Victorious Secret by Angela Lorenz ’87, P’18

Victorious Secret: The “Bikini Girls” are Winning the Pentathlon on view at the Rockefeller Library, from August 31 – November 20, 2017

Surprise! The nearly two-thousand-year-old mosaics from Villa Romana del Casale  in Sicily, known simply as the “bikini girls,” are really female athletes from prestigious Roman families. Brown University is the tenth venue for this traveling suite of triptychs, made of buttons and hairpins, which sets the record straight on women in sports. Meet artist Angela Lorenz, class of 1987, P’18 to learn about her visual arts project and the impact of study abroad on Friday, October 13, 2017, at 4 p.m. in the Digital Scholarship Lab, Rockefeller Library.

Dates: August 31 – November 20, 2017
TimeJohn D. Rockefeller, Jr. Library Hours
Location: John D. Rockefeller, Jr. Library, 10 Prospect Street, Providence

Event | Coffee and Conversation with Ian Fetters, S. T. Joshi Fellow

Please join the Brown University Library on Tuesday, August 22, 2017 at 12 p.m. in the Lownes Room of the John Hay Library for coffee and conversation with S. T. Joshi Endowed Research Fellow Ian Fetters.

Mr. Fetters, a teaching fellow at California Polytechnic State University San Luis Obispo, will discuss his ongoing research at the Library using the Lovecraft Collection. His talk will focus on his project, “Lovecraft’s Dark Continent: At the Mountains of Madness and Antarctic Literature.”

Come early or stay afterward and view the Library’s two new exhibitions. Greetings & Salutations : Lovecraft on the Road is a focused tracing of Lovecraft’s meandering bus trip from Providence, Rhode Island to DeLand, Florida between April and August, 1934. The Caitlín R. Kiernan Papers @ Brown University Library is a mid-career review highlighting Kiernan’s recent gift of her personal and professional archives.

Date: Tuesday, August 22, 2017
Time: 12 p.m.
Location: Lownes Room, Second Floor, John Hay Library, 20 Prospect Street, Providence

H.P. Lovecraft on the Road & Caitlín R. Kiernan Papers

Greetings and Salutations: Lovecraft on the Road  &  Caitlín R. Kiernan Papers @ Brown University on view at John Hay Library, exhibition gallery from August 16 – December 15, 2017.

Greetings and Salutations: Lovecraft on the Road

Journey from Providence, Rhode Island, to St. Augustine, Florida, during the spring and summer of 1934 with one of America’s most influential fantasy and horror fiction writers. Explore the life, past and places of Howard Phillips Lovecraft (1890–1937) through his correspondence, postcards and related drawings from the Brown University Library, Special Collections.

Caitlín R. Kiernan Papers @ Brown University

With novels, chapbooks, comics and more than 250 short stories to her credit, science fiction and dark fantasy writer Caitlín R. Kiernan (b. 1964) is a prolific and independent force reflecting the formative influences of her youth, including H. P. Lovecraft, Shirley Jackson, William S. Burroughs and Angela Carter.

The Brown University Library recently acquired the Caitlín R. Kiernan Papers, gifted by the author, consisting of personal papers, manuscripts, books, related artwork and objects. The collection represents both early and current works by the multiple award-winning author and published paleontologist. Additions to the collection will be made regularly by the author.

Exhibit | Schwedischen Fewerwerks. Anno 1650

Schwedischen Fewerwerks. Anno 1650 (1652).

Schwedischen Fewerwerks. Anno 1650, on display at  the John Hay Library, 2nd Floor Landing from July 1 – July 31, 2017.

A depiction of the Swedish fireworks at Nuremberg in honor of the Swedish plenipotentiary in Germany, Count Palatine Carl Gustav (the future king of Sweden, Charles X Gustav).

Dates: July 1 – July 31, 2017
TimeJohn Hay Library Hours
Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence

Exhibit | Mobile Verse: Bus and Subway Poetry

“Reflective” A. R. Ammons (1926–2001), Metropolitan Transportation Authority (New York, NY), ca. 1992–1996

The Mobile Verse: Bus and Subway Poetry from the Harris Broadside Collection is now showing at John Hay Library, exhibition gallery from June 26 – July 26, 2017.

Explore poetry from the United States and Great Britain that was designed to be enjoyed on buses and subway cars from the 1970s through the 1990s. Growing in popularity, public- and private-sector programs such as these continue to link literary arts and transportation as a way to communicate, influence and curate through our communal environments. Selections from more than 300 examples highlight the young, mature, novice and experienced poets of diverse backgrounds and locations as they share on various topics.

Dates: June 26 – July 26, 2017
TimeJohn Hay Library Hours
Location: Exhibition Gallery, John Hay Library, 20 Prospect Street, Providence

Exhibit | Audubon Bird Cards

Audubon Bird Cards, Set No. 3
New York: National Association of Audubon Societies, 1974

On display in the second floor landing case of the John Hay Library, this box of cards depicting fifty summer birds of eastern North America was the third in a reissued series that also contained winter birds (set one), and spring birds (set two). The front of each card features a masterful color portrait by Allan Brooks (1869–1946). The back contains the bird’s common name, as well as its description, classification, scientific name and migration range.

Founded in 1905, the National Association of Audubon Societies for the Protection of Wild Birds and Animals eventually broadened its mission to include the conservation and restoration of natural ecosystems and habitats “for the benefit of humanity and the earth’s biological diversity.” A pamphlet accompanying each set of bird cards describes the organization and its work.

Special Collections has myriad Audubon-related treasures, including Bird Cards sets one and two (1929), postcards (1959), limited edition prints published by the Rhode Island Hospital Trust National Bank (1986) and a double-elephant folio edition of John J. Audubon’s Birds of America (London, 1827–1838).

Dates: June 1 – June 30, 2017
Time: John Hay Library Hours
Location: Second Floor Landing Case, John Hay Library, 20 Prospect Street, Providence

Exhibit | The Brown Bear: A History

The Brown Bear: A History

An Exhibit by Peter Mackie ’59, Sports Archivist
Now showing in the Willis Reading Room Cases, John Hay Library
May 22 – August 31, 2017

At the dawn of the 20th century, Brown was thriving. A new president, William H. P. Faunce, was in place; enrollment was approaching 1,000; new buildings were springing up, and a successful $2 million endowment fund campaign had been completed. Brown’s major teams were enjoying a new off-campus facility (Andrews Field) which had supplanted Lincoln Field. Athletics were emerging from the informal club team era under a newly established Director of Physical Education, Frederick W. “Doc” Marvel (1894). Students and alumni were becoming enthralled with intercollegiate athletics, especially with the developing fierce rivalry with Dartmouth.

Click here to view the online exhibit.

The search was on for a mascot to represent Brown and her teams, often called the Hilltoppers by the press. In 1902 a mascot attempt with a burro was a failure, but in 1904 Theodore Francis Green (1887) solved the problem. Annoyed by “painful attempts” of newspaper artists to come up with an appropriate figure to match the Bulldog and Tiger, Green placed the mounted head of a bear labeled THE BROWN BEAR in the Trophy Room of the new student union (Rockefeller Hall – now Faunce House). Green’s idea quickly took hold, and the bear was celebrated in verse, song, and image. In 1905 a live bear was rented for the Dartmouth football game in Springfield, beginning a famous tradition which, despite interruption by two world wars and the Great Depression, continued into the mid-1960’s. Live bear lore abounds with stories which defy contemporary imagination: college hijinks such as “bearnappings” and tragic bear deaths and funerals.

In addition to live bears, students donned bear costumes, a custom which continues to this day with Bruno and his sidekick Cubby, whose identities are kept secret. The first costumed bear was a group effort, when in 1906 at the Dartmouth game a student wrapped in a bear skin arrived in Springfield. In the post-game victory march back to the city, students took turns after each “bear” dropped exhausted in the frenzied swirling snake dance. Campus statuary has also reflected the importance of the Brown Bear to the Brown community. The Bronze Bruno (1927), Fountain Bear (1932), Swearer Bear (1988), and Indomitable (2013), all keep the Brown Bear symbol constantly in view.

The true meaning of the Brown Bear has been the cause of debate since the beginning. For years after its casting in 1923, Bronze Bruno remained in hibernation at Gorham Manufacturing Company while debate raged on about its meaning and proper placement. Today the use of the term Brown Bear extends to men’s and women’s athletic teams, Alumni Brown Bear Awards, and employee BEAR Day, to name a few.

The Brown Bear is deeply embedded in the DNA of Brown’s culture and daily life. Perhaps T. F. Green provides the best understanding of the Bear’s inclusive meaning:

“So our Brown Bear, around which we are now gathered, is a symbol of that Brown spirit which carries its meaning to alumni and undergraduates alike, with various meanings. Some mistake its message as a call of good luck to an athletic team. But its message is rather to carry into all our activities those virtues shown on the athletic field and symbolized in the Brown Bear – the virtues of strength, independence, and courage. May its symbol remind us of the College and keep alive our love and enthusiasm for old Brown.”

Dates: May 22 – August 31, 2017
Time: John Hay Library Hours
Location: Willis Reading Room Cases, John Hay Library, 20 Prospect Street, Providence

Exhibit | La conquista dell’Abissinia (The conquest of Abyssinia)

The John Hay Library has a new acquisition on display in the second floor landing case:

La conquista dell’Abissinia/ The conquest of Abyssinia
Officine dell’Istituto italiano d’arti grafiche/ Office of the Italian Institute of Graphic Arts
Board game (paper and ink)
Milano: Carlo Erba S.A., 1936
Brown University Library, Special Collections

The item will be on display until May 31, 2017.

This Italian board game was created in 1936 by Officine dell’Istituto italiano d’arti grafiche in Bergamo during the Fascist regime of Benito Mussolini in the midst of the Second Italo-Ethiopian War (also referred as the Second Italo-Abyssinian War). The game was printed to advertise products from various Italian companies while spreading colonial propaganda that applauded the expansion of the Kingdom of Italy. This piece featured a powder to make artificial mineral water by the pharmaceutical company Carlo Erba, S.A.

Play is based on the rules of the European “game of the goose,” in which two or more players move pieces along a track of consecutively numbered spaces by rolling one or two dice. La conquista dell’Abissinia is played on a color illustrated sheet against the background of a map of the Ethiopian Empire (also known as Abyssinia). While not depicted, the game pays tribute to Pietro Badoglio, 2nd Duke of Addis Abeba, and his army and their ultimate occupation of the capital of Abyssinia. It consists of 68 numbered spaces representing the Italian flag, the Red Cross, contemporary political figures, and tanks of the Italian armed forces. The goal of the game is to reach the circle numbered 68 before any of the other players by avoiding as many obstacles as possible. It was designed to have a maximum of eight players, each equipped with a small disc representing various divisions of the Italian armed forces (Infantry, Air Force, Blackshirts, Alpine Troops, Corps of Engineers, Tank Division, Askari, or local colonial troops and Dubats or White Turbans). Directions are printed on the upper right corner of the sheet.

Dates: May 1 – May 31, 2017
Time: John Hay Library Hours
Location: Second Floor, John Hay Library, 20 Prospect Street, Providence, RI

Event | Omer Bartov Discusses “The Voice of Your Brother’s Blood: Buczacz, Biography of a Town”

Omer Bartov, John P. Birkelund Distinguished Professor of European History and Professor of History and Professor of German Studies

On Wednesday, April 12, 2017 at 6:30 p.m. in the Digital Scholarship Lab of the Rockefeller Library, Omer Bartov, John P. Birkelund Distinguished Professor of European History and Professor of German Studies at Brown, will present his new book, The Voice of Your Brother’s Blood: Buczacz, Biography of a Town.

A reception will follow the talk. This event is free and open to the public.

The Voice of Your Brother’s Blood: Buczacz, Biography of a Town

This lecture will discuss how the East Galician town of Buczacz was transformed from a site of coexistence, where Poles, Ukrainians, and Jews had lived side-by-side for centuries, into a site of genocide. Between 1941, when the Germans conquered the region, and 1944, when the Soviets liberated it, the entire Jewish population of Buczacz was murdered by the Nazis, with ample help from local Ukrainians, who then also ethnically cleansed the region of the Polish population. What were the reasons for this instance of communal violence, what were its dynamics, and why has it been erased from the local memory?

Professor Omer Bartov

Born in Israel and educated at Tel Aviv University and St. Antony’s College, Oxford, Omer Bartov’s early research concerned the Nazi indoctrination of the Wehrmacht and the crimes it committed in World War II, analyzed in his books, The Eastern Front, 1941-1945, and Hitler’s Army. He then turned to the links between total war and genocide, discussed in his books Murder in Our Midst, Mirrors of Destruction, and Germany’s War and the Holocaust. Bartov’s interest in representation also led to his study, The “Jew” in Cinema, which examines the recycling of antisemitic stereotypes in film. His monograph, Erased, investigates interethnic relations in the borderlands of Eastern Europe. As a framework for this research, he led a multi-year collaborative project at the Watson Institute, culminating in the co-edited volume, Shatterzone of Empires. Bartov has recently completed a major monograph, The Voice of Your Brother’s Blood: Buczacz, Biography of a Town.

This event is part of the Library’s lecture series, The Holocaust: History and Aftermath.

Date: Wednesday, April 12, 2017
Time: 6:30 p.m.
Location: Patrick Ma Digital Scholarship Lab, Rockefeller Library, 10 Prospect Street, Providence, RI

Annual Yoken Lecture | Anka Muhlstein: The Pen and the Brush

Anka Muhlstein in New York City, February 2012

On Tuesday, May 2, 2017 at 5 p.m. in the Lownes Room of the John Hay Library, celebrated French author Anka Muhlstein will deliver the Annual Mel and Cindy Yoken Cultural Series Lecture, entitled, “The Pen and the Brush,” based on Ms. Muhlstein’s recent book, The Pen and the Brush: How Passion for Art Shaped Nineteenth-Century French Novels. This event is free and open to the public. A reception and book signing will follow the talk. The Pen and the Brush will be available for purchase on site.

Anka Muhlstein

Anka Muhlstein was born in Paris in 1935. She has published biographies of Queen Victoria, James de Rothschild, Cavelier de La Salle, and Astolphe de Custine; studies on Catherine de Médicis, Marie de Médicis, and Anne of Austria; a double biography, Elizabeth I and Mary Stuart; and more recently, Monsieur Proust’s Library and Balzac’s Omelette (Other Press). She has won two prizes from the Académie Française and the Goncourt Prize for Biography. She contributes regularly to the New York Review of Books. She and her husband, Louis Begley, have written a book on Venice, Venice for Lovers. They live in New York City.

The Pen and the Brush

The lecture will elaborate on the close friendships and constant borrowings among artists and writers so characteristic of nineteenth-century France, as reflected in the novels of that period. Ms. Muhlstein will concentrate on the relations among three painters, Manet, Cézanne, Renoir, and three novelists, Balzac, Zola, and Proust, to show the influence of painting on their works.

 

Date: Tuesday, May 2, 2017
Time: 5 p.m.
Location: Lownes Room, John Hay Library, 20 Prospect Street, Providence, RI