Announcement | Brown Library publishes “Race &” in America digital book series

Free and open publication documents and expands series exploring origins, history, and legacies of anti-Black racism in the U.S.

Providence, R.I. [Brown University] Over the course of the 2020-21 academic year, the Center for the Study of Race and Ethnicity in America at Brown, in partnership with the Office of the Provost, undertook a systematic investigation of the foundational and enduring contemporary effects of anti-Black racism in America. Drawing on the expertise of Brown scholars from a range of fields and scholarly perspectives as well as the University’s historic strength and leadership in scholarship on race, the pioneering “Race &” in America panel series generated critical engagements with society’s most fundamental and urgent questions. Investigating the role that racism plays in American public health, democracy, punishment, and more, the informed and illuminating discussions deepened knowledge and awareness in the service of promoting a more just and inclusive community and world. The “Race &” in America digital publication series amplifies the impact and extends the reach of this important and timely panel series.

Developed by the Brown University Library’s Digital Publications Initiative and in close coordination with Tricia Rose, Chancellor’s Professor of Africana Studies, Associate Dean of the Faculty for Special Initiatives, and Director of the Center for the Study of Race and Ethnicity in America, the “Race &” in America digital publication series re-presents the compelling original panel discussions with expanded content and resources in an innovative, interactive format, designed to heighten understanding and broaden these critical conversations. “The ‘Race &’ series and its creative digital presentation reflect two core elements of CSREA’s vision: to foster dynamic intellectual community on crucial issues and ensure long-lasting access to ideas,” said Rose. “By offering an array of Brown faculty reflecting on the importance and complexity of the way race defines American society from slavery to genetics to art, and making it available through this interactive, digital platform with enhanced content, we’re able to contribute to ongoing conversations on these critical issues.”

The “Race &” digital publication is a remarkable example of Brown’s dedication to its mission of creating and sharing knowledge in service of society. According to Richard M. Locke, Brown University provost: 

Brown is committed to conducting and disseminating widely consequential research designed to elevate awareness of pressing societal issues and contribute to meaningful change. The “Race &” in America series is emblematic of this commitment. Over the course of a year, we have shared Brown’s faculty expertise in the interwoven areas that define and perpetuate anti-Black racism in the U.S., and through this engaging digital delivery, we’re able to amplify and extend the impact of these important contributions.

As an open access publication, the digital series provides enduring, barrier-free access to information, and has been developed with universal design principles for equitable use by all persons, including those with disabilities. In addition, the series features responsive design — readable on all digital devices, from smartphones to desktops — and robust highlighting, annotation, and sharing tools that encourage deep reader engagement and allow users to interact with one another.

Each of the eight volumes in the digital series includes:

  • A recording of one of the 90-minute panel discussions that took place throughout the 2020-2021 academic year
  • Student Voices podcast episodes in which Brown University students engage the panelists in follow-up discussion 
  • Recommendations for entry-point materials on the subject
  • Multimedia resource collections of readings, online exhibitions, podcasts, and other materials referenced during the panel discussions
  • Suggestions for further exploration

“The ‘Race &’ in America series is an important step forward for Brown’s leadership in both scholarship on race and digital scholarly publications,” said University Librarian Joseph Meisel. “It ensures that the penetrating perspectives and fresh critical analyses advanced through this remarkable academic initiative are not simply preserved as a video link on some website, but rather rendered more fully in a format that sustains and broadens the impact of this essential work for education, further research, and public understanding.”    

The digital series consists of eight volumes:

Brown’s Digital Publications Initiative — a collaboration between the University Library and the Dean of the Faculty, generously launched with support from the Andrew W. Mellon Foundation — creates exciting new conditions for the production and sharing of knowledge. Widely recognized as accessible, intentional, and inclusive, Brown’s path-breaking Initiative is helping to set the standards for the future of scholarship in the digital age.

Questions about the “Race &” in America digital publication series or the Library’s Digital Publications Initiative generally can be addressed to Allison Levy, Digital Scholarship Editor (allison_levy@brown.edu).

Announcement | Stolen Relations: Recovering Stories of Indigenous Enslavement in the Americas

“Return of Indians,” Mosquito Shore registry of enslaved Indians, 1777. CO 123/31/125. The National Archives, UK.

The Library has been contributing to a community-centered database project led by Professor Linford Fisher that seeks to document the many instances of Indigenous enslavement in the Americas between 1492 through 1900. Formerly entitled, Database of Indigenous Slavery Archive (DISA), the project is now named, Stolen Relations: Recovering Stories of Indigenous Enslavement in the Americas.

Since the summer of 2019, with guidance from Professor Rae Gould and Lydia Curliss, Physical Sciences Librarian and member of the Nipmuc Nation, the team has been working with Native partners from twelve different tribal nations in the southern New England area. Together, the collaborators decided to change the project name to one that reflects the efforts and goals to decolonize the project and become more community and Indigenous centered.

Rather than simply make accessible the records of Indigenous people who were enslaved, the project is designed to offer a decolonizing framework that explores the 21st century impact of enslavement that has ruptured the relations of Indigenous people, families, and nations. In short, stolen relations. The project recovers the stories of Indigenous enslavement in order to bring to light the stories and to contextualize them within the larger context of settler colonialism.

Because the team is largely collecting archival documents about indigenous enslavement that are written by the colonizer, it is essential to indigenize the presentation of the database so that there is a decolonizing context around the language from archival documents. For example, rather than simply list “tribe” affiliations, as is sometimes listed on the original document, the database will provide information on how archival documents often include terms that diminish the nationhood and sovereignty of Indigenous peoples (such as the word “tribe”). And in many cases, the tribal/national affiliation of enslaved Natives was completely erased. The project intends to reassert the nation-to-nation relationship that tribes have, and center that context alongside the data.

In this early phase of the project, the database is not yet public — though the project website is public. The team is working with tribal partners and a group of researchers to identify, enter, and interpret relevant historical and oral historical materials, and is currently looking to partner with individuals and institutions who are willing to send materials they have or join the research team to input materials directly. Please visit the project’s Contribute page or contact Linford D. Fisher to learn more.

Stolen Relations has been generously funded and supported by the following entities:

Library staff members working on the Stolen Relations project:

  • Ashley Champagne, Digital Humanities Librarian, Center for Digital Scholarship, Brown University (Project Manager)
  • Lydia Curliss, Physical Sciences Librarian, Academic Engagement, Brown University Library (Nipmuc)
  • Birkin Diana, Digital Technologies Developer, Brown University Library
  • Patrick Rashleigh, Data Visualization Coordinator, Center for Digital Scholarship, Brown University
  • Ben Tyler, Publications and Design Specialist

Event | Performing Objects and the Objects of Performance in the Global Early Modern: A Virtual Interdisciplinary Symposium

Join the John Hay Library and the Center for the Study of the Early Modern World for Performing Objects and the Objects of Performance in the Global Early Modern: A Virtual Interdisciplinary Symposium, taking place over two sessions on June 14 and 15, 2021 from 9 a.m. – 12:20 p.m. Professor Holly Shaffer of Brown’s Department of the History of Art and Architecture will moderate. 

Register to attend.

Visit the Performing Objects and the Objects of Performance website for more information. 

Symposium

Symposium participants will convene to bring forward new or under-explored theories of performance in the study of the global early modern, with a focus on performance in relation to objects of historical analysis. These objects may be archival materials, the individuals or collectivities that produced these materials, or conceptual and abstract knowledge-objects.

Papers by invited scholars will be published on the Performing Objects and Objects of Performance website in advance. Each of the two symposium sessions will be divided between discussion of the papers and presentations by participants on relevant objects digitized from the John Hay Library’s collections.

Panelists

  • Claire M. L. Bourne (Penn State)
  • Frans-Willem Korsten (Leiden University) 
  • Matthew Melvin-Koushki (University of South Carolina) 
  • Anthony Ossa-Richardson (UCL) 
  • Kishwar Rizvi (Yale University)

Discussion topics

  • How can performance, as a theoretical rubric, illuminate the interaction within and among such categories of object, as well as between object and subject — both historical subjects and historian subjects?
  • How do objects represent, enact, or mediate performance? In what ways can one object surrogate or perform as another?
  • How do objects circulate performances across distances of space and time?

Kenneth Molloy, John Hay Library/Center for the Study of the Early Modern World Fellow

The symposium is the culmination of a fellowship project by Kenneth Molloy, PhD Candidate in the Department of Theater Arts & Performance Studies, the fourth John Hay Library/Center for the Study of the Early Modern World Fellow. Kenneth’s fellowship was conducted with support from Holly Snyder, Curator of American Historical Collections, Lincoln and Hay Collections, and History of Science at the John Hay Library.

Announcement | Free Web Hosting Service for Digital Scholarship

Digital Scholarship at Brown

The Library is offering a new web hosting service to support digital scholarship: Digital Scholarship at Brown. This service is available to Brown students, faculty, and staff who want to experiment with digital scholarly platforms, develop a research project, and/or share your work. Digital Scholarship at Brown complements Brown’s existing web offerings such as Brown Blogs, Canvas, and Google Sites.

How to Use Digital Scholarship at Brown

This service allows you to manage your digital research and digital presence — including digital projects for theses and dissertations, storytelling, group collaboration, and public scholarship. Through Digital Scholarship at Brown, you can manage a Brown subdomain of your own onto which you can easily install applications like WordPress, Omeka, or mySQL along with specialized plugins, as well as access the command line directly (with some restrictions) so you can run software and develop stand-alone web sites. 

When you leave Brown, you may continue to own and manage your site by transferring your Digital Scholarship at Brown domain to a personal Reclaim Hosting domain, or to another hosting service. 

How to Apply

If you are interested in the Digital Scholarship at Brown service, please look over the guidelines for use. Does your project that fits the guidelines? Fill out the application and click Create to get started!

Questions? Email cds_info@brown.edu.

This is your domain. This is your Library.

Announcement | Four New Projects Selected for Brown’s Digital Publications Initiative

The University Library and the Dean of the Faculty, together with the Digital Publications Advisory Board, are pleased to announce the selection of the next four long-form scholarly works to be developed as part of Brown’s Digital Publications Initiative.

Charrise Barron, Assistant Professor of Africana Studies and Music

The Platinum Age of Gospel by Charrise Barron, Assistant Professor of Africana Studies and Music, surveys the American national gospel music scene from 1993 to 2013, tracing a shift away from discourses rooted in the lived experience of race-based suffering toward a post-racial orientation that catered to mainstream audiences—a dramatic shift tied to revised theologies of salvation and sanctification. Barron’s interdisciplinary digital project, deeply engaging the fields of religion, Africana studies, and ethnomusicology, will present gospel music in a way that has never been experienced before—as an interactive, multimedia exploration of the sounds as well as the sights of gospel.

Laurel Bestock, Associate Professor of
Archaeology and the Ancient World &
Egyptology and Assyriology

Art, Secrecy, and Invisibility in Ancient Egypt by Laurel Bestock, Associate Professor of Archaeology and the Ancient World & Egyptology and Assyriology, argues that partial, periodic, or total invisibility of art was precisely that quality that allowed art to be personal and to engage in social relationships, not just between living people but also across the divide of death and between the human and the divine. In looking at the complex life-histories of hidden objects in Egypt, with shifting capabilities and relationships over time, Bestock takes advantage of the digital environment to examine the role of vision in manipulating relationships of knowledge and power both in ancient Egypt and the modern day. 

Tina Campt, Owen F. Walker Professor of Humanities and
Professor of Modern Culture and Media

The Sojourner Project: A Black Studies Mobile Academy by Tina Campt, Owen F. Walker Professor of Humanities and Professor of Modern Culture and Media, in collaboration with the Practicing Refusal Collective, an international Black feminist forum of artists and scholars, foregrounds dialogues on blackness, anti-black violence, and black futurity in the twenty-first century. Structured as a digital academy that intentionally aims to exceed the literal and figurative walls of the university, The Sojourner Project convenes transnational and diasporic conversations, workshops, and art activations that create multi-directional encounters with histories of struggle and practices of refusal that have emerged in different black communities. 

Kevin Escudero, Assistant Professor
of American Studies and Ethnic Studies

Imperial Unsettling: Indigenous and Immigrant Activism towards Collective Liberation by Kevin Escudero, Assistant Professor of American Studies and Ethnic Studies, examines the relationship between Indigenous CHamoru activists in Guåhan (Guam) and Asian immigrant community members’ participation in contemporary social movement activism in the Pacific. Developing Imperial Unsettling as a born-digital publication will allow Escudero to create an immersive experience for the reader by integrating the book’s long-form narrative with oral histories of Guåhan decolonization activists, archival documents related to key historical moments in the decolonization movement not easily accessible to folks residing off the island, and lesson plans on the movement for use by teachers on and off the island.

With continued support from the Andrew W. Mellon Foundation, Brown’s Digital Publications Initiative seeks to advance humanities scholarship by providing a university-based approach to the development, evaluation, and publication of born-digital scholarly monographs. With oversight from Brown’s Digital Scholarship Editor, projects that are selected by the Initiative’s Digital Publications Advisory Board are developed as digital works that draw upon the capabilities of the Library’s Center for Digital Scholarship. These scholarly works are then submitted to leading university presses that have corresponding academic interests and the infrastructure for peer review and digital publication.

The Initiative’s first born-digital scholarly monograph, Furnace and Fugue: A Digital Edition of Michael Maier’s Atalanta fugiens (1618) with Scholarly Commentary, co-edited by Tara Nummedal, Professor of History, and Independent Scholar Donna Bilak, was published by the University of Virginia Press in July 2020. Two other projects were recently accepted by leading university presses:

  • Italian Shadows: A Curious History of Virtual Reality by Massimo Riva, Professor and Chair of Italian Studies (forthcoming with Stanford University Press); and 
  • Islamic Pasts and Futures: Horizons of Time by Shahzad Bashir, Aga Khan Professor of Islamic Humanities and Professor of Religious Studies (forthcoming with MIT Press). 

Other digital works currently under development include: 

  • The Sensory Monastery: Saint-Jean-des-Vignes co-authored by Sheila Bonde, Professor of History of Art and Architecture and Professor of Archaeology, and Clark Maines, Professor Emeritus of Art History at Wesleyan University; 
  • At a Standstill, Moving: Gesture, Temporality and the Interval in Performance by Rebecca Schneider, Professor of Theatre Arts and Performance Studies; 
  • Chika Sagawa, Japanese Modernist Poet by Sawako Nakayasu, Assistant Professor of Literary Arts; and
  • Contemporary Monuments to the Slave Past by Renée Ater, Provost’s Visiting Professor of Africana Studies.

To learn more about Brown’s digital scholarly publication program, contact Digital Scholarship Editor Allison Levy (allison_levy@brown.edu).

Announcement | Renée Ater Appointed Provost’s Visiting Professor

headshot of Renée Ater
Renée Ater

The Brown University Library, together with the Office of the Provost and the Department of Africana Studies, is delighted to announce the appointment of Renée Ater as a Provost’s Visiting Professor for the 2020-2021 academic year.

Professor Ater, Associate Professor Emerita of American Art at the University of Maryland, is highly regarded for her pathbreaking research on the intersection of race, public art, and national identity. She is currently working on a born-digital scholarly publication, Contemporary Monuments to the Slave Past: Race, Memorialization, Public Space, and Civic Engagement, for which she has received fellowship support from the Smithsonian, NEH-Mellon, and the Getty Research Institute. Professor Ater received her undergraduate degree from Oberlin College and her Ph.D. in art history from the University of Maryland.

A self-described “public art historian,” Professor Ater is curious about the ways in which politics imbue monuments with shifting meaning over time, and she is passionate about sharing her observations and insights with a broad audience. Her innovative scholarship has had an impact on both scholarly dialogues and community conversations. Professor Ater visited Brown last spring and provided a clear demonstration of the kinds of distinctive contributions and cross-disciplinary connection-building that she will bring to the University under the Provost’s Visiting Professor Program. In particular, she will make significant contributions to campus interests in slavery and justice, digital scholarship, and mentorship of students and younger faculty from Historically Underrepresented Groups in the humanities and humanistic social sciences. 

MASS Design Group, National Memorial for Peace and Justice, dedicated April 2018, Equal Justice Initiative, Montgomery, Alabama  (Photograph: Renée Ater)

Professor Ater’s work, located at the intersection of politics, biography, and critical art theory, aligns closely with that of scholars in Brown’s Africana Studies Department, with their established interdisciplinary interests in critical Africana theory, black feminism, cultural studies, and performance, through the Department’s Rites and Reason Theatre. She will also provide significant support and mentorship for graduate students working on varied themes in contemporary popular culture, the civil rights movement, and the resistance to racism, particularly in the contemporary period. Her academic constituency on campus will also extend to the History of Art and Archaeology, History, and American Studies departments, the Center for the Study of Slavery and Justice, and the John Nicholas Brown Center for Public Humanities and Cultural Heritage. The University Library will support Professor Ater’s current research focus on developing a digital publication. The Library is home to a pioneering Digital Publications Initiative supported by the Mellon Foundation and the Center for Digital Scholarship, which provides essential staff expertise and technology infrastructure for faculty digital projects.  

Additional Information:

Website:  https://www.reneeater.com/

Current Project Description:  https://www.reneeater.com/slavery-monuments

Presentation at Brown:  https://blogs.brown.edu/libnews/renee-ater/

Announcement | Brown Library’s Digital Publications Initiative’s First Born-Digital Scholarly Monograph Published by University of Virginia Press

The pathbreaking multimodal digital book — Furnace and Fugue — was developed with support from the Andrew W. Mellon Foundation.

Providence, R.I. [Brown University] Brown University’s Center for Digital Scholarship, based at the University Library, announces the publication of the first born-digital scholarly monograph under the Digital Publications Initiative, a collaboration between the Library and the Dean of the Faculty. Furnace and Fugue: A Digital Edition of Michael Maier’s Atalanta fugiens (1618) with Scholarly Commentary, edited by Professor of History Tara Nummedal and Independent Scholar Donna Bilak, brings to life in digital form an enigmatic seventeenth-century text, Michael Maier’s alchemical emblem book Atalanta fugiens. This intriguing and complex text reinterprets Ovid’s legend of Atalanta as an alchemical allegory in a series of fifty emblems, each of which contains text, image, and a musical score for three voices. 

Published by University of Virginia Press as part of the distinguished academic series Studies in Early Modern German History, Furnace and Fugue re-renders Maier’s multimedia masterpiece as an enhanced and interactive digital scholarly work that allows contemporary readers to hear, see, manipulate, and investigate Atalanta fugiens in ways that were perhaps imagined when it was composed but were simply impossible to realize in full before now. “We saw an opportunity to bring Maier’s 1618 vision to life in a completely novel way,” said Tara Nummedal. ”The interactive digital format allows us to reach multiple audiences at once: not only fellow scholars and students, but also singers, practicing alchemists, and visual artists.” The Press will publish Furnace and Fugue on an open access basis, making it available immediately, for free, to anyone. “UVA Press is delighted to collaborate with Brown University in bringing out this cutting-edge digital publication. Furnace and Fugue presents the best in innovative and creative publishing, combining rigorously reviewed and edited scholarship with a multi-sensory presentation of Maier’s seventeenth-century music and text,” explained Nadine Zimmerli, Editor of History and Social Sciences at University of Virginia Press. “We hope that this digital monograph will inspire and enrich all readers and listeners.” The development of Furnace and Fugue through the Digital Publications Initiative was supported by the Andrew W. Mellon Foundation, the Gladys Krieble Delmas Foundation, and the Office of the Vice President for Research and the Social Science Research Institute at Brown University.

screenshot from Furnace and Fugue featuring an emblem of a lion, sheet music, and option to play musical recording
Screenshot from Furnace and Fugue: A Digital Edition of Michael Maier’s Atalanta fugiens (1618) with Scholarly Commentary

Brown is at the vanguard of digital monograph publishing, facilitating the creation and validation of new scholarly forms that demonstrate a range of ways in which the digital environment is necessary for articulating and advancing scholarly argument beyond the capabilities of print. “Furnace and Fugue is a wonderful example of Brown’s Mellon-supported Digital Publications Initiative, which attempts to develop technically diverse and innovative digital publications demonstrating the unique opportunities of digital platforms,” said Dean of the Faculty Kevin McLaughlin, co-principal investigator for the Initiative. “We are delighted to be able to support the outstanding scholarship of Brown faculty by leveraging this opportunity.” With oversight from Digital Scholarship Editor Allison Levy and drawing upon the expertise of the Center for Digital Scholarship, faculty selected for this opportunity are enabled to develop their scholarship in ways that take advantage of emerging digital methods and formats. These pathbreaking scholarly works are then submitted to leading university presses that have corresponding academic interests and the infrastructure for peer review and digital publication. 

“Brown University, and the University Library in particular, has a long history of pioneering work in digital scholarship,” said Joukowsky Family University Librarian Joseph S. Meisel, co-principal investigator for the Initiative. “Leading the way in models and practices for first-rate digital scholarly monographs is making a significant and much-needed contribution.” Five additional born-digital publications covering a range of humanistic fields are currently in various stages of development under the Digital Publications Initiative. One is forthcoming with Stanford University Press in 2021. Over the next six years, thanks to renewed support from the Mellon Foundation, the Initiative plans to add four to five new projects to its portfolio. 

The University of Virginia Press will host a virtual book launch for Furnace and Fugue on August 25 at 1:00 pm EST. 

Media inquiries: Jennifer Braga at (401) 863-6913 or Jennifer_Braga@brown.edu.

Events | Love Data Week 2020

What is Love Data Week?

Love Data Week is an international celebration of data, aiming to raise awareness and build a community to engage on topics related to research data management, sharing, preservation, reuse, and library-based research data services.

#LoveData20

Join us and register for Brown’s Inaugural Love Data Week February 10 – 14, 2020!

Brown’s Love Data Week is sponsored by the Office of Vice President for Research (OVPR) and the University Library. 

What is the theme for 2020?

The theme of Love Data Week 2020 is get to know the data specialists at your institution, the kinds of work they do, and the data and associated issues with which these data specialists engage.

Who should I contact to learn more?

To participate or get more information, email data_management@brown.edu.

Announcement | Digitization of Historic Campus Speeches with CLIR Grant

Speeches by Civil Rights leaders and other renowned public intellectuals will be preserved and made available for scholarship.

Providence, R.I. [Brown University] The Council on Library and Information Resources (CLIR) has awarded the Brown University Library $23,215 from its Recordings at Risk program. One of 13 projects selected out of 34 to receive grants from the program, the Library’s proposal, “Brown University Archives Audio-Visual Collection: Global Perspectives from Campus Speeches,” will allow us to digitize and make available to the public a large selection of audio and video recordings of speeches by leading public figures invited to Brown between 1950 and 1995. 

Brown University students on the College Green, 1969

103 cassette tapes, 198 film reels, and 44 VHS tapes–345 items total–will be digitized through use of the funding. This substantial set of materials document changing intellectual and social currents across the United States and the world on topics including social justice, politics, education, and the media–all of which still resonate today. There is a particularly fascinating set of recordings from Civil Rights leaders, notably Ralph Abernathy, Shirley Chisholm, Martin Luther King, Jr., and A. Philip Randolph. 

Over the next nine months, outside vendor George Blood LP will convert the media into digital files. A team of Special Collections staff and students will review the digitized files and create accurate and complete descriptive information. The final content will be uploaded into the Brown Digital Repository, where it will be available for research in October 2020.

Event | Scott Rettberg on Electronic Literature: Threads of Practice and Literary Genre in Digital Writing

On Thursday, December 5, 2019 at 3:30 p.m. in the Patrick Ma Digital Scholarship Lab at the Rockefeller Library, Scott Rettburg, Professor of Digital Culture in the department of linguistic, literary, and aesthetic studies at the University of Bergen, Norway, will give a talk entitled, “Electronic Literature: Threads of Practice and Literary Genre in Digital Writing.” The talk is free and open to the public.

Electronic Literature

In the talk, Professor Rettberg will discuss his new book, Electronic Literature, in which he places the most significant genres of electronic literature in historical, technological, and cultural contexts. These include combinatory poetics, hypertext fiction, interactive fiction (and other game-based digital literary work), kinetic and interactive poetry, and networked writing based on our collective experience of the Internet. He argues that electronic literature demands to be read both through the lens of experimental literary practices dating back to the early twentieth century and through the specificities of the technology and software used to produce the work.

Rettberg will give a brief presentation of the methods and themes of the book, which will be followed by a discussion between Rettberg and Cayley.

Scott Rettberg

Scott Rettberg is Professor of Digital Culture in the department of linguistic, literary, and aesthetic studies at the University of Bergen, Norway. Rettberg is the author or coauthor of novel-length works of electronic literature, combinatory poetry, and films including The Unknown, Kind of Blue, Implementation, Frequency, The Catastrophe Trilogy, Three Rails Live, Toxi•City, Hearts and Minds: The Interrogations Project and others. His creative work has been exhibited both online and at art venues including the Venice Biennale, Inova Gallery, Rom 8, the Chemical Heritage Foundation Museum, Palazzo dell Arti Napoli and elsewhere.  Rettberg is the author of Electronic Literature (Polity, 2019), the first comprehensive study of the histories and genres of electronic literature and winner of the 2019 N. Katherine Award for Criticism of Electronic Literature.

Date: Thursday, December 5, 2019
Time: 3:30 p.m.
LocationPatrick Ma Digital Scholarship Lab, Rockefeller Library, 10 Prospect Street, Providence