Episode 08: Rica Maestas and Julia Renaud on moonhaus

moonhaus

What is moonhaus? Find out in our conversation with Rica Maestas and Julia Renaud, the hosts behind a recent installation and event series that invited attendees to explore ideas of astrology and witch culture. Rica and Julia talk about what moonhaus borrows from theater and installation art, what kind of work goes into creating meaningful interactions and adopting feminist methodologies when designing events, and what astrology might teach us in the twenty-first century.

This episode is part of our series on the creators behind Gallery Lab, an exciting collection of pop-up exhibitions, performances, and other programming hosted by the John Nicholas Brown Center for Public Humanities and Cultural Heritage (Brown University).

Rica Maestas

Rica Maestas is po-mo burqueña, artist, author, and host / curator with a soft spot for dogs and inappropriately placed religious iconography. She is currently finishing her MA in Public Humanities, working at the David Winton Bell Gallery, and ruminating on art museum gift shops.

Julia Renaud

Julia Renaud is a Masters student in Brown’s Public Humanities program and co-host / curator of moonhaus. With a background in American history, theater, and archival work, Julia is deeply interested in practices of centering culturally marginalized narratives in ways that engage with and create inclusive communities. She would also like to learn more about past life regressions.

moonhaus would like to thank the John Nicholas Brown Center for Public Humanities and Cultural Heritage and the Brown Arts Initiative for their generous support.

You can find every episode of Public Work on iTunes, and you can listen via the Anchor embed below (or find and download episodes on our Anchor page). We’ve also backed up every episode of Public Work in Brown University’s Digital Repository for long-term preservation.

Episode 08: Rica Maestas and Julia Renaud on moonhaus by Public Work: a public humanities podcast

What is moonhaus? Find out in our conversation with Rica Maestas and Julia Renaud, the hosts behind a recent installation and event series that invited attendees to explore ideas of astrology and witch culture.

Show Notes

Cafe Astrology

Chani Nicholas

Horoscopes by The Astrotwins

The music on this episode is excerpted from the song “New Day” by Lee Rosevere (licensed via Creative Commons Attribution 4.0 International).

Episode 07: Maggie Unverzagt Goddard and Mika Matsuno on BAD ART

BAD ART

What is Bad Art? Where do our ideas about aesthetics come from and how do those ideas change over time? Have you ever taken a still life class where the model was a dog? What does Enya have to do with all of this? Find out in our conversation with Maggie Unverzagt Goddard and Mika Matsuno, the Brown University students behind a recent crowdsourced exhibition on Bad Art.

This episode is part of our series on the creators behind Gallery Lab, an exciting collection of pop-up exhibitions, performances, and other programming hosted by the John Nicholas Brown Center for Public Humanities and Cultural Heritage (Brown University).

Maggie Unverzagt Goddard

Maggie Unverzagt Goddard is a PhD candidate in American Studies at Brown. She received an MA in Public Humanities from Brown and an MA in American Studies from the George Washington University. Her research engages visual culture and performance studies through a focus on objects, aesthetics, and the body.
Mika Matsuno
Mika Matsuno is an undergraduate senior at Brown studying History and Sociology. She enjoys most the tactile experience of art making and gravitates most towards collage, printmaking, and fabric arts.

You can find every episode of Public Work on iTunes, and you can listen via the Anchor embed below (or find and download episodes on our Anchor page). We’ve also backed up every episode of Public Work in Brown University’s Digital Repository for long-term preservation.

Episode 07: Maggie Unverzagt Goddard and Mika Matsuno on BAD ART by Public Work: a public humanities podcast

What is Bad Art? Where do our ideas about aesthetics come from and how do those ideas change over time? Have you ever taken a still life class where the model was a dog? What does Enya have to do with all of this?

The music on this episode is excerpted from the song “New Day” by Lee Rosevere (licensed via Creative Commons Attribution 4.0 International).

Episode 05: Kate Duffy on Phantom Archives

Portrait of Nancy Luce. Photograph by Joseph W. Warren.
Portrait of Nancy Luce. Photograph by Joseph W. Warren. Original copy found in the Boston Public Library’s Collections.

How are artists and performers finding creative uses for archival materials? On our latest episode we’re joined by Kate Duffy, a doctoral candidate in American Studies at Brown who is also one of the creators of The Phantom Archive. Kate describes her interest in creating dreamlike spaces around archival materials, explains what she’s learned from nineteenth-century forms of entertainment like panoramas and magic shows, and introduces us to Mr. Crowley and Nancy Luce.

This episode is part of our series on the creators behind Gallery Lab, an exciting collection of pop-up exhibitions, performances, and other programming hosted by the John Nicholas Brown Center for Public Humanities and Cultural Heritage (Brown University).

Kate Duffy is a Ph.D. candidate in American Studies at Brown University. Her focus is nineteenth-century American culture and the history of science. Right now she is working on a dissertation about phrenology. She also works in the world of museums and historic sites, most recently serving as a curatorial research fellow at the Institute of Contemporary Art in Boston. More information is on her web site at www.kateduffy.net.

You can find every episode of Public Work on iTunes, and you can listen via the Anchor embed below (or find and download episodes on our Anchor page). We’ve also backed up every episode of Public Work in Brown University’s Digital Repository for long-term preservation.

Episode 05: Kate Duffy on Phantom Archives by Public Work: a public humanities podcast

How are artists and performers finding creative uses for archival materials? On our latest episode we’re joined by Kate Duffy, a doctoral candidate in American Studies at Brown who is also one of the creators of The Phantom Archive.

Show Notes

The music on this episode is excerpted from the song “New Day” by Lee Rosevere (licensed via Creative Commons Attribution 4.0 International).

Episode 03: Hannah Mooney and Molly Pailet on Monuments and Memory

Hannah Mooney and Molly Pailet

This episode kicks off a series focusing on Gallery Lab, an exciting initiative here at the John Nicholas Brown Center for Public Humanities and Cultural Heritage that invites graduate students and their collaborators to curate, perform, and organize an exciting array of exhibitions, events, and activities. You can read more about Gallery Lab in the Brown Daily Herald and check out the full calendar of events here.

Hannah Mooney and Molly Pailet stopped by Public Work to talk about “Monument Worthy,” an exhibition they curated on the topic of “personal memory markers.” Hear Hannah and Molly talk with Jim and Amelia about the monuments and debates informing their work, the forms of monuments to personal memory that were revealed in their exhibition, and the ways we remember, erase, and interrogate history through our relationships to material objects large and small.

Hannah Mooney is a first year in the Public Humanities Master’s Program, who is interested in public history, museum education, and historic preservation. Aside from Public Work, her favorite podcast is 2 Dope Queens. For tweets related to museums and history, or more likely dogs, you can follow her @hannahemooney.

Molly Pailet is a first-year student in the MA Public Humanities Program. She is passionate about applied history, non-traditional education, and creating opportunities for engagement and connection. Her favorite podcast is The Mortified Guide, because she too has a very embarrassing collection of journals that the historian in her can’t bear to get rid of…primary source documents! Check her out on Twitter @akimboflamingo.

You can find every episode of Public Work on iTunes, and you can listen via the Anchor embed below (or find and download episodes on our Anchor page). We’ve also backed up every episode of Public Work in Brown University’s Digital Repository for long-term preservation.

Episode 03: Hannah Mooney and Molly Pailet on Monuments and Memory by Public Work: a public humanities podcast

Hannah Mooney and Molly Pailet stopped by Public Work to talk about “Monument Worthy,” an exhibition they curated on the topic of “personal memory markers.” Hear Hannah and Molly talk with Jim and Amelia about the monuments and debates informing their work, the forms of monuments to personal memory that were revealed in their exhibition, and the ways we remember, erase, and interrogate history through our relationships to material objects large and small.

Show Notes

Learn more about Itaru Sasaki’s phone booth (mentioned by Molly) at This American Life and CityLab.

New Orleans Mayor Rich Landrieu’s speech on the removal of Confederate monuments (mentioned by Hannah) can be found online: here is a transcript and here is video.

When asked for reading recommendations on monuments and memory, Molly and Hannah mention Erika Doss’ Memorial Mania: Public Feeling in America (2010) and Dell Upton’s What Can and Can’t Be Said: Race, Uplift, and Monument Building in the Contemporary South (2015).

The music on this episode is excerpted from the song “New Day” by Lee Rosevere (licensed via Creative Commons Attribution 4.0 International)