Peruse the gallery and discover what is new and unique about Special Collections at the Hay Library. Explore recent acquisitions from the 14th century to the present through the lens of renowned Brown faculty, and gain insight into the place where the past, present and individual connect.
Opening reception: Friday, November 22nd, 4-6 PM
Dates: November 22, 2019 – February 14, 2020 Time: John Hay Library Hours Location: Exhibition Gallery, John Hay Library, 20 Prospect Street, Providence
Created by famous political cartoonist Thomas Nast, these eight vignettes depict a “state of the Union” featuring President Abraham Lincoln during his reelection year. Each rendering touches on a significant factor during the Civil War, which was in its fourth year and with no clear victor at the time. The double-page image, published in Harper’s Weekly in December 1864, reflects the artist’s more illustrative work. Nast is also credited with crafting the modern American representation of Santa Claus during the course of his time at the magazine.
Exhibit Dates: November 1 – 30, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
Camden, New Jersey: June 29, 1888 Brown University Library, Special Collections
In June of 1888, celebrated American poet Walt Whitman suffered a stroke, which left him partially paralyzed. Fearful he would not recover, Whitman drafted this will, which leaves the majority of his money to his sisters, his property to his brother, and names three literary executors. Whitman would survive for four more years, and go on to publish four more works, including his “Deathbed Edition” of Leaves of Grass.
This manuscript is just one of several thousand books and manuscripts recently presented to the library by Daniel G. Siegel ’57.
Exhibit Dates: October 4 – 31, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
Examine works created by students in Professor Dietrich Neumann’s lecture course, “Nineteenth-Century Architecture,” which surveys stylistic developments, new building types, and the changing conditions of architectural production through the 19th century. Models on display reflect a building or industrial design object of this time period.
Explore a sampling of this collection consisting of administrative files and zines that focus on social justice and marginalized identities dating from 1974 to 2018. Areas of strength include zines by and about people of color, lesbian, gay, bisexual, transgender and other queer peoples, the disabled, interpersonal violence, sex and relationships, sex work, the prison industrial complex, self-care, feminism and punk.
Titles of particular interest include bluestockings magazine, a Brown University, Providence-based zine that challenges dominant media narratives by centering on communities systematically excluded from those discourses; Muchacha, a Latina feminist fanzine; SPACE (Space in Prison for Creative Arts and Expression), a zine that highlights the voices of incarcerated individuals in Rhode Island; Joyce Hatton’s Think About the Bubbles #8, which chronicles her struggles with cancer as a poor black woman; and Queer Indigenous Girl, a zine highlighting intersectional identities and activism.
Exhibit Dates: September 9 – 30, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
Examine two prints published in 1819 following The Peterloo Massacre and gain insight into an early 19th-century protest for political reform.
On August 16, 1819, a peaceful crowd of between 60,000 and 80,000 workers gathered in St. Peter’s Fields, Manchester, England, to voice their demands for political reform. Poor economic conditions and the lack of parliamentary representation in the years following the Battle of Waterloo led many textile workers who labored under dreadful conditions in the mills of north-west England, to march into the city to hear various speakers including the well-known radical orator, Henry Hunt. He represented the new political radicalism that was growing in the region, and the city magistrates were eager to quash it before serious problems arose. Shortly after the demonstrators had gathered, the magistrates ordered the Manchester and Salford Yeomanry to arrest Hunt and others who were accompanying him. As they charged into the crowd to carry out this order, they knocked down a woman and killed her child. The mass of demonstrators continued to present a threat, and the 15th Hussars were sent to disperse them along with the yeomanry. With sabers drawn, they charged into the crowd creating massive confusion resulting in the deaths of 18 people.
Exhibit Dates: Aug 1 -31, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
American Revolutionary War Prints London: Hogg, 1790 Brown University Library, Anne S.K. Brown Military Collection
Explore Independence Day from a British point of view. “Engraved for Barnard’s New Complete & Authentic History of England,” this collection of 4 copper-engraved plates after William Hamilton, 1751- 1801 (artist) feature significant milestones from the American Revolutionary War (Apr 19, 1775 – Sep 3, 1783).
Exhibit Dates: July 1 -31, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
From humble beginnings as a studio space rented by four RISD guys in the fall of 1995, rose the now mythic Fort Thunder collaborative, located in a dilapidated mill building on the west side of Providence. While there were other decrepit mills nearby, with funky names like Munch House, Box of Knives, & Pink Rabbit, also filled with RISD & Brown students who hosted concerts, Fort Thunder is the one that lives on in popular memory. Its young residents put Providence on the map with their unique underground art & music scene, and inadvertently inspired lasting changes in the city’s preservation community, when they fought the redevelopment of the historic property in Eagle Square that they had called home for almost 7 years.
The display features multi-media options with reproductions of Fort Thunder concert posters & handouts from the collection of Shawn Greenlee, RISD ’96, Brown MA ’03, PhD ’08, as well as recordings by some of the Fort’s bands, like Lightning Bolt & Forcefield. There are also images, maps, ephemera & photos related to the mill building (formerly the Valley Worsted Mills/American Woolen Co.) & the “Save Eagle Square” movement.
This exhibition participates in Year of the City: The Providence Project, a year-long exploration of the history, life and culture of Providence’s 25 neighborhoods through exhibitions, performances, walks, lectures and conferences produced by more than 50 different curators. https://yearofthecity.com/
Dates: April 29 – November 3, 2019 Time: Library Hours Location: Orwig Music Library, 1 Young Orchard Avenue, Providence
The Holy Bible: containing The Old Testament and the New. Translated into the Indian Language, and Ordered to be Printed by the Commissioners of the United Colonies in New-England, At the Charge, and with the Consent of the Corporation in England for the Propagation of the Gospel amongst the Indians in New-England John Eliot (1604–1690) Massachusetts: Printed by Samuel Green and Marmaduke Johnson, 1663 Brown University Library, Special Collections
Wôpanâôt8âôk, pronounced, womp a naa on too aah onk, has been referred to by various names throughout history such as Natick, Wôpanâak, Massachusett, Wampanoag, Massachusee and Coweeset, as well as others. The language is but one in some forty languages that comprise the Algonquian language family–the largest geographical distribution of languages in the Western Hemisphere.
The first Bible produced on a printing press in North America was printed in Wôpanâôt8âôk in 1663 on the printing press at Harvard University. Today this Bible, as well as all of the other documents in the language, are the foundation of the Wampanoag language work that has earned critical acclaim through the Makepeace Productions film “We Still Live Here: Âs Nutayuneân,” and the work of Wôpanâak Language Reclamation Project, a 501c3 nonprofit organization founded in 1993 and governed by four tribes of the Wampanoag Nation (Mashpee, Herring Pond, Gay Head Aquinnah, and Assonet Band).
The bible currently on view was owned by Roger Williams, Protestant theologian who established the colony of Rhode Island in 1636.
Exhibit Dates: April 15 -May 20, 2019 Exhibit Time: John Hay Library Hours Exhibit Location: Second Floor Landing, John Hay Library, 20 Prospect Street, Providence
Photo courtesy of Whitney Young via Hidden Darkroom
This exhibit by ethnomusicology Ph.D. candidate Byrd McDaniel displays some of the memorabilia central to air guitar playing in the United States and the U.S. Air Guitar Championships in particular. Advertised as the “greatest thing you’ve never seen,” the contemporary U.S. Air Guitar Championships stem from a long line of related practices throughout the twentieth century—such as pantomime, musical comedy, and dance—that crystallized in the late 1970s and early 1980s around air band and air guitar competitions. Byrd argues that we should think of air guitar as a type of listening—a practice in animating, translating, and transmitting rock recordings.
Air guitar competitions not only reproduce and revisit some of the classic moments in rock guitar history, but they also revise these moments, sometimes sustaining and sometimes challenging the often racist, sexist, and ableist narratives that litter the genre’s history. It can also undermine these problematic discourses as well, subordinating guitar greats and lofty values (like authenticity or virtuosity) to the tastes and talents of the amateur air guitarist.
Ultimately, air guitar playing reminds us how gesture and listening sustain important aspects of our cultural identities. It calls on us to rethink the origins of our current interactive and haptic technologies, which stem just as much from technological innovations as they do from a desire to take music recordings into our own hands.
Dates: February 12 – April 12, 2019 Time: Library Hours Location: Orwig Music Library, 1 Young Orchard Avenue, Providence