press (1453 to 1503 C.E.) — a period commonly known among historians as the incunabula era. Baldasso’s research aims to discover how these printers “became masters of the page…to develop an independent print aesthetic” that differed from the aesthetic approaches used to produce the handwritten illuminated manuscript. With expertise in both Renaissance art and the history of science, Baldasso is uniquely qualified to undertake this intensive study of rare volumes. He will be focusing his work at the Hay Library on the 600 incunabula in the Annmary Brown Memorial Collection, for which Richard Noble, the Library’s rare books cataloguer, has been diligently working to enhance existing descriptive information.
Selected pages from the papers of Jean Bethke Elshtain (Ms. 2011.039), Feminist Theory Archive, John Hay Library
Alexander Jacobs, a recent PhD and current postdoctoral lecturer in History at Vanderbilt University, works on “the tangled histories and multiple meanings of liberalism and conservatism in modern American thought and politics” — a topic that formed the nucleus of his 2016 doctoral dissertation, Pessimism and Progress, a study of Conservatism within the political Left. While at the Hay Library, he will be looking at manuscript material in the Feminist Theory Archive, focusing in particular on the papers of Jean Bethke Elshtain.
The New England Regional Fellowship Consortium (NERFC) is a growing body of New England cultural institutions which seek to enhance scholarly access to their collections by offering grants for 8 weeks of study in the holdings of at least three of the participating institutions. The program is competitive and attracts scholars working on a broad range of topics. The John Hay Library, a NERFC member since 2014, has previously hosted fellows working on topics such as the fear of nuclear explosion during the Cold War, 19th century panoramic spectacles, and humor in the gay liberation and feminist movements.
The Bamboula! Symposium has been rescheduled for Tuesday, April 11 from 2 – 3:30 p.m. in Petteruti Lounge, second floor, Robert Campus Center/Faunce House. A reception will follow in the lobby of the John Hay Library.
Organized and moderated by Tony Bogues, Asa Messer Professor of Humanities and Critical Theory and Director of the Center for the Study of Slavery and Justice at Brown, the symposium will feature panelists John Davis ’79 and Brandy Monk-PaytonAM’12, PhD’16, Mellon Postdoctoral Fellow in the Department of Film and Media Studies and the Leslie Center for the Humanities at Dartmouth College.
Update: Eric Lott is unable to attend the symposium.
John Davis; photo by John Halpern
With Bamboula! Black Music Before the Blues, the exhibition he has now conceived and curated at Brown University’s John Hay Library, pianist John Davis continues to define, excavate, and disseminate a previously-unacknowledged African American roots music. Davis is most associated with his frequent concerts in the United States and abroad stemming from three critically-acclaimed recordings on Newport Classic: John Davis Plays Blind Tom , a top-ten seller in Classical Music at Tower Records and Amazon.com; Marshfield Tornado: John Davis Plays Blind Boone , a repeat No. 1 seller on the Ragtime chart at Amazon.com; and Halley’s Comet: Around the Piano with Mark Twain & John Davis , a CD of Twain-related compositions “played powerfully and with a rich palette,” according to The New York Times. At the core of Davis’ grassroots pursuit of forgotten black culture is the pianist’s personal archive of rare 19th– and early 20th century printed African Americana that is the source for many of the ideas and materials that have filtered into his concerts, recordings, and literary contributions to African American Lives, the African American National Biography, and Stress and Coping in Autism, all published by Oxford University Press. Mr. Davis’ cutting-edge career has been featured on CNN; CNN-International; ABC Radio National (Australia); the BBC World News; NPR’s All Things Considered, Performance Today, and On Point, with Tom Ashbrook; PBS’ Life 360; The Today Show on NBC, ABC’s Good Morning America; and in a program-long interview of him on ABC’s Nightline Up-Close. Among the countless print publications in which he has been profiled are The New York Times,The New Yorker, TheOxford American, The Independent (London), and Scientific American.
Brandy Monk-Payton, Mellon Postdoctoral Fellow, Leslie Center for the Humanities, Dartmouth College
Brandy Monk-Payton is a Mellon Postdoctoral Fellow associated with the Department of Film and Media Studies and the Leslie Center for the Humanities at Dartmouth College. She obtained her Ph.D. in Modern Culture and Media at Brown University where she was a Ford Foundation Dissertation Fellow and a Graduate Fellow at the Center for the Study of Race and Ethnicity in America. Her work on race and representation has been published in the edited collection From Madea to Media Mogul: Theorizing Tyler Perry as well as the journals The Black Scholar, Reconstruction: Studies in Contemporary Culture, and Feminist Media Histories (forthcoming). She is currently working on her first book project Dark Optics: Blackness, Exposure, and Celebrity in Media Culture. In Fall 2017, she will begin a position as Assistant Professor of Communication and Media Studies at Fordham University.
Event: Symposium Date: Tuesday, April 11, 2017 Time: 2 – 3:30 p.m. Location: Petteruti Lounge, Second Floor, Robert Campus Center/Faunce House, 75 Waterman Street, Providence
Previous Related Events
On Tuesday, March 21, 2017, the Brown University Library and the Music Department also hosted two events related to the exhibition.
Exhibition Opening & Reception
The exhibit opening and reception took place in the Exhibition Gallery of the John Hay Library from 4 – 5:30 p.m. The exhibit, Bamboula! Black Music Before the Blues, is an in-depth survey of the African American roots of popular music and show business in the United States. The exhibition includes significant and visually arresting printed artifacts of the shared African- and European-based musical tradition established in colonial America, a cultural synthesis that continues to shape our nation’s identity. The 19th- and early 20th-century books, sheet music, and ephemera included in the exhibition are drawn primarily from the personal collection of John Davis (Exhibition Curator) and the holdings of the Brown University Library. Mr. Davis’ archive of rare 19th-century printed musical African Americana, widely respected in the antiquarian book and ephemera world, is the bedrock of his career as a concert pianist devoted to works influenced by black culture of the American South.
Drawing from materials on display in the exhibition, Mr. Davis gave an extraordinary, multi-media concert performance entitled Bamboula! Black Music Before the Blues: A musical journey with pianist John Davis at 7 p.m. at the Granoff Center for the Creative Arts. The concert, organized with the Brown Music Department, included special guests Harmonizing Grace, with Hance Phillipe, director, and the Old-Time String Band–both Brown student music groups.
The exhibition and all related events are free and open to the public. No registration or ticketing is required.
Report of the Examination of David Gibbs, Fanny Leach and Eliza P. Burdick, for the Alleged Murder of Sally Burdick, at Coventry, R. I., on 18th Feb. 1833 (Hartford: Hanmer and Comstock, 1833). With signature and manuscript annotations in the hand of Thomas Wilson Dorr.
The John Hay Library has two new acquisitions on display in the second floor landing case: manuscript trial notes and a report related to the State vs Francis Leach, 1833. They will be on display until April 3, 2017.
In February 1833, forty-eight-year-old Frances (nicknamed “Fanny”) Leach of Providence was called on to attend Sally Burdick, a young woman in Coventry, Rhode Island, who was found to be pregnant. The unmarried Sally resided in the home of her deceased brother’s father-in-law, David Gibbs. A witness named Mary Ann Briggs later testified that upon discovering Sally’s pregnancy, David Gibbs sought to contract Leach to “doctor off” the fetus. Accordingly, Leach borrowed a pair of forceps from Dr. William A. Hamilton in Providence and went down to Coventry to perform the procedure she had been asked to do. Sally, however, was not inclined to terminate her pregnancy in this way, and the operation went horribly wrong. Leach attempted to abort the child while Sally’s sister-in-law held her down, but the result was that Leach only perforated Sally’s uterus. When Sally died of gangrene after six days of acute suffering, Leach and Gibbs were indicted for her murder. Leach’s case was tried at the Superior Court for Kent County in October 1833 and, after a 9-day hearing before two judges and 13 magistrates, resulted in a conviction for manslaughter. Leach received a two-year prison sentence. According to the Niles Weekly Register of 30 November 1833, it was believed to be the second-longest trial ever held in Rhode Island, and “the first of the kind ever tried in New England.”
Prosecution of the case on behalf of the State of Rhode Island was undertaken by State Attorney General Albert C. Greene and his law apprentice, Thomas Wilson Dorr. Although they succeeded in the goal of obtaining justice for Sally Burdick, they could not bring Sally, or her baby, back to life. The case remains a reminder of a time when a woman’s reproductive choices were sharply limited by both social mores and available medical care, and when decisions about childbearing were often outside of a woman’s control under the law.
Dates: March 19 – April 3, 2017 Time:John Hay Library Hours Location: Second Floor, John Hay Library, 20 Prospect Street, Providence, RI
On Thursday, December 8, 2016 at 4:00 p.m. at the John Hay Library, S. T. Joshi Endowed Research Fellow Matthew Beach will give a presentation entitled, “Lovecraft’s Consolation.” Beach is the second recipient of the Joshi Fellowship, which supports research relating to H.P. Lovecraft, his associates, and literary heirs. Working with the H. P. Lovecraft papers at the John Hay Library, Beach investigated Lovecraft’s theories on weird fiction and time in support of his dissertation research. Over the course of the two-month fellowship, Mr. Beach also became interested in a series of letters that he identified as “consolation letters.” Conversation and refreshments to follow.
Matthew Beach is a doctoral candidate in the English Department at Brown University. His research focuses on time, affect, and the body in American literature, particularly in popular genres such as pulp and sentimental fiction.
Magician H. Adrian Smith (Class of 1930) never achieved the fame enjoyed by some of his contemporaries, but his contributions to the world of magic were significant. Smith spent his life studying the history of magic and practicing its art, using the money he earned from his performances to help pay his tuition at Brown University. Spoken of highly by those who knew him, Smith practiced small magic, and was known for his ability to memorize an entire deck of cards almost instantly. He was heavily involved in magic societies, at one point holding the office of President of the Society of American Magicians. Perhaps his most significant legacy, though, is his vast collection of magical memorabilia. Smith assiduously collected anything and everything to do with magic, from rare texts on the subject of witchcraft to modern magic kits and games.
Upon his death, Smith bequeathed his immense collection to his alma mater, including the homemade props used in his performances (which are especially interesting, as many of their functions are still not understood), wands, ready-made tricks, and mementos of any kind. A number of the items are still in almost-new condition, purchased solely to expand his collection. He owned busts of Houdini, commemorative coins and buttons, statuettes featuring magicians and rabbits, and items that had been owned by other magicians.
A small exhibition in the Rockefeller Library features some of the highlights of his collection, including several stage props and tricks, as well as the fake head used by magician Harry Kellar in his famous Blue Room illusion.
Date: October 24 – December 23, 2016 Time: Rockefeller Library Hours Location: Finn Reading Room Cases, John D. Rockefeller, Jr. Library, 10 Prospect Street, Providence
“Xeusis Choosing Models for his Painting of Helen of Troy,” Angelika Kauffmann, 1778
Xeusis Choosing Models for his Painting of Helen of Troy
The Annmary Brown Memorial Library has lent the painting, “Xeusis Choosing Models for his Painting of Helen of Troy” (1778) by Angelika Kauffmann to the Centre Pompidou in Paris, France for its exhibition La Trahison des images, dedicated to René Magritte’s work. The exhibit will be held from September 21, 2016 to January 23, 2017.
This painting is one of the most notable in the Annmary Brown Memorial Collection, in part because it was painted by a woman in the 18th century and because it is an excellent work of art. General Rush Hawkins, Annmary Brown’s husband, acquired it in Europe in the 19th century for his and Annmary Brown Hawkins’s house in New York City. He moved it to Providence in 1905 to exhibit in the Memorial.
La trahision des images and René Magritte
The exhibition, La trahison des images (The Treachery of Images), brings together a hundred or so works presented in light of René Magritte’s approach to art that changed from the random tactic of the Surrealist “encounter” to a reasoned “methodology.” The exhibit focuses on Magritte’s questioning of the painted image’s philosophical validity, history, and mythology. Five chapters in the exhibit , each associated with a founding myth of figurative representation, allow for the identification of the emblematic, iconographic figures that people Magritte’s pictorial universe.
The chapter, “The daughters of Crotona,” features the Kauffmann painting. When asked to paint the portrait of Helen of Troy by the citizens of Crotona, Zeuxis created his image of perfect beauty by assembling a collage of the fragments of anatomy deriving from the most beautiful girls of the city. This composite principle of a form made up of assembled fragments is at the heart of René Magritte’s practice.
Installation of the Kauffmann painting at the Centre Pompidou
The Annmary Brown Memorial
The Annmary Brown Memorial houses exhibits of European and American paintings from the 17th through the 20th centuries, the Cyril and Harriet Mazansky British Sword Collection, as well as personal mementos of its founder, General Rush C. Hawkins, and the Brown family. The book and manuscript collections, assembled by General Hawkins and formerly housed in the Memorial, were transferred to the John Hay Library in 1990.
The Hawkins Collection of Art
Selections from the Hawkins Collection of Art are on display in the Memorial’s galleries. The Collection shows the General’s preference for strongly representational paintings. Among the early master works are paintings attributed to Anthony Van Dyck and his school, Angelika Kauffmann, Michelle Marieschi (a follower of Canaletto), Peter Paul Rubens, Andrea del Sarto, Francesco Solimena, Gilbert Stuart, Giovanni Battista Tiepolo and Benjamin West. The more modern examples include works by Giuseppi Barbaglia, Jacob D. Blondel, Don Jose Casado, Thomas Couture, Thomas Hicks, John Wesley Jarvis, Eastman Johnson, Frederik Kaemmerer, Gari Melchers and Edwin Lord Weeks.
Located at 21 Brown Street, Providence, the Memorial is open Monday – Friday from 1 – 5 p.m.
On Monday, October 24 at 7 p.m. in the Salomon Center for Teaching, room 001 (lower auditorium), author and magician Alex Stonewill deliver the 13th Annual Don Wilmeth Endowed Lectureship in Theatre and Entertainment entitled, “The Psychology of Magic and the Science of Manipulating Minds.”
This event is free and open to the public. A reception will follow the lecture.
Alex Stone is a renowned journalist, speaker, magician, and former physicist. He is the author of Fooling Houdini: Magicians, Mentalists, Math Geeks and the Hidden Powers of the Mind—a book about the world of magic and its ties to science. Fooling Houdini was named one of Amazon’s “Ten Best Nonfiction Books of 2012” and has been published in nine countries. Stone’s writing has also appeared in The New York Times, The Wall Street Journal, The Washington Post, Harper’s, The New Republic, Discover, Psychology Today, and elsewhere. He lives in New York City.
Stone’s talk will show you how to hack the human brain using the principles of magic, illusion, and deception. Through a lively mix of cutting-edge science and jaw-dropping tricks, Stone pulls back the curtain to reveal a host of startling revelations about how the mind works—and why, sometimes, it doesn’t. His enthralling and informative talk offers a wealth of powerful insights into the nature of perception and the hidden forces that shape human behavior, leaving the audience with a new way of looking at the world and at themselves.
The Don Wilmeth Endowed Lectureship was established in honor of Professor Don Wilmeth and his monumental contribution to the study of theatre at Brown. The lectureship supports an annual lecture series on American theatre. Past visiting lecturers have included Laurence Maslon (2005), Jim Steinmeyer (2007), Christopher Bigsby (2008), Laura Linney (2008), Lynn Nottage (2010), Bill Irwin (2011), and Oskar Eustis (2014).
This event is supported by Brown University Library and Friends.