The Brown University Library is pleased to share an open invitation to view a presentation by Peter Harrington, Curator, Anne S. K. Brown Military Collection, to the Continental Commandery of the Naval Order of the United States on Thursday March 24 at 7 p.m. EST.
In his presentation, Peter will describe the Brown University Library’s World War Two Art Collection, which is part of the Anne S. K. Brown Military Collection, and how it was created over the last 25 years. The talk will include some of the collection’s highlights with a special focus on the Naval and Marine Corps artists represented.
Peter Harrington is an author, military historian, and archaeologist, who curates the Anne S. K. Brown Military Collection for the John Hay Library at Brown University where he has worked for over 37 years. A native of Manchester, England, he studied at London, Edinburgh, Simmons and Brown, and his research over the past three decades has focused on artists and images of war. For many years he taught a distance learning graduate course on the subject. His other area of research is Conflict Archaeology. He has authored and edited a number of books including British Artists and War: The face of battle in paintings and prints 1700-1914; William Simpson’s Afghanistan: Travels of a Special Artist and Antiquarian during the Second Afghan War, 1878-1879; The Castles of Henry VIII; and English Civil War Archaeology. His current research focuses on art and mural programs in U.S. training camps, 1941-1945.
In keeping with the theme of National Public Health Week 2022, Public Health is Where You Are, below are some relevant projects, initiatives, and resources from the Brown University Library.
Subscription resources available via the Library
A search for “public health” as subject retrieves these results in BruKnow, the Library catalog. You may use the filters on the left side to refine results by format, library, language, and more. Sign in with your Brown credentials to access or request any of the results.
Nonprofit organization focusing on national health issues, as well as the U.S. role in global health policy. KFF develops and runs its own policy analysis, journalism and communications programs, sometimes in partnership with major news organizations. KFF serves as a nonpartisan source of facts, analysis and journalism for policymakers, the media, the health policy community and the public.
Offers high-quality, relevant health and wellness information that is trusted, easy to understand, and free of advertising, in both English and Spanish. It is a service of the National Library of Medicine (NLM), which is the world’s largest medical library and a part of the National Institutes of Health (NIH).
Provides worldwide access to biomedical and public health literature produced by and within low-middle income countries. The material is collated and aggregated by the World Health Organization (WHO) Regional Office Libraries.
We invite members of the Brown, local, and global community to this hybrid work-in session to preserve Ukrainian cultural heritage online.
Join the Brown University Library in the Digital Scholarship Lab at the Rockefeller Library (10 Prospect St, Providence) on Thursday, March 10, 2022 from 1:30 – 3:30 p.m. EST or via Zoom as we come together in collaboration with the SUCHO project, a group of cultural heritage professionals — librarians, archivists, researchers, programmers — working together to identify and archive at-risk sites, digital content, and data in Ukrainian cultural heritage institutions while the country is under attack.
Archive of legendary Indigenous theater furthers distinction and depth of Brown’s holdings in multiple interdisciplinary areas of study
Providence, R.I. [Brown University] In 1976, when Muriel Miguel, her two sisters, and a diverse group of women founded Spiderwoman Theater in Brooklyn, NY, their aim was to interrogate and challenge anti-feminist narratives of the 1970s through high-caliber theatrical content written and performed by Native American women. A director, actor, playwright, choreographer, and educator, and member of the Kuna and Rappahannock Nations, Muriel — the Library’s connection to this incredible trove of materiel — is the Artistic Director for Spiderwoman Theater, and director for each of the 20 plus Spiderwoman productions. She and the Spiderwoman company draw on Indigenous storytelling traditions to create works that integrate art, dance, and music with humor and pop culture, simultaneously entertaining and educating.
The archive is an indelible record of Spiderwoman’s history and the lives of Native American women onstage and off, and it brings extraordinary depth to the John Hay Library’s collections on Performance & Entertainment, Global Lavender Voices, and more. Avery Willis Hoffman, Artistic Director, Brown Arts Institute, describes the impact Spiderwoman Theater and Muriel particularly have had on the practice of performance and the scholarly potential of her archive at Brown: “Muriel Miguel’s lifetime of contributions to the field of theater and Spiderwoman Theater’s mighty expansions on the realm of theatrical creativity is immeasurable; I have no doubt that the Archive will provide inspiration and a wealth of fruitful discoveries for future generations of students, faculty, visiting researchers and artists.”
Recognized by Indigenous women in New York and beyond in the 1980s as a powerful representative of their voices and concerns, Spiderwoman Theater has since been globally renowned as an artistic force in the advancement of Indigenous women, artists, and cultural artisans. Its productions exist at the intersection of Indigenous life, sexism, classism, and violence in the lives of women — and at the vanguard of contemporary Western theatre. According to D. Rae Gould, Executive Director of Native American and Indigenous Studies, Adjunct Professor for American Studies, Affiliated Faculty in Anthropology, and Faculty Associate in the Center for the Study of Slavery and Justice:
This collection will help to support and strengthen the new concentration in Critical Native American and Indigenous Studies that will launch in Fall 2022. We are grateful to have Spiderwoman Theater’s work at the University for future generations of students, faculty and other scholars. It will serve as a foundational collection for further development of the Creative Expressions area of the concentration, in particular, and expand our knowledge and understandings of her contributions to the field of Indigenous Theater.
In September 2019, Muriel presented Muriel Miguel: A Retrospective for the Brown University Library’s 15th Annual Don Wilmeth Endowed Lectureship in American Theatre, during which she shared the fascinating journey from her roots in Brooklyn to her landmark contributions to the contemporary feminist and Indigenous theatre movements in the United States, Canada, and around the world. Amanda Strauss, Associate University Librarian for Special Collections, reflects:
Hearing Muriel speak in such an intimate setting and spending time with her since the lecture, learning about her life and her collection, are experiences that I will always treasure. I’m proud of the enduring relationship that the Hay has built with Muriel and, through her, Spiderwoman Theater, and am thrilled that we can be a gateway for the researchers, students, performing artists, and community members who will immerse themselves in this collection and draw from it inspiration and knowledge that will generate new scholarship and art.
The Library was honored to host Muriel, and is proud to preserve and provide broad research access to this unique collection. Once at the Hay Library, the materials will have an immediate and lasting impact on many areas of study at Brown, including Native American and Indigenous Studies, Gender and Sexuality Studies, Theatre Arts and Performance Studies and the Brown Arts Institute, where Muriel’s daughter Murielle Borst-Tarrant (Kuna, Rappahannock), Artistic Director and Founder of the Safe Harbor Indigenous Collective, is currently a visiting Professor of the Practice. Sarah dAngelo, Assistant Professor for Theatre Arts and Performance Studies, knows Murielle well and states, “Murielle is a third generation New Yorker, and carries her family’s legacy as an Indigenous theatre artist, activist, and cultural change maker. The Brown community is incredibly fortunate to have this opportunity to engage with her as one of the most vital and accomplished storytellers working in the American Theatre today.” Access to the Spiderwoman Theater archive and Murielle’s knowledge and experience will offer Brown students and faculty deep and authentic knowledge of Indigenous theatre specifically and the art of theatre writ large.
Muriel and her wife Deborah Ratelle are currently preparing the large archive for retrieval from their home in Brooklyn, NY. The Library anticipates that it will be at Brown and available for study in late spring 2023.
The Department of Collections Care brings under one functional group the intertwined areas of conservation, preservation, shelving, offsite storage, and environmental control for Library collections. The new department governs these measures for collections housed in Library facilities on campus as well as the Library Annex located nearby in Cranston, RI.
This Library-wide approach to the stewardship of our physical collections is led by Michelle Venditelli, who has been promoted to Director of Collections Care from her previous position as Head of Preservation, Conservation, and the Library Annex.
Michelle spearheaded the Library’s Healthy Collections Ecosystem Initiative, through which she, her staff, and other Library colleagues have worked to implement a Food, Drink, and Plant Policy for Library staff; launched a comprehensive book re-shelving initiative in the Rockefeller Library; and established an Integrated Pest Management system — the global standard for natural environmental care. Michelle also foregrounded the importance of patron and staff health in an environment that has the potential to attract pests, mold, mildew, and other contaminants that thrive on the organic materials in books and other collections items.
The Department of Collections Care works closely with Library Facilities Management and Brown’s Office of Environmental Health and Safety to ensure optimal, ongoing conditions for collections materials and the humans who share space with them. Staff in all these areas serve proactive roles, and are nimble responders to unexpected environmental concerns like weather intrusions. And, of course, the Department of Collections Care is responsible for making special collections materials available to scholars while safeguarding the physical integrity of the items. Members of this department oversee collections conservation and disaster planning and response, create custom enclosures and exhibit supports, process collections with call number labels, and more, depending on the item. Michelle and her staff are essential, behind-the-scenes experts and contributors to the operations and academic mission of the Brown Library.
Question about the Department of Collections Care and its activities? Email[email protected].
The University Library and the Dean of the Faculty, together with the Digital Publications Faculty Advisory Committee, are pleased to announce the selection of the next two long-form scholarly works to be developed as part of Brown’s Digital Publications Initiative.
Trojan Women in Performance by Avery Willis Hoffman, Inaugural Artistic Director, Brown Arts Institute, Professor of the Practice of Arts and Classics, surveys significant productions of Euripides’ Trojan Women (415 BC) across the 20th and 21st centuries, investigating the ways in which the play provides a unique forum for debating human responsibility in times of war. As the Classics and the Western Canon endure a new round of decolonization and dismantling efforts, along with the scrutiny of those wishing to make space for a diversity of storytelling and more widely representational literature, ancient works can offer a veritable platform for interpretation, for splicing and re-imagining, for the insertion of new voices and texts, and for the insistence on fresh perspectives. Featuring a flexible and interactive format, the multimodal book will open up new directions of exploration for scholarly and artistic communities.
The Ruin Archive: Art and War at the Ends of Empire by Vazira Fazila-Yacoobali Zamindar, Associate Professor of History, examines the formation of “Indian art” via the nineteenth- and twentieth-century extraction of art to European collections and museums from ancient and war-torn landscapes of the Indo-Afghan borderlands, offering a detailed account of the effects of such colonial extraction of objects on the multi-religious landscape of the Indian subcontinent. Developing The Ruin Archive as a digital publication will allow Zamindar to intervene in and disrupt colonial and national narratives through the creation of an interactive archive that juxtaposes material across geographies and temporalities such as government records, ethnographic dictionaries, military manuals, war albums, museum catalogues, photographs, colonial films, and contemporary documentation from the “frontier,” resources which have hitherto never been examined together.
Generously launched with support from the Andrew W. Mellon Foundation in 2015, Brown’s Digital Publications Initiative seeks to advance humanities scholarship by providing a university-based approach to the development, evaluation, and publication of born-digital scholarly monographs. With oversight from Brown’s Digital Scholarship Editor, projects that are selected by the Initiative’s Faculty Advisory Committee are developed as enhanced digital works that draw upon the capabilities of the Library’s Center for Digital Scholarship. These scholarly works are then submitted to leading university presses that have corresponding academic interests and the infrastructure for peer review and digital publication.
The Initiative’s first born-digital scholarly monograph, Furnace and Fugue: A Digital Edition of Michael Maier’s Atalanta fugiens (1618) with Scholarly Commentary, co-edited by Tara Nummedal, Professor of History, and Independent Scholar Donna Bilak, was published by the University of Virginia Press in July 2020.
Two other projects are forthcoming at leading university presses:
A New Vision for Islamic Pasts and Futures by Shahzad Bashir, Aga Khan Professor of Islamic Humanities and Professor of History (forthcoming with MIT Press); and
Shadow Plays: Virtual Realities in an Analogue World by Massimo Riva, Professor of Italian Studies (forthcoming with Stanford University Press).
Other digital works currently under development include:
The Sensory Monastery: Saint-Jean-des-Vignes co-authored by Sheila Bonde, Professor of History of Art and Architecture and Professor of Archaeology, and Clark Maines, Professor Emeritus of Art History at Wesleyan University;
Standing Still Moving: Arts of Gesture in Lateral Time by Rebecca Schneider, Professor of Modern Culture and Media;
Chika Sagawa, Japanese Modernist Poet by Sawako Nakayasu, Assistant Professor of Literary Arts;
Travels in Search of the Slave Past: Monuments, Memorials, Sites of Slavery by Renée Ater, Provost’s Visiting Professor of Africana Studies.
Imperial Unsettling: Indigenous and Immigrant Activism Toward Collective Liberation by Kevin Escudero, Assistant Professor of American Studies and Ethnic Studies;
The Gospel of Resistance by Charrise Barron, Assistant Professor of Americana Studies and Music;
Art, Secrecy, and Invisibility in Ancient Egypt by Laurel Bestock, Associate Professor of Archaeology and the Ancient World & Egyptology and Assyriology; and
The Sojourner Project: A Black Studies Mobile Academy by Tina Campt, Owen F. Walker Professor of Humanities and Professor of Modern Culture and Media.
In addition to developing the Mellon humanities portfolio, the Initiative produces university publications such as the revised and expanded edition of Brown’s Slavery and Justice Report and the ‘Race &’ in America digital series. A new grant from the National Endowment for the Humanities will establish a training institute for scholars from a variety of institutions, disciplines, and backgrounds who wish to develop innovative born-digital publications but lack the necessary resources and capacity at their home institutions.
To learn more about Brown’s digital scholarly publication program, contact Digital Scholarship Editor Allison Levy ([email protected]).
At these informal “brown-bag” meetings, we invite discussion and exploration of digital humanities projects, scholarship, careers, and pedagogy. Each session will feature a different presenter, including graduate students, faculty and staff at Brown and beyond.
First two meetings:
Creating a Career in Digital Scholarship
Ashley Champagne (Head, Digital Scholarship Project Planning, CDS) and Allison Levy (Digital Scholarship Editor, CDS)
Taking the Reins, Harnessing the Digital: Enabling and Supporting Public Scholarship in Graduate Level Training
Sara Mohr (PhD candidate in Brown University’s Department of Egyptology and Assyriology, Brown)
*NOTE: All DH salons will take place on Fridays at noon in a hybrid format. Please do join us in person in the DSL in the Rock if you can, but those who prefer or need to Zoom in may using this link: https://brown.zoom.us/j/92773576774.
Our December meetings will take place on December 3 and 17 — additional information to follow.
Cultural sensitivity and organizational healing will be integral facets of unique partnership program to foster leaders at HBCU libraries and Brown University
Providence, R.I. [Brown University] The HBCU Library Alliance and Brown University Library have received a $100,000 grant from the Institute of Museum and Library Services (IMLS) Laura Bush 21st Century Librarian Program to create a transformational leadership development program: Stronger Together, Leading Through Community. This two-year program for emerging library leaders is the first such program to intentionally unite two distinct communities of practice, HBCUs and Brown University. The curriculum and immersive exchanges of this intensive program will develop core leadership competencies such as change management, fundraising, and collection stewardship. The program will also focus on the leader’s role in promoting organizational healing from the disruption of the ongoing COVID-19 pandemic and in ensuring that libraries are sites of intentional social justice work.
Mutually Beneficial Partnership
The HBCU Library Alliance is a consortium that supports collaboration across the libraries and between information professionals dedicated to providing an array of resources designed to strengthen Historically Black Colleges and Universities and their constituents. This grant award marks the first project to be undertaken as part of the formal partnership between the HBCU Library Alliance and Brown University Library. The HBCU Library Alliance welcomed Brown University Library into its community of practice in February 2020 as its inaugural invited, non-HBCU affiliate member. This partnership is based on deep relational work that acknowledges and actively counteracts the historical power imbalance between HBCUs and the Ivy League. It is built with respect and investment in each other’s communities with the shared focus of mutually beneficial partnership activities. Sandra Phoenix, executive director of the HBCU Library Alliance, looks forward to working with Brown to foster strong, culturally sensitive library leaders:
Collaborating with Brown University to support leadership development and to continue our mission to strengthen HBCU libraries and their staff sets the stage to advance our work together. We are grateful to IMLS for funding the Stronger Together, Leadingthrough Community leadership development initiative. It is our goal to share skills and talents with Brown University, create and cultivate a diverse space for mutual teaching/learning/healing experiences and develop high-calibre library leaders to meet the needs of our communities.
Both the HBCU Library Alliance and Brown University Library have a long history of successful partnerships, which have laid the operational foundation for this pilot project to succeed and grow into a sustainable program that will deeply influence the trajectory of leadership development in libraries. According to Monika Rhue, Director of Library Services and Curation at Johnson C. Smith University’s James B. Duke Memorial Library, and HBCU Library Alliance Board chair, the grant-funded, partner-run program is well positioned to develop library leaders with expertise in social justice:
The program’s pilot will include a most-essential social justice component, where we will focus on leadership development from the lens of community members engaged in civil/human rights. There is such potential to learn, to share experiences, and to advance the development of leaders with this critical perspective. Thanks are due to Brown University for this opportunity to engage and to IMLS for funding this very timely initiative. Our transformative work continues!
The program will break new ground in library leadership development by prioritizing two guiding principles:
Equitable Partnership: Intentional, respectful, and mutually beneficial partnerships across communities are essential for advancing the mission of academic libraries to serve as core resources for socially-engaged scholarship.
Unique Value of HBCUs: HBCU Libraries are uniquely positioned as educational institutions that steward and preserve African American history and culture. It is the responsibility of all research libraries to support this work and advance the status and reach of HBCU libraries, thereby amplifying the cultural, social and scholarly value of African American history.
Emerging Leaders Cohort
The pilot’s cohort of emerging leaders is purposefully designed to be small, including a total of six participants drawing from HBCU Library Alliance member libraries and Brown University Library. The size will ensure deeply personalized attention to the participants, and the program directors — Sandra Phoenix, Executive Director of the HBCU Library Alliance, and Amanda E. Strauss, Associate University Librarian for Special Collections, Brown University — will be attentive to how the unique qualities of this program can be scaled for broader impact.
Program activities will include:
Personalized Leadership Development Plans: Each member of the cohort will have support to create a personalized leadership development plan.
Formal Mentorship during the program and beyond
Virtual learning and coursework: The cohort will have access to a unique leadership curriculum specifically designed for this program.
Cohort connections in-person and virtual
Immersive Exchanges: Each emerging leader will participate in a multi-day, immersive site visit at either an HBCU library or Brown University Library. These exchange residencies will be tailored to individual leadership development plans created as part of the curriculum.
Leadership Symposium: The program will culminate in an invitational leadership symposium wherein the emerging leaders cohort will partner with the instructors and curriculum designers to share their learning outcomes with 30-50 colleagues drawn from HBCU libraries and Brown University Library.
“The support from IMLS is a wonderful recognition of our partnership and the goals we share for advancing the next generation of academic library leaders,” said Joseph S. Meisel, Joukowsky Family University Librarian at Brown. “Combining the distinctive strengths of the HBCU Library Alliance, its member institutions, and the Brown University Library on the basis of genuine reciprocity is a very exciting prospect.”
IMLS Laura Bush 21st Century Librarian Program
The Laura Bush 21st Century Librarian Program (LB21) supports the development of a diverse workforce of librarians and archivists in order to meet the information needs of their communities by enhancing the training and professional development of library and archives professionals; developing faculty and information leaders; and recruiting, educating, and retaining the next generation of library and archives professionals.
In order to make the Orwig Music building more accessible, the door at the accessible entrance is being replaced. The work will occur from Tuesday, October 5 – Wednesday, October 6, necessitating the closure of the entrance. We apologize for any inconvenience caused and look forward to welcoming you through a more accessible door on Thursday, October 7.
The front door will remain open as usual. If you have any questions or concerns, please email [email protected]
Operations are founded on the most up-to-date, reliable safety protocols to ensure a healthy environment for our patrons and staff. Please follow all Healthy Brown steps to keep yourself and our community well. If you aren’t feeling well, please make use of the Library’s robust slate of digital resources.
When you come to the Library, please:
Wear a mask over your mouth and nose at all times
Maintain social distance
Help keep Brown healthy: Get tested for COVID-19 every week if you are fully vaccinated, twice a week if you are not yet fully vaccinated or have received an exemption. Wear a mask indoors when on campus, regardless of your vaccination status, and outside if you are not vaccinated and social distancing is not possible. Learn more.
Who can access Library buildings?
Current Brown students, faculty, and staff and current Rhode Island School of Design students can access all locations as follows:
Rockefeller Library – without a reservation
Sciences Library – without a reservation
Orwig Music Library – without a reservation (limited hours starting September 7)
John Hay Library – reservations required for the Special Collections Reading Room (email [email protected]); reservations not required for individual study space in the Willis Reading Room
Visitors who anticipate using the Rockefeller, Sciences, or Orwig Libraries on an ongoing basis must obtain a Brown University Library card. Cards will not be issued until visitors have completed the Brown University Library Visitors: Fall 2021 request form. The Library must approve requests for all visitors except those with IDs sponsored by a department or program at Brown, or Brown alumni. More information
In accordance with University policy, all visitors — regardless of vaccination status — must wear masks indoors, unless in a private, non-shared space (e.g., office or dorm room). Visitors must abide by the policies on the Healthy Brown website and should review the Visitor and Guest Vaccination Requirement.
Patrons can schedule in-person and online consultation appointments with a Library expert by contacting the relevant subject specialist directly. Not sure whom to contact? Email [email protected] for general inquiries and [email protected] for Special Collections inquiries.
The stacks at the Rock and SciLi are open, and circulation staff are on-site to check out materials.
Please continue to request materials online through BruKnow. Requested materials will be held at the service desks. Patrons will be notified when the item is available and where it should be picked up. The Library is providing document delivery through the ILLiad system.
Research in the Gildor Family Special Collections Reading Room (first floor)
Saturday and Sunday: Closed
Monday, September 6: Closed for Labor Day holiday
September 8 through end of fall term:
Study in the Willis Reading Room (first floor):
Monday – Thursday, 10 a.m. – 10 p.m.
Friday, 10 a.m. – 5 p.m.
Sunday, noon – 10 p.m.
Research in the Gildor Family Special Collections Reading Room (first floor):
Monday – Friday, 10 a.m. – 5 p.m.
Closed Saturday and Sunday
For research in the Special Collections Reading Room, please email [email protected] to request a seat reservation. We are currently limiting use of the Special Collections Reading Room to a maximum of nine (9) researchers at a time. You must also request materials through Aeon one week (5 full business days) in advance of your reservation.
Following an extensive infrastructure renovation, the Orwig Music Library will be open for limited weekday hours starting September 7. Please contact [email protected] or call 401-863-3759 for more information.
Reserving Study Rooms
Beginning September 8, current Brown students, staff, and faculty, and RISD students will be able to reserve group study rooms at the Rock and SciLi through libcal.brown.edu.
Graduate and Medical Student Carrels
Study carrels are available to graduate and medical students. Interested persons should inquire at the Rockefeller Library service desk.
Guides and videos with information about how to use the Library, conduct various aspects of research, and more are always available online.
Your Brown University Library is committed to providing all patrons with the best possible academic library experience. Throughout your engagement with Library collections, physical spaces, patron services, instruction, and web-based tools and content, you should be welcomed, valued, and respected, and be provided with equal opportunities to pursue scholarship in a spirit of free and open inquiry.
We encourage your feedback about any aspect of Library services, resources, and facilities. Feedback can be made through this anonymous form, which has an option for inputting your contact information, or you can email [email protected].